Gender in the music industry: rock, discourse and girl power
"Why, despite the number of high profile female rock musicians, does rock continue to be understood as masculine? Why is rock generally assumed to be created and performed by men? Marion Leonard explores different representations of masculinity offered by, and performed through, rock music, and...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
London
Routledge, Taylor and Francis Group
2017
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Schriftenreihe: | Ashgate popular and folk music series
|
Schlagworte: | |
Online-Zugang: | FUBA1 Volltext |
Zusammenfassung: | "Why, despite the number of high profile female rock musicians, does rock continue to be understood as masculine? Why is rock generally assumed to be created and performed by men? Marion Leonard explores different representations of masculinity offered by, and performed through, rock music, and examines how female rock performers negotiate this gendering of rock as masculine. A major concern of the book is not specifically with men or with women performing rock, but with how notions of gender affect the everyday experiences of all rock musicians within the context of the music industry."--BOOK JACKET. |
Beschreibung: | Includes bibliographical references (p. ) and discography (p. ) |
Beschreibung: | 1 Online-Ressource (xi, 239 Seiten) Illustrationen |
ISBN: | 9781351218269 |
DOI: | 10.4324/9781351218269 |
Internformat
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490 | 0 | |a Ashgate popular and folk music series | |
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520 | 1 | |a "Why, despite the number of high profile female rock musicians, does rock continue to be understood as masculine? Why is rock generally assumed to be created and performed by men? Marion Leonard explores different representations of masculinity offered by, and performed through, rock music, and examines how female rock performers negotiate this gendering of rock as masculine. A major concern of the book is not specifically with men or with women performing rock, but with how notions of gender affect the everyday experiences of all rock musicians within the context of the music industry."--BOOK JACKET. | |
648 | 7 | |a Geschichte 1990-2007 |2 gnd |9 rswk-swf | |
650 | 7 | |a Popmuziek |2 gtt | |
650 | 7 | |a Sekseverschillen |2 gtt | |
650 | 4 | |a Geschlechtsunterschied | |
650 | 4 | |a Alternative rock music |x History and criticism | |
650 | 4 | |a Women rock musicians | |
650 | 4 | |a Riot grrrl movement | |
650 | 0 | 7 | |a Indie-Pop |0 (DE-588)4531255-2 |2 gnd |9 rswk-swf |
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651 | 4 | |a USA | |
655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
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Datensatz im Suchindex
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adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Leonard, Marion 1970- |
author_GND | (DE-588)133308863 |
author_facet | Leonard, Marion 1970- |
author_role | aut |
author_sort | Leonard, Marion 1970- |
author_variant | m l ml |
building | Verbundindex |
bvnumber | BV047097216 |
collection | ZDB-7-RHO |
ctrlnum | (OCoLC)1232512793 (DE-599)BVBBV047097216 |
dewey-full | 781.66082 |
dewey-hundreds | 700 - The arts |
dewey-ones | 781 - General principles and musical forms |
dewey-raw | 781.66082 |
dewey-search | 781.66082 |
dewey-sort | 3781.66082 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
discipline_str_mv | Musikwissenschaft |
doi_str_mv | 10.4324/9781351218269 |
era | Geschichte 1990-2007 gnd |
era_facet | Geschichte 1990-2007 |
format | Electronic eBook |
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genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
genre_facet | Hochschulschrift |
geographic | Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland gtt Verenigde Staten gtt USA |
geographic_facet | Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland Verenigde Staten USA |
id | DE-604.BV047097216 |
illustrated | Not Illustrated |
index_date | 2024-07-03T16:21:43Z |
indexdate | 2024-07-10T09:02:30Z |
institution | BVB |
