Aegean linear script(s): rethinking the relationship between Linear A and Linear B
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| Main Author: | |
|---|---|
| Format: | Thesis Book |
| Language: | English |
| Published: |
Cambridge
Cambridge University Press
2020
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| Series: | Cambridge classical studies
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis Klappentext |
| Physical Description: | xx, 416 Seiten Illustrationen, Karte |
| ISBN: | 9781108479387 |
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| adam_text | Contents List of Figures List of Tables Preface Acknowledgements List ofAbbreviations xi xiii xv xvii xix 1 INTRODUCTION AND THEORETICAL FRAMEWORK 1 1.1 Setting the Scene 1.1.1 Palaeography 1 7 1.1.2 Structure 9 1.2 Questioning Cultural (and Ethnic) ‘Labels’ 1.2.1 Evans’ legacy 10 10 1.2.1.1 The pioneering responsibility of definition 10 1.2.1.2 Influences of the nineteenth-century intellectual climate 17 1.2.2 The reinforcement and stabilisation of the classification 20 1.2.2.1 Evans’model 20 1.2.2.2 After Evans 21 1.2.2.3 Script and language 24 1.3 Questioning the Unquestionable: Some Theoretical Preliminaries 25 1.3.1 What was wrong with the previous views? 25 1.3.2 Classifying and labelling scripts 26 1.3.2.1 Defining ‘script’ 26 1.3.2.2 Linear A and Linear B: two scripts or one? 28 1.3.2.3 Writing system components: a theoretical outline 30 1.4 Linear A and Linear B: a First Assessment 32 2 WHAT DOES LINEAR A LOOK LIKE? 42 2.1 The Nature of the Evidence 42 2.1.1 Chronological and geographical framework 42 2.1.2 Current Linear A sign classification 49 2.1.2.1 Formal classification: GORILA 49 2.1.2.2 Functional classification: Schoep 50 vii
Contents 2.2 Linear A Structure 51 2.2.1 Alternative functional classification of Linear A signs 52 2.2.2 Formal analysis of Linear A signs 54 2.2.2.1 Simple vs. composite signs 54 2.222 Configurational categories 57 2.2.2.3 List of composite sign configurations 59 2.2.2.4 Number of signs involved 85 2.2.2.5 Which sign in which configuration? 86 2.2.2.6 Overall configuration patterns? 139 222.1 Possibly misclassified signs 141 2.2.3 Conclusions 149 2.3 Linear A Palaeography 150 2.3.1 What is known of Linear A palaeography 150 2.3.2 Delving deeper into Linear A palaeography 152 2.3.2.1 Sign distribution over sites 152 2.3.2.2 Site-specific palaeography 156 2.3.2.3 On the surface: a striking similarity 168 2.3.3 Conclusions 176 3 WHAT DOES LINEAR В LOOK LIKE? 178 3.1 The Nature of the Evidence 178 3.1.1 The earliest evidence of Linear В writing 178 3.1.2 The Room of the Chariot Tablets 180 3.1.2.1 Archaeological context 180 3.1.2.2 Epigraphical context 187 3.1.2.3 Considerations 193 3.1.3 The North Entrance Passage and North- West Insula 195 3.1.3.1 Archaeological context 195 3.1.3.2 Epigraphical context 201 3.1.3.3 Considerations 209 viii
Contents 3.2 Linear В Structure 3.2.1 What kind of‘structure’? 3.2.2 210 210 The datasets 211 3.2.2.1 The Room of the Chariot Tablets 211 3.2.2.2 The North Entrance Passage 223 3.2.2.3 The North-West Insula 228 3.2.3 Conclusions 230 3.3 Linear В Palaeography 3.3.1 Shaping up Linear В palaeography 233 233 3.3.1.1 The roots of Linear В palaeographical analysis 233 3.3.1.2 Further developments 234 3.3.1.3 On the concepts of‘styles’ and ‘palaeographical traditions’ 239 3.3.2 Room of the Chariot Tablets palaeography 244 3.3.3 North Entrance Passage and North-WestInsula palaeography 247 3.3.3.1 North Entrance Passage graphic variants 248 3.3.3.2 North-West Insula graphic variants 270 3.3.4 Conclusions Tib 4 INTERPRETATIVE MODELS 283 4.1 Structural Model 283 4.1.1 Taking stock of the situation 283 4.1.2 Proposing an interpretative model 284 4.1.2.1 The model 284 4.1.2.2 Synoptic description of constitutive components 286 4.1.2.3 Value of subsets andimplications of the proposed model 287 4.1.3 Description of the AB ‘core’ : accountingfor changes 288 4.1.4 Description of the‘subsets’ 290 4.1.4.1 The ‘B’-subsets 291 4.1.4.2 The ‘A’-subsets 300 4.1.5 Conclusions 355 ix
Contents 4.2 Palaeographical Model 356 4.2.1 Graphic variants in Linear A 357 4.2.2 Graphic variants in Linear В 358 4.2.3 The Linear A-Linear В palaeographical model 360 4.2.4 Local graphic influences? 361 4.2.4.1 ‘Linear As’ from the north and east area: Khania andZakros 361 4.2.4.2 Scoring again: some additional features 362 4.2.4.3 An apparent point of departure: Haghia Triada and Phaistos 365 4.2.5 Conclusions 369 5 OVERALL CONCLUSIONS 371 Bibliography General Index Index ofSigns Cited 381 409 412 The Appendices are hosted on the Cambridge University Press website at www.cambridge.org/9781108479387 x
When does a continuum become a divide? This book investigates the genetic relationship between Linear A and Linear B, two Bronze Age scripts attested on Crete and Mainland Greece and understood to have developed one out of the other. By using an interdisciplinary methodology, this research integrates linguistic, epigraphic, palaeographic and archaeological evidence, and places the writing practice in its sociohistorical setting. By challenging traditional views, this work calls into question widespread assumptions and interpretative schemes on the relationship between these two scripts, and opens up new perspectives on the ideology associated with the retention, adaptation and transmission of a script, and how identity was negotiated at a moment of closer societal interaction between Cretans and Greek-speaking Mainlanders in the Late Bronze Age. By delving deeper into the structure and inner workings of these two writing systems, this book will make us rethink the relationship between Linear A and B.
