Faith, facts and fancy: William Cowper and literary criticism
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| Format: | Buch |
| Sprache: | English |
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Nürnberg
VTR Publications
[2020]
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| Beschreibung: | 499 Seiten 21 cm x 14.8 cm, 700 g |
| ISBN: | 9783957761033 3957761034 |
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| 016 | 7 | |a 1221739808 |2 DE-101 | |
| 020 | |a 9783957761033 |c Broschur : EUR 45.00 (DE) (freier Preis), EUR 46.30 (AT) (freier Preis), CHF 55.00 (freier Preis) |9 978-3-95776-103-3 | ||
| 020 | |a 3957761034 |9 3-95776-103-4 | ||
| 024 | 3 | |a 9783957761033 | |
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| 100 | 1 | |a Ella, George M. |d 1939- |0 (DE-588)130523151 |4 aut | |
| 245 | 1 | 0 | |a Faith, facts and fancy |b William Cowper and literary criticism |c George M. Ella |
| 264 | 1 | |a Nürnberg |b VTR Publications |c [2020] | |
| 264 | 4 | |c © 2020 | |
| 300 | |a 499 Seiten |c 21 cm x 14.8 cm, 700 g | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 600 | 1 | 7 | |a Cowper, William |d 1731-1800 |0 (DE-588)118670387 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Literaturkritik |0 (DE-588)4036020-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Christliche Lyrik |0 (DE-588)4010111-3 |2 gnd |9 rswk-swf |
| 653 | |a William Cowper | ||
| 653 | |a Christianity | ||
| 653 | |a Literary Criticism | ||
| 689 | 0 | 0 | |a Cowper, William |d 1731-1800 |0 (DE-588)118670387 |D p |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Cowper, William |d 1731-1800 |0 (DE-588)118670387 |D p |
| 689 | 1 | 1 | |a Christliche Lyrik |0 (DE-588)4010111-3 |D s |
| 689 | 1 | 2 | |a Literaturkritik |0 (DE-588)4036020-9 |D s |
| 689 | 1 | |5 DE-604 | |
| 710 | 2 | |a VTR Verlag für Theologie und Religionswissenschaft |0 (DE-588)1065787804 |4 pbl | |
| 856 | 4 | 2 | |m B:DE-101 |q application/pdf |u https://d-nb.info/1221739808/04 |3 Inhaltsverzeichnis |
| 856 | 4 | 2 | |m DNB Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032494658&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032494658 | ||
| 883 | 1 | |8 1\p |a vlb |d 20201119 |q DE-101 |u https://d-nb.info/provenance/plan#vlb | |
Datensatz im Suchindex
| _version_ | 1804182103701585920 |
|---|---|
| adam_text | CONTENTS
PREFACE
..................................................................................................................
15
ACKNOWLEDGEMENTS
AND
GENERAL
REMARKS
.........................................................
24
INTRODUCTION:
HOW
THINGS
BEGAN
................................................................................
27
1
A
SCHOOLBOY
ENCOUNTERS
COWPER
.........................................................
27
2
BIOGRAPHICAL
CAUSES
OF
ALARM
..............................................................
27
3
LITERARY
SHOCKS
AND
SURPRISES
...............................................................
29
4
THE
TASK
BEFORE
ME
..............................................................................
31
4.1
TO
SHOW
HOW
COWPER
WISHED TO
REFORM
MANKIND
....................
31
4.2 TO
DEMONSTRATE
NEWTON
*
S
TRUE
AFFILIATION
WITH
COWPER
...........
31
4.3
TO
SHOW
THAT
COWPER
WAS
A
LANGUAGE
REFORMER
.......................
32
4.4 TO
DEMONSTRATE
COWPER
*
S
TRUE
UNDERSTANDING
OF
NATURE
...........
33
5
THE
INEVITABLE
BY-PRODUCTS
OF
SUCH
A
TASK
.........................................
33
6
WILLIAM
COWPER
AND
THE
EVANGELICAL
AWAKENING
...............................
34
7
EVANGELICALS
PIONEERED
LITERACY
FOR
THE
COMMON
MAN
......................
35
8
COWPER
WAS
A
SOURCE
OF
GREAT
INFLUENCE
ON
THE
REVIVAL
....................