isbn | 9781351218269 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032503669 |
oclc_num | 1232512793 |
open_access_boolean | |
owner | DE-188 |
owner_facet | DE-188 |
physical | 1 Online-Ressource (xi, 239 Seiten) Illustrationen |
psigel | ZDB-7-RHO |
publishDate | 2017 |
publishDateSearch | 2017 |
publishDateSort | 2017 |
publisher | Routledge, Taylor and Francis Group |
record_format | marc |
series2 | Ashgate popular and folk music series |
spelling | Leonard, Marion 1970- Verfasser (DE-588)133308863 aut Gender in the music industry rock, discourse and girl power Marion Leonard, University of Liverpool, UK London Routledge, Taylor and Francis Group 2017 © 2007 1 Online-Ressource (xi, 239 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Ashgate popular and folk music series Includes bibliographical references (p. ) and discography (p. ) "Why, despite the number of high profile female rock musicians, does rock continue to be understood as masculine? Why is rock generally assumed to be created and performed by men? Marion Leonard explores different representations of masculinity offered by, and performed through, rock music, and examines how female rock performers negotiate this gendering of rock as masculine. A major concern of the book is not specifically with men or with women performing rock, but with how notions of gender affect the everyday experiences of all rock musicians within the context of the music industry."--BOOK JACKET. Geschichte 1990-2007 gnd rswk-swf Popmuziek gtt Sekseverschillen gtt Geschlechtsunterschied Alternative rock music History and criticism Women rock musicians Riot grrrl movement Indie-Pop (DE-588)4531255-2 gnd rswk-swf Rockmusikerin (DE-588)4132265-4 gnd rswk-swf Riot grrrl (DE-588)7586222-0 gnd rswk-swf Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland gtt Verenigde Staten gtt USA (DE-588)4113937-9 Hochschulschrift gnd-content Indie-Pop (DE-588)4531255-2 s Rockmusikerin (DE-588)4132265-4 s Geschichte 1990-2007 z DE-604 Riot grrrl (DE-588)7586222-0 s Erscheint auch als Druck-Ausgabe, Hardcover 978-0-7546-3861-2 (DE-604)BV022655431 Erscheint auch als Druck-Ausgabe, Paperback 978-0-7546-3862-9 (DE-604)BV022655431 https://doi.org/10.4324/9781351218269 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Leonard, Marion 1970- Gender in the music industry rock, discourse and girl power Popmuziek gtt Sekseverschillen gtt Geschlechtsunterschied Alternative rock music History and criticism Women rock musicians Riot grrrl movement Indie-Pop (DE-588)4531255-2 gnd Rockmusikerin (DE-588)4132265-4 gnd Riot grrrl (DE-588)7586222-0 gnd |
subject_GND | (DE-588)4531255-2 (DE-588)4132265-4 (DE-588)7586222-0 (DE-588)4113937-9 |
title | Gender in the music industry rock, discourse and girl power |
title_auth | Gender in the music industry rock, discourse and girl power |
title_exact_search | Gender in the music industry rock, discourse and girl power |
title_exact_search_txtP | Gender in the music industry rock, discourse and girl power |
title_full | Gender in the music industry rock, discourse and girl power Marion Leonard, University of Liverpool, UK |
title_fullStr | Gender in the music industry rock, discourse and girl power Marion Leonard, University of Liverpool, UK |
title_full_unstemmed | Gender in the music industry rock, discourse and girl power Marion Leonard, University of Liverpool, UK |
title_short | Gender in the music industry |
title_sort | gender in the music industry rock discourse and girl power |
title_sub | rock, discourse and girl power |
topic | Popmuziek gtt Sekseverschillen gtt Geschlechtsunterschied Alternative rock music History and criticism Women rock musicians Riot grrrl movement Indie-Pop (DE-588)4531255-2 gnd Rockmusikerin (DE-588)4132265-4 gnd Riot grrrl (DE-588)7586222-0 gnd |
topic_facet | Popmuziek Sekseverschillen Geschlechtsunterschied Alternative rock music History and criticism Women rock musicians Riot grrrl movement Indie-Pop Rockmusikerin Riot grrrl Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland Verenigde Staten USA Hochschulschrift |
url | https://doi.org/10.4324/9781351218269 |
work_keys_str_mv | AT leonardmarion genderinthemusicindustryrockdiscourseandgirlpower |