Emerald street: a history of hip hop in Seattle
From the first rap battles in Seattle's Central District to the Grammy stage, hip hop has shaped urban life and the music scene of the Pacific Northwest for more than four decades. In the early 1980s, Seattle's hip-hop artists developed a community-based culture of stylistic experimentatio...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Seattle
University of Washington Press
2020
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | From the first rap battles in Seattle's Central District to the Grammy stage, hip hop has shaped urban life and the music scene of the Pacific Northwest for more than four decades. In the early 1980s, Seattle's hip-hop artists developed a community-based culture of stylistic experimentation and multiethnic collaboration. Emerging at a distance from the hip-hop centers of New York City and Los Angeles, Seattle's most famous hip-hop figures, Sir Mix-A-Lot and Macklemore, found mainstream success twenty years apart by going directly against the grain of their respective eras. In addition, Seattle has produced a two-time world-champion breaking crew, globally renowned urban clothing designers, an international hip-hop magazine, and influential record producers. In Emerald Street, Daudi Abe chronicles the development of Seattle hip hop from its earliest days, drawing on interviews with artists and journalists to trace how the elements of hip hop--rapping, DJing, breaking, and graffiti--flourished in the Seattle scene. He shows how Seattle hip-hop culture goes beyond art and music, influencing politics, the relationships between communities of color and law enforcement, the changing media scene, and youth outreach and educational programs. The result is a rich narrative of a dynamic and influential force in Seattle music history and beyond. Emerald Street was made possible in part by a grant from 4Culture's Heritage Program |
| Beschreibung: | xii, 280 Seiten, [24] ungezählte Seiten Tafeln Illustrationen, Karte |
| ISBN: | 9780295747569 9780295747576 |
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| 505 | 8 | |a Introduction: "I'm the man they love to hate, the J. R. Ewing of Seattle" -- "Welcome to Seattle where the sun don't shine": Seattle, the Central District, and the arrival of hip hop -- "Go back the other way, we'll stop and eat at Dick's": Seattle hip hop in the 1980s -- "We got the talent, microphones, turntables, and crates": Seattle hip hop in the 1990s -- "Solo Doe is my idol man, Cherry is the street": 206/2K -- "The hood ain't the same": traditions change and continue -- Conclusion: "Back when Empire Way became MLK" | |
| 520 | 3 | |a From the first rap battles in Seattle's Central District to the Grammy stage, hip hop has shaped urban life and the music scene of the Pacific Northwest for more than four decades. In the early 1980s, Seattle's hip-hop artists developed a community-based culture of stylistic experimentation and multiethnic collaboration. Emerging at a distance from the hip-hop centers of New York City and Los Angeles, Seattle's most famous hip-hop figures, Sir Mix-A-Lot and Macklemore, found mainstream success twenty years apart by going directly against the grain of their respective eras. In addition, Seattle has produced a two-time world-champion breaking crew, globally renowned urban clothing designers, an international hip-hop magazine, and influential record producers. In Emerald Street, Daudi Abe chronicles the development of Seattle hip hop from its earliest days, drawing on interviews with artists and journalists to trace how the elements of hip hop--rapping, DJing, breaking, and graffiti--flourished in the Seattle scene. He shows how Seattle hip-hop culture goes beyond art and music, influencing politics, the relationships between communities of color and law enforcement, the changing media scene, and youth outreach and educational programs. The result is a rich narrative of a dynamic and influential force in Seattle music history and beyond. Emerald Street was made possible in part by a grant from 4Culture's Heritage Program | |
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Datensatz im Suchindex
| _version_ | 1804182103922835456 |
|---|---|
| adam_text | CONTENTS Foreword by Sir Mix֊A-Lot ix Acknowledgments xi Map of Seattle xiii INTRODUCTION “I’m the man they love to hate, the J. R. Ewing ofSeattle” 3 “Welcome to Seattle where the sun don’t shine” Seattle, the Central District, and the Arrival of Hip Hop 11 “Go back the other way, we4l stop and eat at Dick’s” Seattle Hip Hop in the 1980s 29 “We got the talent, microphones, turntables, and crates” Seattle Hip Hop in the 1990s 69 “Solo Doe is my idol man, Cherry is the street” 206/2K 113 “The hood ain’t the same” Traditions Change and Continue 159 CONCLUSION “Back when Empire Way became MLK” 195 Timeline of Seattle Hip Hop 201 Notes 241 Index 263 Photos follow page 111
|
| adam_txt |
CONTENTS Foreword by Sir Mix֊A-Lot ix Acknowledgments xi Map of Seattle xiii INTRODUCTION “I’m the man they love to hate, the J. R. Ewing ofSeattle” 3 “Welcome to Seattle where the sun don’t shine” Seattle, the Central District, and the Arrival of Hip Hop 11 “Go back the other way, we4l stop and eat at Dick’s” Seattle Hip Hop in the 1980s 29 “We got the talent, microphones, turntables, and crates” Seattle Hip Hop in the 1990s 69 “Solo Doe is my idol man, Cherry is the street” 206/2K 113 “The hood ain’t the same” Traditions Change and Continue 159 CONCLUSION “Back when Empire Way became MLK” 195 Timeline of Seattle Hip Hop 201 Notes 241 Index 263 Photos follow page 111 |
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| author_role | aut |
| author_sort | Abe, Daudi J. |
| author_variant | d j a dj dja |
| building | Verbundindex |
| bvnumber | BV047088136 |