35
9
SCHOLARSHIP
HAS
DONE
LITTLE
WORK
ON
COWPER
*
S
POETIC
THEORY
............
36
10
COWPER
IS
USUALLY
VIEWED
FROM
TOO
NARROW
A
POSITION
.....................
37
11
SIGNS
OF
A
REVERSAL
IN
VIEWING
THE
PURITANS
.........................................
38
12
COWPER
*S
LOVE
OF
THE
PURITANS
...............................................................
39
13
THERE
IS
A
UNITY
OF
THOUGHT BETWEEN
COWPER
*
S
THEORY
OF
POETRY
AND
HIS
FAITH
..........................................................................
39
14
COWPERIAN
SCHOLARSHIP
HAS
BEEN
CONCERNED
MAINLY
WITH
BIOGRAPHY
OR
CLASSIFYING
COWPER
ACCORDING
TO
SPECIFIC
SCHOOLS
OUTSIDE
OF
COWPER
*
S
THOUGHT
................................................
40
15
COWPER
*S
POETRY
REFLECTS
THE
REVIVAL
SPIRIT
OF
HIS
AGE
....................
41
15.1
COWPER
*
S
CRITICS
ALSO
REFLECT
THE
SPIRIT
OF
THEIR
AGE
..............
41
15.2
HUMOUR
ALSO
VARIES
FROM
AGE
TO
AGE
.........................................
42
15.3
A
NEW
SPIRIT
AND
A
NEW
AGE
....................................................
43
CHAPTER
ONE:
COWPER
AND
THE
CRITICS
........................................................................
45
1
A
GENERAL
OVER-VIEW
...........................................................................
45
1.1
COWPER:
ALWAYS
A
FAVOURITE
OF
CRITICAL
INVESTIGATORS
...............
45
1.2
NEW
PERCEPTIONS
ON
COWPER
......................................................
46
6
CONTENTS
1.3
WORKS
SHEDDING
NEW
LIGHT
ON
COWPER
SCHOLARSHIP
...................
47
1.4
AREAS
OF
CRITICAL
RESEARCH
HAVE
BEEN
STRICTLY
LIMITED
..................
50
1.5
THE
COURSE
RESEARCH
HAS
MAINLY
TAKEN
....................................
51
1.5.1
CONTEMPORARY
EVALUATIONS
............................................
51
1.5.2
SCHOLARSHIP
FOLLOWS
A
SIDE-ISSUE
..................................
53
1.5.3
THE
CALVINIST-ARMINIAN
CONTROVERSY
...........................
54
1.6.
CRITICISM
OF
COWPER
*
S
WORKS
IS
MAINLY
BIOGRAPHICAL,
PHILOSOPHICAL
AND
PSEUDO-PSYCHOANALYTICAL
RATHER
THAN
LITERARY
...............................................................................
55
1.6.1
QUEER
THEORIES
................................................................
57
1.6.2
COWPER
*
S
ALLEGED
UNACCEPTABLE
BEHAVIOUR
..................
57
1.6.3
ELFENBEIN
*
S
FREUDIAN
*
FIXED
IDEA
*
.................................
58
1.6.4
COWPER
*
S
ALLEGED
SECRETS
...............................................
59
1.6.5
ELFENBEIN
TEASES
HIS
READERS
..........................................
60
1.6.6
RE-INTERPRETING
COWPER
*S
CONVERSION
STORY
..................
60
1.6.7
COWPER
EXPLAINS
THE
CHRISTOLOGY
OF
THE
PASSAGE
.......
62
1.6.8
ELFENBEIN
HAS
PICKED
THE
WRONG
MAN
FOR
HIS
QUEER
INVENTION
............................................................
63
1.6.9
CONRAD
BRUNSTROM
SEES
COWPER
THROUGH
THE
ALLEGED
EYES
OF
FOUCAULT,
HEGEL
AND
FREUD
................
64
1.7
ATTEMPTS
TO
VIEW
COWPER
*
S
RELIGION
IN
RELATIONSHIP
TO
HIS
WORKS
...............................................................................
67
1.7.1
BROOK
*
S
THEOLOGY
OF
THE
POETS
....................................
