Grounding the analysis of cognitive processes in music performance: distributed cognition in musical activity
"Through the systematic analysis of data from music rehearsals, lessons, and performances, this book develops a new conceptual framework for studying cognitive processes in musical activity. Grounding the Analysis of Cognitive Processes in Music Performance draws uniquely on dominant paradigms...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2021
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| Schriftenreihe: | Explorations in cognitive psychology
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Through the systematic analysis of data from music rehearsals, lessons, and performances, this book develops a new conceptual framework for studying cognitive processes in musical activity. Grounding the Analysis of Cognitive Processes in Music Performance draws uniquely on dominant paradigms from the fields of cognitive science, ethnography, anthropology, psychology, and psycholinguistics to develop an ecologically valid framework for the analysis of cognitive processes during musical activity. By presenting close analysis of activities including instrumental performance on the bassoon, lessons on the guitar, and a group rehearsal, chapters provide new insights into the person/instrument system, the musician's use of informational resources, and the organization of perceptual experience during musical performance. Engaging in musical activity is shown to be a highly dynamic and collaborative process invoking tacit knowledge and coordination as musicians identify targets of focal awareness for themselves, their colleagues, and their students. Written by cognitive scientist and classically trained bassoonist, this specialist text builds on two decades of music performance research, and will be of interest to researchers, academics, and postgraduate students in the fields of cognitive psychology and music psychology, as well as musicology, ethnomusicology, music theory, and performance science. Linda T. Kaastra has taught courses in cognitive science, music, and discourse studies at the University of British Columbia and Simon Fraser University. She earned a PhD from UBC's Individual Interdisciplinary Graduate Studies Program"-- |
| Beschreibung: | 164 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780367151928 |
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| 520 | 3 | |a "Through the systematic analysis of data from music rehearsals, lessons, and performances, this book develops a new conceptual framework for studying cognitive processes in musical activity. Grounding the Analysis of Cognitive Processes in Music Performance draws uniquely on dominant paradigms from the fields of cognitive science, ethnography, anthropology, psychology, and psycholinguistics to develop an ecologically valid framework for the analysis of cognitive processes during musical activity. By presenting close analysis of activities including instrumental performance on the bassoon, lessons on the guitar, and a group rehearsal, chapters provide new insights into the person/instrument system, the musician's use of informational resources, and the organization of perceptual experience during musical performance. Engaging in musical activity is shown to be a highly dynamic and collaborative process invoking tacit knowledge and coordination as musicians identify targets of focal awareness for themselves, their colleagues, and their students. Written by cognitive scientist and classically trained bassoonist, this specialist text builds on two decades of music performance research, and will be of interest to researchers, academics, and postgraduate students in the fields of cognitive psychology and music psychology, as well as musicology, ethnomusicology, music theory, and performance science. Linda T. Kaastra has taught courses in cognitive science, music, and discourse studies at the University of British Columbia and Simon Fraser University. She earned a PhD from UBC's Individual Interdisciplinary Graduate Studies Program"-- | |
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Datensatz im Suchindex
| _version_ | 1804182105608945664 |
|---|---|
| adam_text | Contents List of Figures About the Author Acknowledgments Preface Introduction—What Is Music? viii ix x xi 1 PART I Musical Thought on the Bassoon 13 1 Ecological Foundations 15 2 Embodied Musicality 36 PART II Representation 61 3 Defining a Field of Musical Operations 63 4 Cognitive Artifacts 78 PART III Conceptualizing Ensemble Performance 99 5 Dimensions of Variation 101 6 Domains of Coordination 118 Conclusion: Cognition in Orchestral Performance 147 Index 161
|
| adam_txt |
