Neorealist film culture, 1945-1954: Rome, open cinema
Unique, truthful, brutal ... Neorealism is often associated with adjectives stressing its peculiarities in representing the real, its lack of antecedents, and its legacy in terms of film style. While this is useful when confronting auteurs such as De Sica, Rossellini or Visconti, it becomes problema...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Amsterdam
Amsterdam University Press
2020
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Schriftenreihe: | Film culture in transition
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Schlagworte: | |
Online-Zugang: | DE-12 DE-473 Volltext |
Zusammenfassung: | Unique, truthful, brutal ... Neorealism is often associated with adjectives stressing its peculiarities in representing the real, its lack of antecedents, and its legacy in terms of film style. While this is useful when confronting auteurs such as De Sica, Rossellini or Visconti, it becomes problematic when examining a widespread cultural practice that realistic modes deeply affected. This cultural production included filmmaking, literature, visual culture and photography, as well as media discourses. It was internally contradictory but fruitful inasmuch as its legacy influenced national culture for many decades to come. The volume spotlights post-war Italian film culture by locating a series of crossroads, i.e. topics barely examined when discussing neorealism: nation, memory and trauma, visual culture, stardom, and performance. The aim is to deconstruct neorealism as a monument and to open up its cultural history |
Beschreibung: | Title from publisher's bibliographic system (viewed on 20 Nov 2020) |
Beschreibung: | 1 Online-Ressource (384 Seiten) |
ISBN: | 9789048526253 |
DOI: | 10.1017/9789048526253 |
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Datensatz im Suchindex
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author | Pitassio, Francesco 1968- |
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dewey-ones | 791 - Public performances |
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dewey-search | 791.436120945 |
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doi_str_mv | 10.1017/9789048526253 |
era | Geschichte 1945-1954 gnd |
era_facet | Geschichte 1945-1954 |
format | Electronic eBook |
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geographic_facet | Italien |
id | DE-604.BV047091658 |
illustrated | Not Illustrated |
index_date | 2024-07-03T16:19:48Z |
indexdate | 2024-11-19T07:00:10Z |
institution | BVB |
isbn | 9789048526253 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032498197 |
oclc_num | 1231961200 |
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owner_facet | DE-12 DE-473 DE-BY-UBG |
physical | 1 Online-Ressource (384 Seiten) |
psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | Amsterdam University Press |
record_format | marc |
series2 | Film culture in transition |
spelling | Pitassio, Francesco 1968- (DE-588)138660727 aut Neorealist film culture, 1945-1954 Rome, open cinema Francesco Pitassio Amsterdam Amsterdam University Press 2020 2019 1 Online-Ressource (384 Seiten) txt rdacontent c rdamedia cr rdacarrier Film culture in transition Title from publisher's bibliographic system (viewed on 20 Nov 2020) Unique, truthful, brutal ... Neorealism is often associated with adjectives stressing its peculiarities in representing the real, its lack of antecedents, and its legacy in terms of film style. While this is useful when confronting auteurs such as De Sica, Rossellini or Visconti, it becomes problematic when examining a widespread cultural practice that realistic modes deeply affected. This cultural production included filmmaking, literature, visual culture and photography, as well as media discourses. It was internally contradictory but fruitful inasmuch as its legacy influenced national culture for many decades to come. The volume spotlights post-war Italian film culture by locating a series of crossroads, i.e. topics barely examined when discussing neorealism: nation, memory and trauma, visual culture, stardom, and performance. The aim is to deconstruct neorealism as a monument and to open up its cultural history Geschichte 1945-1954 gnd rswk-swf Realism in motion pictures Motion pictures / Italy / History Neorealismus (DE-588)4171455-6 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Italien (DE-588)4027833-5 g Film (DE-588)4017102-4 s Neorealismus (DE-588)4171455-6 s Geschichte 1945-1954 z DE-604 Erscheint auch als Druck-Ausgabe 978-90-8964-800-6 https://doi.org/10.1017/9789048526253 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Pitassio, Francesco 1968- Neorealist film culture, 1945-1954 Rome, open cinema Realism in motion pictures Motion pictures / Italy / History Neorealismus (DE-588)4171455-6 gnd Film (DE-588)4017102-4 gnd |
subject_GND | (DE-588)4171455-6 (DE-588)4017102-4 (DE-588)4027833-5 |
title | Neorealist film culture, 1945-1954 Rome, open cinema |
title_auth | Neorealist film culture, 1945-1954 Rome, open cinema |
title_exact_search | Neorealist film culture, 1945-1954 Rome, open cinema |
title_exact_search_txtP | Neorealist film culture, 1945-1954 Rome, open cinema |
title_full | Neorealist film culture, 1945-1954 Rome, open cinema Francesco Pitassio |
title_fullStr | Neorealist film culture, 1945-1954 Rome, open cinema Francesco Pitassio |
title_full_unstemmed | Neorealist film culture, 1945-1954 Rome, open cinema Francesco Pitassio |
title_short | Neorealist film culture, 1945-1954 |
title_sort | neorealist film culture 1945 1954 rome open cinema |
title_sub | Rome, open cinema |
topic | Realism in motion pictures Motion pictures / Italy / History Neorealismus (DE-588)4171455-6 gnd Film (DE-588)4017102-4 gnd |
topic_facet | Realism in motion pictures Motion pictures / Italy / History Neorealismus Film Italien |
url | https://doi.org/10.1017/9789048526253 |
work_keys_str_mv | AT pitassiofrancesco neorealistfilmculture19451954romeopencinema |