67
1.7.2
FAIRCHILD
*S
RELIGIOUS
TRENDS
.........................................
69
1.7.3
COX
*
S
STRANGER
WITHIN
..................................................
71
1.8
ATTEMPTING
TO
VIEW
COWPER
*
S
FAITH
AGAINST
ITS
CORRECT
BACKGROUND
.................................................................................
71
1.8.1
THOMAS
*
WILLIAM
COWPER
AND THE
1
8
TH
CENTURY
........
71
1.8.2
BRUNSTROM
TAKES
SIDES
...................................................
73
1.8.3
COWPER
AND
ARMINIANISM
.............................................
75
1.9
PATRICIA
M.
SPACKS
AND
COWPER
*
S
POETIC
AWARENESS
OF
NATURE
.....................................................................................
77
1.10
JOHN PIPER
ON
THE
FRUITS
OF
AFFLICTION
.......................................
79
1.11
ATTEMPTS
TO
SHOW
THAT
COWPER
*
S
AIM
WAS
TO
PERFECT
POETIC
EXPRESSION
RATHER
THAN
BE
A
CHRISTIAN
MONITOR
...........
83
1.11.1
PIERRE
DANCHIN
ON
COWPER
*
S
POETIC
PURPOSE
.............
83
1.11.2
NEWEY
*
S
CRITICAL
STUDY
..................................................
84
2
DOCTORAL
THESES
DEALING
WITH
COWPER
*
S
FAITH
AND
WORKS
................
86
2.1
AMERICAN
AND
BRITISH
THESES
.......................................................
87
2.1.1
NIELSON
CAMPBELL
HANNAY
*
S
THEORY
OF
A
DEVELOPMENT
IN
COWPER
FROM
UNRESTRAINED
PIETISM
TO
TOLERANCE
.......................................
88
CONTENTS
7
2.1.2
LUISE
LANHAM
AND
COWPER
*
S
RELATION
TO
THE
ENGLISH
EVANGELICAL
MOVEMENT
...................................
89
2.1.3
EDITH
LAWTON
VIEWS
COWPER
AS
A
CLASSICAL
ROMANTICIST
...................................................................
90
2.1.4
RODERICK
TSUI
EN
HUANG
AND
THE
SUPPOSED
INFLUENCE
OF
JAMES
HERVEY
ON
COWPER
.......................
93
2.1.5
CONRAD
BRUNSTROM
*
S
WILLIAM
COWPER
*
S
RELIGIOUS
DIDACTICISM:
THE
FAILURE
OF
MEDIATION
..........
93
2.1.6
JANE
DARCY
*
S
MELANCHOLY
AND
LITERARY
BIOGRAPHY,
1640-1816
................................................
103
2.1.7
DIANE
BUIE
*
S
MELANCHOLY
AND
THE
IDLE
LIFESTYLE
.......
105
2.2
GERMAN
DISSERTATIONS
................................................................
112
2.2.1
GUSTAV TIETJE
AND
COWPER
*
S
PERSONIFICATION
OF
NOUNS
112
2.2.2
WILLY
HOFFMANN
ON
THE
BOOKS
COWPER
READ
AND
HIS
CRITICISM
........................................................
113
2.2.3
WILLI
POSSEHL
ON
COWPER
*
S
ATTITUDE
TO
RELIGION
........
114
2.2.4
ARTHUR
HANTSCHE
ON
COWPER
AS
A
NATURE
POET
...........
114
2.2.5
GEORGE
ELLA
*
S
WILLIAM
COWPER:
THE
MAN
WITH
GOD
*
S
DEEP
STAMP
UPON
HIM
......................................
118
2.2.6
GEORGE
ELLA
*
S
PARADISE
AND
POETRY:
AN
IN-DEPTH
STUDY
OF
COWPER
*
S
POETIC
MIND
.................................
120
3
THE
EYE
OF
THE
CRITIC
...........................................................................
124
4
RELIGION
AND
LITERATURE
IN
MODEM
CRITICAL
THOUGHT
.........................
124
4.1
MODEM
LITERATURE
DOES
NOT
FIGHT
SHY
OF
RELIGION
.................
124
4.2
EDEN
HAS
ONCE
AGAIN
FOUND
A
PLACE
IN
LITERATURE
.................
