God Rock, Inc.: the business of niche music
"Popular music in the twenty-first century is increasingly divided into niche markets. How do fans, musicians, and music industry executives define their markets' boundaries? What happens when musicians cross those boundaries? What can Christian music teach us about commercial popular musi...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oakland, California
University of California Press
[2021]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Popular music in the twenty-first century is increasingly divided into niche markets. How do fans, musicians, and music industry executives define their markets' boundaries? What happens when musicians cross those boundaries? What can Christian music teach us about commercial popular music? In God Rock, Inc., Andrew Mall considers the aesthetic, commercial, ethical, and social boundaries of Christian popular music, from the late 1960s, when it emerged, through the 2010s. Drawing on ethnographic research, historical archives, interviews with music industry executives, and critical analyses of recordings, concerts, and music festival performances, Mall explores the tensions that have shaped this evolving market and frames broader questions about commerce, ethics, resistance, and crossover in music that defines itself as outside the mainstream"-- |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xxiii, 295 Seiten Illustrationen |
| ISBN: | 9780520343429 9780520343412 |
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| 505 | 8 | |a Introduction : popular music, markets, margins, and the curious case of Christian music -- "Why should the Devil have all the good music?" : the Christian market's origins -- The great adventure : commercial success in the Christian record industry and the price of profit -- A wolf in sheep's clothing? : Christian ethics encounter rock -- "Find a way" : Amy Grant and the Christian market's mainstream -- Music to raise the dead : Christian music and the ethics of style -- Lost in the sound of separation : resistance at Christian music festivals -- From margins to mainstreams and back : crossover cases and their markets -- Conclusion : the stability of risk and the risk of stability -- Appendix 1 : Discographies -- Appendix 2 : Pop singles with Christian references (1957-70) -- Appendix 3 : Major Christian record labels and subsidiaries -- Appendix 4: Comparative pop singers' album success in the early 1990s | |
| 520 | 3 | |a "Popular music in the twenty-first century is increasingly divided into niche markets. How do fans, musicians, and music industry executives define their markets' boundaries? What happens when musicians cross those boundaries? What can Christian music teach us about commercial popular music? In God Rock, Inc., Andrew Mall considers the aesthetic, commercial, ethical, and social boundaries of Christian popular music, from the late 1960s, when it emerged, through the 2010s. Drawing on ethnographic research, historical archives, interviews with music industry executives, and critical analyses of recordings, concerts, and music festival performances, Mall explores the tensions that have shaped this evolving market and frames broader questions about commerce, ethics, resistance, and crossover in music that defines itself as outside the mainstream"-- | |
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Datensatz im Suchindex
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| adam_text | Contents List of Illustrations Acknowledgments Playlists Introduction: Popular Music, Markets, Margins, and the Curious Case of Christian Music ix xi xvii r PART ONE. CHRISTIAN MUSIC: AN INDUSTRY AND ITS HISTORY 1 “Why Should the Devil Have All the Good Music?” The Christian Market’s Origins 2 The Great Adventure·. Commercial Success in the 31 Christian Record Industry and the Price of Profit 67 3 A Wolf in Sheep’s Clothing? Christian Ethics Encounter Rock 4 “Find a Way”: Amy Grant and the Christian Market’s Mainstream 94 nj PART TWO. NICHE MUSIC MARKETS: ETHICS, PROFITS, AND RISK 5 Music to Raise the Dead: Christian Music and the Ethics of Style 137
6 Lost in the Sound of Separation·. Resistance at Christian Music Festivals 7 From Margins to Mainstreams and Back: Crossover Cases and Their Markets Conclusion: The Stability of Risk and the Risk of Stability 194 214 Appendix i. Discographies Appendix z. Pop Singles with Christian References (1957-70) Appendix 3. Major Christian Record Labels and Subsidiaries Appendix 4. Successful i990S-Era Pop Singers’ Albums Notes Bibliography Index 227 237 239 241 243 265 277 166
|
| adam_txt |
Contents List of Illustrations Acknowledgments Playlists Introduction: Popular Music, Markets, Margins, and the Curious Case of Christian Music ix xi xvii r PART ONE. CHRISTIAN MUSIC: AN INDUSTRY AND ITS HISTORY 1 “Why Should the Devil Have All the Good Music?” The Christian Market’s Origins 2 The Great Adventure·. Commercial Success in the 31 Christian Record Industry and the Price of Profit 67 3 A Wolf in Sheep’s Clothing? Christian Ethics Encounter Rock 4 “Find a Way”: Amy Grant and the Christian Market’s Mainstream 94 nj PART TWO. NICHE MUSIC MARKETS: ETHICS, PROFITS, AND RISK 5 Music to Raise the Dead: Christian Music and the Ethics of Style 137
6 Lost in the Sound of Separation·. Resistance at Christian Music Festivals 7 From Margins to Mainstreams and Back: Crossover Cases and Their Markets Conclusion: The Stability of Risk and the Risk of Stability 194 214 Appendix i. Discographies Appendix z. Pop Singles with Christian References (1957-70) Appendix 3. Major Christian Record Labels and Subsidiaries Appendix 4. Successful i990S-Era Pop Singers’ Albums Notes Bibliography Index 227 237 239 241 243 265 277 166 |
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| bvnumber | BV047088093 |