| contents | Introduction: "I'm the man they love to hate, the J. R. Ewing of Seattle" -- "Welcome to Seattle where the sun don't shine": Seattle, the Central District, and the arrival of hip hop -- "Go back the other way, we'll stop and eat at Dick's": Seattle hip hop in the 1980s -- "We got the talent, microphones, turntables, and crates": Seattle hip hop in the 1990s -- "Solo Doe is my idol man, Cherry is the street": 206/2K -- "The hood ain't the same": traditions change and continue -- Conclusion: "Back when Empire Way became MLK" |
| ctrlnum | (OCoLC)1241670145 (DE-599)BVBBV047088136 |
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| geographic | Seattle, Wash. (DE-588)4054058-3 gnd |
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| index_date | 2024-07-03T16:18:33Z |
| indexdate | 2024-07-10T09:02:14Z |
| institution | BVB |
| isbn | 9780295747569 9780295747576 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032494767 |
| oclc_num | 1241670145 |
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| owner | DE-12 |
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| physical | xii, 280 Seiten, [24] ungezählte Seiten Tafeln Illustrationen, Karte |
| psigel | BSB_NED_20210309 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | University of Washington Press |
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| spelling | Abe, Daudi J. Verfasser (DE-588)1228569487 aut Emerald street a history of hip hop in Seattle Daudi Abe ; foreword by Sir Mix-A-Lot Seattle University of Washington Press 2020 xii, 280 Seiten, [24] ungezählte Seiten Tafeln Illustrationen, Karte txt rdacontent n rdamedia nc rdacarrier Introduction: "I'm the man they love to hate, the J. R. Ewing of Seattle" -- "Welcome to Seattle where the sun don't shine": Seattle, the Central District, and the arrival of hip hop -- "Go back the other way, we'll stop and eat at Dick's": Seattle hip hop in the 1980s -- "We got the talent, microphones, turntables, and crates": Seattle hip hop in the 1990s -- "Solo Doe is my idol man, Cherry is the street": 206/2K -- "The hood ain't the same": traditions change and continue -- Conclusion: "Back when Empire Way became MLK" From the first rap battles in Seattle's Central District to the Grammy stage, hip hop has shaped urban life and the music scene of the Pacific Northwest for more than four decades. In the early 1980s, Seattle's hip-hop artists developed a community-based culture of stylistic experimentation and multiethnic collaboration. Emerging at a distance from the hip-hop centers of New York City and Los Angeles, Seattle's most famous hip-hop figures, Sir Mix-A-Lot and Macklemore, found mainstream success twenty years apart by going directly against the grain of their respective eras. In addition, Seattle has produced a two-time world-champion breaking crew, globally renowned urban clothing designers, an international hip-hop magazine, and influential record producers. In Emerald Street, Daudi Abe chronicles the development of Seattle hip hop from its earliest days, drawing on interviews with artists and journalists to trace how the elements of hip hop--rapping, DJing, breaking, and graffiti--flourished in the Seattle scene. He shows how Seattle hip-hop culture goes beyond art and music, influencing politics, the relationships between communities of color and law enforcement, the changing media scene, and youth outreach and educational programs. The result is a rich narrative of a dynamic and influential force in Seattle music history and beyond. Emerald Street was made possible in part by a grant from 4Culture's Heritage Program Geschichte 1980-2020 gnd rswk-swf Hip-Hop (DE-588)4303517-6 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Seattle, Wash. (DE-588)4054058-3 gnd rswk-swf Rap (Music) / Washington (State) / Seattle / History Music / Political aspects / Washington (State) / Seattle Music / History and criticism Music Music / Political aspects Rap (Music) Washington (State) / Seattle Criticism, interpretation, etc History Seattle, Wash. (DE-588)4054058-3 g Hip-Hop (DE-588)4303517-6 s Musikleben (DE-588)4075128-4 s Geschichte 1980-2020 z DE-604 Sir Mix-a-lot (DE-588)134765494 wpr Erscheint auch als Online-Ausgabe 978-0-295-74783-5 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032494767&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Abe, Daudi J. Emerald street a history of hip hop in Seattle Introduction: "I'm the man they love to hate, the J. R. Ewing of Seattle" -- "Welcome to Seattle where the sun don't shine": Seattle, the Central District, and the arrival of hip hop -- "Go back the other way, we'll stop and eat at Dick's": Seattle hip hop in the 1980s -- "We got the talent, microphones, turntables, and crates": Seattle hip hop in the 1990s -- "Solo Doe is my idol man, Cherry is the street": 206/2K -- "The hood ain't the same": traditions change and continue -- Conclusion: "Back when Empire Way became MLK" Hip-Hop (DE-588)4303517-6 gnd Musikleben (DE-588)4075128-4 gnd |
| subject_GND | (DE-588)4303517-6 (DE-588)4075128-4 (DE-588)4054058-3 |
| title | Emerald street a history of hip hop in Seattle |
| title_auth | Emerald street a history of hip hop in Seattle |
| title_exact_search | Emerald street a history of hip hop in Seattle |
| title_exact_search_txtP | Emerald street a history of hip hop in Seattle |
| title_full | Emerald street a history of hip hop in Seattle Daudi Abe ; foreword by Sir Mix-A-Lot |
| title_fullStr | Emerald street a history of hip hop in Seattle Daudi Abe ; foreword by Sir Mix-A-Lot |
| title_full_unstemmed | Emerald street a history of hip hop in Seattle Daudi Abe ; foreword by Sir Mix-A-Lot |
| title_short | Emerald street |
| title_sort | emerald street a history of hip hop in seattle |
| title_sub | a history of hip hop in Seattle |
| topic | Hip-Hop (DE-588)4303517-6 gnd Musikleben (DE-588)4075128-4 gnd |
| topic_facet | Hip-Hop Musikleben Seattle, Wash. |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032494767&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT abedaudij emeraldstreetahistoryofhiphopinseattle AT sirmixalot emeraldstreetahistoryofhiphopinseattle |