126
CHAPTER
TWO:
THE
POET
OF
PARADISE
IN
THE
MAKING
................................................
129
1
THE
COWPER
FAMILY
..............................................................................
129
1.1
A
FAMILY
OF
POETS
.....................................................................
129
1.2
A
FAMILY
OF
GENTLE
BIRTH
...........................................................
131
1.3
A
LEGAL
FAMILY
..........................................................................
133
1.4
A
FAMILY
OF
EVANGELICALS
.........................................................
133
2
COWPER
*
S
POETIC
EDUCATION
.................................................................
133
2.1
MARKYATE
STREET
........................................................................
133
2.2
WESTMINSTER
...............................................................................
134
2.3
LAW
DAYS:
THE
NONSENSE
CLUB
AND
EARLY
PUBLICATIONS
..........
135
3
COWPER
*
S
COURTSHIP
OF
THEADORA
........................................................
137
4
COWPER
*
S
BREAKDOWN,
HIS
CONVERSION
AND
ITS
CONSEQUENCES
.............
141
5
COWPER
CONTEMPLATES
BECOMING
A
MINISTER
OF
THE
GOSPEL
..............
146
6
COWPER
*
S
CALL
TO
BE
A
POET
..................................................................
149
7
COWPER
*
S
POETIC
AMBITION
..................................................................
153
8
CONTENTS
CHAPTER
THREE:
SOME
THEORIES
OF
DEPENDENCY
EXAMINED
......................................
161
1
IMPROBABLE
SOURCES
OF
INFLUENCE
.........................................................
161
1.1
COWPER
*
S
AVERSION
TO
IMITATION
IN
POETRY
................................
161
1.2
CHURCHILL
AS
AN
IMPROBABLE
MAJOR
SOURCE
OF
INFLUENCE
...........
163
1.3
VAUGHAN
AS
A
SUPPOSED
SOURCE
OF
INFLUENCE
ON
COWPER
.......
168
2
A
PROBABLE
SOURCE
OF
INFLUENCE
CONSIDERED
.......................................
170
2.1
JAMES
HERVEY
.............................................................................
170
2.1.1
HERVEY
*
S
SUPPOSED
INFLUENCE
ON
COWPER
*
S
CONVERSION
...................................................................
174
2.1.2
REFERENCES
TO
HERVEY
IN
COWPER
*
S
WORKS
.................
177
2.1.3
SIMILAR
DESCRIPTIONS
OF
NATURE
IN
BOTH
WRITERS
.......
179
2.1.4
DIFFERENCES
IN
THE
TWO
WRITERS
*
DIDACTIC
USE
OF
NATURE
......................................................................
182
2.1.5
DIFFERENCES
IN
THE
TWO
AUTHORS
*
ESCHATOLOGY
........
186
2.1.6
HERVEY
AND
HIS
MERGING
OF
LITERARY
TRADITION
AND
RELIGIOUS
SENTIMENT
.............................................
187
2.1.7
THE
VIEW
THAT
MAN
DOES
NOT
ACKNOWLEDGE
GOD
IN
NATURE
......................................................................
188
2.1.8
COWPER
AND
UNREALISTIC
PASTORALISM
...........................
188
2.1.9
THE
TWO
WRITERS
*
VIEWS
ON
CLASSICAL
MYTHOLOGY
...................................................................
188
2.1.10
IMPUTED
RIGHTEOUSNESS
IN
THE
WORKS
OF
COWPER
AND
HERVEY
..................................................................
189
2.1.11
HUANG
*
S
CLAIMS
ARE
NOT
SUBSTANTIATED
........................
191
CHAPTER
FOUR:
COWPER
*
S
TRUE
POETIC
MENTORS
........................................................
193
1
COWPER
ADMITTED
THAT
IMITATION
WAS
UNAVOIDABLE
............................
193
2
MILTON
*
S
INFLUENCE
ON
COWPER
............................................................
194
3
JOHN
NEWTON
*S
LITERARY
INFLUENCE
ON
WILLIAM
COWPER
.....................202
3.1
NEWTON
WAS
A
LEADING LITERARY
FIGURE
IN
THE
AWAKENING
...