Contents List of Figures About the Author Acknowledgments Preface Introduction—What Is Music? viii ix x xi 1 PART I Musical Thought on the Bassoon 13 1 Ecological Foundations 15 2 Embodied Musicality 36 PART II Representation 61 3 Defining a Field of Musical Operations 63 4 Cognitive Artifacts 78 PART III Conceptualizing Ensemble Performance 99 5 Dimensions of Variation 101 6 Domains of Coordination 118 Conclusion: Cognition in Orchestral Performance 147 Index 161 |
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| bvnumber | BV047089113 |
| ctrlnum | (OCoLC)1226326812 (DE-599)BVBBV047089113 |
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| spelling | Kaastra, Linda T. Verfasser (DE-588)1226353215 aut Grounding the analysis of cognitive processes in music performance distributed cognition in musical activity Linda T. Kaastra New York ; London Routledge, Taylor & Francis Group 2021 164 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Explorations in cognitive psychology "Through the systematic analysis of data from music rehearsals, lessons, and performances, this book develops a new conceptual framework for studying cognitive processes in musical activity. Grounding the Analysis of Cognitive Processes in Music Performance draws uniquely on dominant paradigms from the fields of cognitive science, ethnography, anthropology, psychology, and psycholinguistics to develop an ecologically valid framework for the analysis of cognitive processes during musical activity. By presenting close analysis of activities including instrumental performance on the bassoon, lessons on the guitar, and a group rehearsal, chapters provide new insights into the person/instrument system, the musician's use of informational resources, and the organization of perceptual experience during musical performance. Engaging in musical activity is shown to be a highly dynamic and collaborative process invoking tacit knowledge and coordination as musicians identify targets of focal awareness for themselves, their colleagues, and their students. Written by cognitive scientist and classically trained bassoonist, this specialist text builds on two decades of music performance research, and will be of interest to researchers, academics, and postgraduate students in the fields of cognitive psychology and music psychology, as well as musicology, ethnomusicology, music theory, and performance science. Linda T. Kaastra has taught courses in cognitive science, music, and discourse studies at the University of British Columbia and Simon Fraser University. She earned a PhD from UBC's Individual Interdisciplinary Graduate Studies Program"-- Musikpsychologie (DE-588)4127817-3 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Kognition (DE-588)4031630-0 gnd rswk-swf Musizieren (DE-588)4170838-6 gnd rswk-swf Music / Performance / Psychological aspects Cognition Musizieren (DE-588)4170838-6 s Aufführung (DE-588)4143388-9 s Kognition (DE-588)4031630-0 s Musikpsychologie (DE-588)4127817-3 s DE-604 Erscheint auch als Online-Ausgabe, ebk 978-0-429-05560-7 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032495714&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Kaastra, Linda T. Grounding the analysis of cognitive processes in music performance distributed cognition in musical activity Musikpsychologie (DE-588)4127817-3 gnd Aufführung (DE-588)4143388-9 gnd Kognition (DE-588)4031630-0 gnd Musizieren (DE-588)4170838-6 gnd |
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| title | Grounding the analysis of cognitive processes in music performance distributed cognition in musical activity |
| title_auth | Grounding the analysis of cognitive processes in music performance distributed cognition in musical activity |
| title_exact_search | Grounding the analysis of cognitive processes in music performance distributed cognition in musical activity |
| title_exact_search_txtP | Grounding the analysis of cognitive processes in music performance distributed cognition in musical activity |
| title_full | Grounding the analysis of cognitive processes in music performance distributed cognition in musical activity Linda T. Kaastra |
| title_fullStr | Grounding the analysis of cognitive processes in music performance distributed cognition in musical activity Linda T. Kaastra |
| title_full_unstemmed | Grounding the analysis of cognitive processes in music performance distributed cognition in musical activity Linda T. Kaastra |
| title_short | Grounding the analysis of cognitive processes in music performance |
| title_sort | grounding the analysis of cognitive processes in music performance distributed cognition in musical activity |
| title_sub | distributed cognition in musical activity |
| topic | Musikpsychologie (DE-588)4127817-3 gnd Aufführung (DE-588)4143388-9 gnd Kognition (DE-588)4031630-0 gnd Musizieren (DE-588)4170838-6 gnd |
| topic_facet | Musikpsychologie Aufführung Kognition Musizieren |
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