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| adam_txt |
Contents List of Figures List of Tables Preface Acknowledgements List ofAbbreviations xi xiii xv xvii xix 1 INTRODUCTION AND THEORETICAL FRAMEWORK 1 1.1 Setting the Scene 1.1.1 Palaeography 1 7 1.1.2 Structure 9 1.2 Questioning Cultural (and Ethnic) ‘Labels’ 1.2.1 Evans’ legacy 10 10 1.2.1.1 The pioneering responsibility of definition 10 1.2.1.2 Influences of the nineteenth-century intellectual climate 17 1.2.2 The reinforcement and stabilisation of the classification 20 1.2.2.1 Evans’model 20 1.2.2.2 After Evans 21 1.2.2.3 Script and language 24 1.3 Questioning the Unquestionable: Some Theoretical Preliminaries 25 1.3.1 What was wrong with the previous views? 25 1.3.2 Classifying and labelling scripts 26 1.3.2.1 Defining ‘script’ 26 1.3.2.2 Linear A and Linear B: two scripts or one? 28 1.3.2.3 Writing system components: a theoretical outline 30 1.4 Linear A and Linear B: a First Assessment 32 2 WHAT DOES LINEAR A LOOK LIKE? 42 2.1 The Nature of the Evidence 42 2.1.1 Chronological and geographical framework 42 2.1.2 Current Linear A sign classification 49 2.1.2.1 Formal classification: GORILA 49 2.1.2.2 Functional classification: Schoep 50 vii
Contents 2.2 Linear A Structure 51 2.2.1 Alternative functional classification of Linear A signs 52 2.2.2 Formal analysis of Linear A signs 54 2.2.2.1 Simple vs. composite signs 54 2.222 Configurational categories 57 2.2.2.3 List of composite sign configurations 59 2.2.2.4 Number of signs involved 85 2.2.2.5 Which sign in which configuration? 86 2.2.2.6 Overall configuration patterns? 139 222.1 Possibly misclassified signs 141 2.2.3 Conclusions 149 2.3 Linear A Palaeography 150 2.3.1 What is known of Linear A palaeography 150 2.3.2 Delving deeper into Linear A palaeography 152 2.3.2.1 Sign distribution over sites 152 2.3.2.2 Site-specific palaeography 156 2.3.2.3 On the surface: a striking similarity 168 2.3.3 Conclusions 176 3 WHAT DOES LINEAR В LOOK LIKE? 178 3.1 The Nature of the Evidence 178 3.1.1 The earliest evidence of Linear В writing 178 3.1.2 The Room of the Chariot Tablets 180 3.1.2.1 Archaeological context 180 3.1.2.2 Epigraphical context 187 3.1.2.3 Considerations 193 3.1.3 The North Entrance Passage and North- West Insula 195 3.1.3.1 Archaeological context 195 3.1.3.2 Epigraphical context 201 3.1.3.3 Considerations 209 viii
Contents 3.2 Linear В Structure 3.2.1 What kind of‘structure’? 3.2.2 210 210 The datasets 211 3.2.2.1 The Room of the Chariot Tablets 211 3.2.2.2 The North Entrance Passage 223 3.2.2.3 The North-West Insula 228 3.2.3 Conclusions 230 3.3 Linear В Palaeography 3.3.1 Shaping up Linear В palaeography 233 233 3.3.1.1 The roots of Linear В palaeographical analysis 233 3.3.1.2 Further developments 234 3.3.1.3 On the concepts of‘styles’ and ‘palaeographical traditions’ 239 3.3.2 Room of the Chariot Tablets palaeography 244 3.3.3 North Entrance Passage and North-WestInsula palaeography 247 3.3.3.1 North Entrance Passage graphic variants 248 3.3.3.2 North-West Insula graphic variants 270 3.3.4 Conclusions Tib 4 INTERPRETATIVE MODELS 283 4.1 Structural Model 283 4.1.1 Taking stock of the situation 283 4.1.2 Proposing an interpretative model 284 4.1.2.1 The model 284 4.1.2.2 Synoptic description of constitutive components 286 4.1.2.3 Value of subsets andimplications of the proposed model 287 4.1.3 Description of the AB ‘core’ : accountingfor changes 288 4.1.4 Description of the‘subsets’ 290 4.1.4.1 The ‘B’-subsets 291 4.1.4.2 The ‘A’-subsets 300 4.1.5 Conclusions 355 ix
Contents 4.2 Palaeographical Model 356 4.2.1 Graphic variants in Linear A 357 4.2.2 Graphic variants in Linear В 358 4.2.3 The Linear A-Linear В palaeographical model 360 4.2.4 Local graphic influences? 361 4.2.4.1 ‘Linear As’ from the north and east area: Khania andZakros 361 4.2.4.2 Scoring again: some additional features 362 4.2.4.3 An apparent point of departure: Haghia Triada and Phaistos 365 4.2.5 Conclusions 369 5 OVERALL CONCLUSIONS 371 Bibliography General Index Index ofSigns Cited 381 409 412 The Appendices are hosted on the Cambridge University Press website at www.cambridge.org/9781108479387 x