203
3.2
THE
AFTERMATH
OF
RESTITUTION
LITERATURE
..................................204
3.3
COWPER
*S
OPINIONS
OF
NEWTON
*
S
LITERARY
SKILLS
.....................
205
3.4
COWPER
*
S
POETIC
MIND
BEFORE
AND
AFTER
CONVERSION
.............209
3.5
THE
NEW
INTEREST
IN
COLLECTIONS
OF
HYMNS
..............................209
3.6
ROMAINE
*
S
STRICTURES
................................................................
210
3.7
NEWTON
*
S
AND
COWPER
*
S
VIEWS
ON
HYMNS
.............................
211
3.8
THE
AIM
OF
THE
OLNEY
HYMNS
..................................................212
3.9
THE
OLNEY
HYMNS
WERE
NOT
NECESSARILY
MEANT
TO
BE
SUNG
.....................................................................................
213
3.10 THE
OLNEY
HYMNS
AS
POETRY
....................................................214
CONTENTS
9
3.11
DR
ISAAC
WATTS
AND
THE
OLNEY
HYMNS
......................................
218
3.12
CALVINISM
AND
THE
OLNEY
HYMNS
.............................................219
3.13
SIMILARITIES
IN
THE
HYMNS
OF
NEWTON
AND
COWPER
.................220
3.13.1
NEWTON
AND
NATURE
....................................................220
3.13.2
THE
ESCHATOLOGY
OF
THE
TWO
FRIENDS
........................
223
3.13.3
MAURICE
QUINLAN
ON
COWPER
*
S
AND
NEWTON
*
S
IMAGERY
.......................................................................224
3.13.4
FURTHER
EVANGELICAL
JARGON
COMMON
TO
NEWTON
AND
COWPER
.................................................................229
3.13.5
OTHER
JOINT
USAGES
......................................................230
3.13.6
BLOOD
IMAGERY
.............................................................
231
3.13.7
SIMILAR
IDIOSYNCRASIES
OF
EXPRESSION
........................234
3.13.8
SIMILARITIES
OF
SUBJECT-MATTER
....................................
235
3.13.9
IDENTICAL
WORDING
.......................................................236
3.13.10
SIMILARITIES
IN
TECHNIQUES
..........................................
236
3.13.11
SIMILARITY
IN
THE
USAGE
OF
QUOTATION
MARKS
.............237
3.13.12
A
SIMILAR
USE
OF
THE
PARENTHESIS
................................237
3.13.13
SIMILAR
EXPRESSIONS
OF
DOUBT
AND
DESPAIR
................
238
CHAPTERFIVE:
COWPER
*
S
HIGH
VIEW
OF
POETRY
AND
ITS
ORIGINS
............................
245
1
COWPER
BELIEVED
THAT
CONTEMPORARY
POETRY
HAD
LOST
ITS
TRUE
FUNCTION
AND
POETS
THEIR
TRUE
CALLING
................................................
245
2
IN
THE
BEGINNING
...................................................................................246
2.1
CREATION
EX
NIHILO
.....................................................................246
2.1.1
THE
DEISTS
...................................................................
248
2.1.2
CREATION
BY
CHANCE
......................................................250
2.13
CREATION
OUT
OF
MATERIAL
ALREADY
PRESENT
................
251
2.2
THE
CREATION
OF
MAN
................................................................
252
2.2.1
MAN
WAS
FORMED
FROM
THE
DUST
.................................252
2.2.2
MAN
WAS
FORMED
ARTICULATE
AND
INTELLIGENT
..............
252
2.2.3
MAN
WAS
GOD
*
S
CHIEF
PURPOSE
IN
CREATION
...............
253
2.2.4
MAN
RESPONSIBLE
FOR
THE
WELL-BEING
OF
NATURE
.......254
3
THE
ORIGIN
OF
POETRY
.........................
255
3.1
SOME
THEORIES
OF
POETRY
CONSIDERED
......................................
255
3.2
PERCY
BYSSHE
SHELLEY
*
S
VIEW
..................................................
257
3.3
VIEWS
OF
LANGUAGE
AND
POETRY
IN
MODEM
AUTHORS
...............
258
4
POETRY
IN
PARADISE
................................................................................
259
5
THE
FALL
AND
ITS
EXTENT
........................................................................
