Desired artistic outcomes in music performance:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York : London
Routledge, Taylor & Francis Group
2021
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| Schriftenreihe: | SEMPRE studies in the psychology of music
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xvii, 218 Seiten Illustrationen |
| ISBN: | 9780367537845 9780367151386 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents Note on authors List offigures List of tables Series editor ’s preface Introduction xi xiii xiv xv 1 Thematic presentation 1 Rationale 3 Book structure 4 1 Rethinking music performance: the role of desired artistic outcomes 10 Introduction 10 Conceptual issues 12 General perspectives on performance 12 Music performance 15 Music performance in higher music education 16 Music performance in music industries 18 General perspectives 18 Live performance music industry 20 Music performance and career issues 22 Discussion 24 Summary 27 2 Desired artistic outcomes: conceptualization and achievements Introduction 30 Conceptualization 32 30
viii Contents Preliminary issues 32 Development 36 Dimensions 37 Achievements 41 The role of self-authorship 41 Epistemological foundation 42 Intrapersonal foundation 43 Interpersonal foundation 46 Discussion 48 Summary 50 3 Desired artistic outcomes in music performance: challenges and promotion Introduction 52 Challenges 54 The formalist code 55 Moving from formalism to artistic research 58 Promotion 61 Rethinking pedagogical principles: firture directions 63 Stimulating the ‘ethical traitor’ 64 The role of mentoring 68 Discussion 72 Summary 77 4 Exploring desired artistic outcomes: performers’ perspectives (part I) Introduction 79 Exploring desired artistic outcomes in music performance: developing the strategy 80 Implementing the strategy 81 Casestudies 82 Case study 1 : Lucius 83 Case study 2: Janis 89 Case study 3: Hector 96 Case study 4: Baden 100 Case study 5: Axel 107 Case study 6: Raul 116 Discussion 125 Summary 127
Contents 5 6 Exploring desired artistic outcomes: performers’ perspectives (part II) Introduction 129 Casestudies 130 Case study 1: Lucius 130 Case study 2: Janis 137 Case study 3: Hector 140 Case study 4: Baden 147 Case study 5: Axel 150 Case study 6: Raul 154 Discussion 156 Summary 158 Looking for desired artistic outcomes: the artistic research project ix 129 159 Introduction 159 The artistic research proposal 163 Prelude 163 Material thinking 167 Articulating concepts and images in desired artistic outcomes 168 Disseminating desired artistic outcomes 173 Discussion 174 Summary 176 7 Promoting desired artistic outcomes: the pedagogical project Introduction 178 The Artistic Mentoring Programme 179 Foundations 179 Addressed capacity: self-authorship 180 Covered topics 181 Dissemination 182 Dimensions 182 Understanding the emancipated performer 182 Nurturing the emancipatedperformer 185 Implementation 185 Casestudies 186 Case study 1 : Nós 186 Case study 2: Awake in a Dream 188 Case study 3: Jiao Dai 190 178
x Contents Discussion 192 Summary 194 Final thoughts 196 References Index 201 212
|
| adam_txt |
Contents Note on authors List offigures List of tables Series editor ’s preface Introduction xi xiii xiv xv 1 Thematic presentation 1 Rationale 3 Book structure 4 1 Rethinking music performance: the role of desired artistic outcomes 10 Introduction 10 Conceptual issues 12 General perspectives on performance 12 Music performance 15 Music performance in higher music education 16 Music performance in music industries 18 General perspectives 18 Live performance music industry 20 Music performance and career issues 22 Discussion 24 Summary 27 2 Desired artistic outcomes: conceptualization and achievements Introduction 30 Conceptualization 32 30
viii Contents Preliminary issues 32 Development 36 Dimensions 37 Achievements 41 The role of self-authorship 41 Epistemological foundation 42 Intrapersonal foundation 43 Interpersonal foundation 46 Discussion 48 Summary 50 3 Desired artistic outcomes in music performance: challenges and promotion Introduction 52 Challenges 54 The formalist code 55 Moving from formalism to artistic research 58 Promotion 61 Rethinking pedagogical principles: firture directions 63 Stimulating the ‘ethical traitor’ 64 The role of mentoring 68 Discussion 72 Summary 77 4 Exploring desired artistic outcomes: performers’ perspectives (part I) Introduction 79 Exploring desired artistic outcomes in music performance: developing the strategy 80 Implementing the strategy 81 Casestudies 82 Case study 1 : Lucius 83 Case study 2: Janis 89 Case study 3: Hector 96 Case study 4: Baden 100 Case study 5: Axel 107 Case study 6: Raul 116 Discussion 125 Summary 127
Contents 5 6 Exploring desired artistic outcomes: performers’ perspectives (part II) Introduction 129 Casestudies 130 Case study 1: Lucius 130 Case study 2: Janis 137 Case study 3: Hector 140 Case study 4: Baden 147 Case study 5: Axel 150 Case study 6: Raul 154 Discussion 156 Summary 158 Looking for desired artistic outcomes: the artistic research project ix 129 159 Introduction 159 The artistic research proposal 163 Prelude 163 Material thinking 167 Articulating concepts and images in desired artistic outcomes 168 Disseminating desired artistic outcomes 173 Discussion 174 Summary 176 7 Promoting desired artistic outcomes: the pedagogical project Introduction 178 The Artistic Mentoring Programme 179 Foundations 179 Addressed capacity: self-authorship 180 Covered topics 181 Dissemination 182 Dimensions 182 Understanding the emancipated performer 182 Nurturing the emancipatedperformer 185 Implementation 185 Casestudies 186 Case study 1 : Nós 186 Case study 2: Awake in a Dream 188 Case study 3: Jiao Dai 190 178
x Contents Discussion 192 Summary 194 Final thoughts 196 References Index 201 212 |
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| spelling | Dalagna, Gilvano Verfasser (DE-588)1226354114 aut Desired artistic outcomes in music performance Gilvano Dalagna, Sara Carvalho, and Graham F. Welch New York : London Routledge, Taylor & Francis Group 2021 xvii, 218 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier SEMPRE studies in the psychology of music Musizieren (DE-588)4170838-6 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Music / Performance Music / Instruction and study Musizieren (DE-588)4170838-6 s Aufführung (DE-588)4143388-9 s DE-604 Carvalho, Sara Sonstige (DE-588)1226354564 oth Welch, Graham F. Sonstige (DE-588)1031256415 oth Erscheint auch als Online-Ausgabe, ebk 978-0-429-05530-0 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032495828&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title_short | Desired artistic outcomes in music performance |
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