| contents | Introduction : popular music, markets, margins, and the curious case of Christian music -- "Why should the Devil have all the good music?" : the Christian market's origins -- The great adventure : commercial success in the Christian record industry and the price of profit -- A wolf in sheep's clothing? : Christian ethics encounter rock -- "Find a way" : Amy Grant and the Christian market's mainstream -- Music to raise the dead : Christian music and the ethics of style -- Lost in the sound of separation : resistance at Christian music festivals -- From margins to mainstreams and back : crossover cases and their markets -- Conclusion : the stability of risk and the risk of stability -- Appendix 1 : Discographies -- Appendix 2 : Pop singles with Christian references (1957-70) -- Appendix 3 : Major Christian record labels and subsidiaries -- Appendix 4: Comparative pop singers' album success in the early 1990s |
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| spelling | Mall, Andrew 1978- Verfasser (DE-588)1170682294 aut God Rock, Inc. the business of niche music Andrew Mall Oakland, California University of California Press [2021] xxiii, 295 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Introduction : popular music, markets, margins, and the curious case of Christian music -- "Why should the Devil have all the good music?" : the Christian market's origins -- The great adventure : commercial success in the Christian record industry and the price of profit -- A wolf in sheep's clothing? : Christian ethics encounter rock -- "Find a way" : Amy Grant and the Christian market's mainstream -- Music to raise the dead : Christian music and the ethics of style -- Lost in the sound of separation : resistance at Christian music festivals -- From margins to mainstreams and back : crossover cases and their markets -- Conclusion : the stability of risk and the risk of stability -- Appendix 1 : Discographies -- Appendix 2 : Pop singles with Christian references (1957-70) -- Appendix 3 : Major Christian record labels and subsidiaries -- Appendix 4: Comparative pop singers' album success in the early 1990s "Popular music in the twenty-first century is increasingly divided into niche markets. How do fans, musicians, and music industry executives define their markets' boundaries? What happens when musicians cross those boundaries? What can Christian music teach us about commercial popular music? In God Rock, Inc., Andrew Mall considers the aesthetic, commercial, ethical, and social boundaries of Christian popular music, from the late 1960s, when it emerged, through the 2010s. Drawing on ethnographic research, historical archives, interviews with music industry executives, and critical analyses of recordings, concerts, and music festival performances, Mall explores the tensions that have shaped this evolving market and frames broader questions about commerce, ethics, resistance, and crossover in music that defines itself as outside the mainstream"-- Geschichte gnd rswk-swf Neues geistliches Lied (DE-588)4617298-1 gnd rswk-swf Marktnische (DE-588)4200415-9 gnd rswk-swf Musikwirtschaft (DE-588)4268614-3 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Contemporary Christian music / United States / History and criticism Contemporary Christian music / United States / Marketing Sound recording industry / United States / History Market segmentation / United States Rock music / Religious aspects / Christianity Contemporary Christian music Market segmentation Sound recording industry United States Criticism, interpretation, etc History (DE-588)4113937-9 Hochschulschrift gnd-content USA (DE-588)4078704-7 g Neues geistliches Lied (DE-588)4617298-1 s Musikwirtschaft (DE-588)4268614-3 s Marktnische (DE-588)4200415-9 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe 978-0-520-97478-4 (DE-604)BV047440300 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032494726&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Mall, Andrew 1978- God Rock, Inc. the business of niche music Introduction : popular music, markets, margins, and the curious case of Christian music -- "Why should the Devil have all the good music?" : the Christian market's origins -- The great adventure : commercial success in the Christian record industry and the price of profit -- A wolf in sheep's clothing? : Christian ethics encounter rock -- "Find a way" : Amy Grant and the Christian market's mainstream -- Music to raise the dead : Christian music and the ethics of style -- Lost in the sound of separation : resistance at Christian music festivals -- From margins to mainstreams and back : crossover cases and their markets -- Conclusion : the stability of risk and the risk of stability -- Appendix 1 : Discographies -- Appendix 2 : Pop singles with Christian references (1957-70) -- Appendix 3 : Major Christian record labels and subsidiaries -- Appendix 4: Comparative pop singers' album success in the early 1990s Neues geistliches Lied (DE-588)4617298-1 gnd Marktnische (DE-588)4200415-9 gnd Musikwirtschaft (DE-588)4268614-3 gnd |
| subject_GND | (DE-588)4617298-1 (DE-588)4200415-9 (DE-588)4268614-3 (DE-588)4078704-7 (DE-588)4113937-9 |
| title | God Rock, Inc. the business of niche music |
| title_auth | God Rock, Inc. the business of niche music |
| title_exact_search | God Rock, Inc. the business of niche music |
| title_exact_search_txtP | God Rock, Inc. the business of niche music |
| title_full | God Rock, Inc. the business of niche music Andrew Mall |
| title_fullStr | God Rock, Inc. the business of niche music Andrew Mall |
| title_full_unstemmed | God Rock, Inc. the business of niche music Andrew Mall |
| title_short | God Rock, Inc. |
| title_sort | god rock inc the business of niche music |
| title_sub | the business of niche music |
| topic | Neues geistliches Lied (DE-588)4617298-1 gnd Marktnische (DE-588)4200415-9 gnd Musikwirtschaft (DE-588)4268614-3 gnd |
| topic_facet | Neues geistliches Lied Marktnische Musikwirtschaft USA Hochschulschrift |
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