When does a continuum become a divide? This book investigates the genetic relationship between Linear A and Linear B, two Bronze Age scripts attested on Crete and Mainland Greece and understood to have developed one out of the other. By using an interdisciplinary methodology, this research integrates linguistic, epigraphic, palaeographic and archaeological evidence, and places the writing practice in its sociohistorical setting. By challenging traditional views, this work calls into question widespread assumptions and interpretative schemes on the relationship between these two scripts, and opens up new perspectives on the ideology associated with the retention, adaptation and transmission of a script, and how identity was negotiated at a moment of closer societal interaction between Cretans and Greek-speaking Mainlanders in the Late Bronze Age. By delving deeper into the structure and inner workings of these two writing systems, this book will make us rethink the relationship between Linear A and B. |
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| spelling | Salgarella, Ester ca. 20./21. Jh. Verfasser (DE-588)1220295604 aut Aegean linear script(s) rethinking the relationship between Linear A and Linear B Ester Salgarella (St. John's College, Cambridge) Cambridge Cambridge University Press 2020 xx, 416 Seiten Illustrationen, Karte txt rdacontent n rdamedia nc rdacarrier Cambridge classical studies Dissertation University of Cambridge 2018 Beziehung (DE-588)4145198-3 gnd rswk-swf Linear A (DE-588)4167692-0 gnd rswk-swf Linear B (DE-588)4035808-2 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Linear A (DE-2581)TH000008354 gbd Linear B (DE-2581)TH000008355 gbd Linear A (DE-588)4167692-0 s Linear B (DE-588)4035808-2 s Beziehung (DE-588)4145198-3 s DE-604 Cambridge (DE-588)4009351-7 gnd uvp Erscheint auch als Online-Ausgabe 978-1-108-80616-9 (DE-604)BV046960370 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032497825&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032497825&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Salgarella, Ester ca. 20./21. Jh Aegean linear script(s) rethinking the relationship between Linear A and Linear B Beziehung (DE-588)4145198-3 gnd Linear A (DE-588)4167692-0 gnd Linear B (DE-588)4035808-2 gnd |
| subject_GND | (DE-588)4145198-3 (DE-588)4167692-0 (DE-588)4035808-2 (DE-588)4113937-9 |
| title | Aegean linear script(s) rethinking the relationship between Linear A and Linear B |
| title_auth | Aegean linear script(s) rethinking the relationship between Linear A and Linear B |
| title_exact_search | Aegean linear script(s) rethinking the relationship between Linear A and Linear B |
| title_exact_search_txtP | Aegean linear script(s) rethinking the relationship between Linear A and Linear B |
| title_full | Aegean linear script(s) rethinking the relationship between Linear A and Linear B Ester Salgarella (St. John's College, Cambridge) |
| title_fullStr | Aegean linear script(s) rethinking the relationship between Linear A and Linear B Ester Salgarella (St. John's College, Cambridge) |
| title_full_unstemmed | Aegean linear script(s) rethinking the relationship between Linear A and Linear B Ester Salgarella (St. John's College, Cambridge) |
| title_short | Aegean linear script(s) |
| title_sort | aegean linear script s rethinking the relationship between linear a and linear b |
| title_sub | rethinking the relationship between Linear A and Linear B |
| topic | Beziehung (DE-588)4145198-3 gnd Linear A (DE-588)4167692-0 gnd Linear B (DE-588)4035808-2 gnd |
| topic_facet | Beziehung Linear A Linear B Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032497825&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032497825&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT salgarellaester aegeanlinearscriptsrethinkingtherelationshipbetweenlinearaandlinearb |