260
5.1
MAN
*
S
CHANGED
STATE
................................................................260
5.2
ALL
NATURE
FELL
WITH
MAN
........................................................
263
10
CONTENTS
CHAPTER
SIX:
FALLEN
MAN
CREATES
A
MOCK-EDEN
OF
ARTIFICIALITY
AND
ARTIFICE...
267
1
FALLEN MAN
ALWAYS
STRIVES
TO
CREATE
AN
ARTIFICIAL
PARADISE
.............267
2
PARALLELS
DRAWN
WITH
THE
JEWS:
NATIONAL
HYPOCRISY
..........................
267
2.1
ARTIFICIAL
WOMEN
......................................................................
268
2.2
ARTIFICIAL
MEN
...........................................................................
268
2.3
ARTIFICIAL
MANNERS
.....................................................................269
3
MAN
CREATES
AN
ARTIFICIAL
NATURE
........................................................
269
4
THE
ARTEFACTS
OF
THE
CHURCH
................................................................
271
5
THE
SNARE
OF
SCIENCE
...........................................................................
276
5.1
COWPER
SAW
COGNITIVE
SCIENCE
AS
A
HANDMAID
OF
FAITH
.......
276
5.2
COWPER
COULD
NOT
ACCEPT
SPECULATIVE
SCIENCE
.......................277
6
MAN
*
S
LANGUAGE
AND
THEREFORE
HIS
POETRY
IS
FALLEN
.........................280
7
POETRY
*
S
THEME
WAS
FUTILE
..................................................................
281
8
COWPER
*
S
CRITICISM
APPLIED
TO
WRITING
IN
GENERAL
...........................
283
8.1
NOVELS
........................................................................................
283
8.2
THE
PRESS
...................................................................................284
9
COWPER
*S
ATTITUDE
TO
MUSIC
.................................................................
285
9.1
NATURAL
MUSIC
............................................................................286
9.2
MUSIC
FOR
PERSONAL
ENTERTAINMENT
AND
EDIFICATION
.................
288
9.3
PUBLIC
CAMPAIGNING
IN
SONG
...................................................289
9.4.
MUSIC
IN
PRIVATE
AND
CHURCH
DEVOTION
.....................................
293
9.4.1
WORDLESS
MUSIC
IS
MUSIC
WITHOUT
DEVOTION
...................294
9.4.2
MUSIC
WITH
*
CHRISTIAN
*
WORDS
IS
NOT
NECESSARILY
DEVOTIONAL
...................................................................
295
9.4.3CHOIRS
AND
CHURCH
WORSHIP
.............................................296
9.5
MUSIC
WHICH
AWAKES
ASSOCIATIONS
ACCEPTED
........................297
9.6
CRITICISM
OF
COWPER
*S
ATTITUDE
TO
MUSIC
................................298
9.7
MUSIC
AND
POETRY
IN
COWPER
*
S
THOUGHT
.................................
301
9.8
PARADISE
WILL
BE
USHERED
IN
WITH
MUSIC
OF
HEAVENLY
UNISON
.......................................................................................
302
10
RE-ESTABLISHING
COMMUNICATION
BY
MAKING
DIVINE
TRUTHS
PALATABLE
...............................................................................................
303
10.1
THE
TRUE
POET
IS
HEAVENLY
SELECTED
........................................
303
10.2
THE
POET
*
S
HIGH
CALLING
............................................................
304
CHAPTER
SEVEN:
COWPER
AND
THE
CHRISTIAN
LIBRARY
..................................................
307
1
THE
WORD
..............................................................................................307
1.1
THE
ONLY
DIRECT
REVELATION
OF
GOD
*
S
DEALINGS
WITH
MAN
.......307
1.2
THE
BIBLE
IS
NEGLECTED
BY
POETS
IN
GENERAL
...........................
308
1.3
GOD
*
S
WORD
NOT
AFFECTED
BY
THE
FALL
......................................
309
CONTENTS
11
1.4
GOD
*
S
WORD
DISPLAYS
GOD
*
S
IMMANENCE
................................
309
1.5
GOD
*
S
WORD
IS
THE
ONLY
SOURCE
OF
TRUE
KNOWLEDGE
...............
311
1.6
ACCEPTANCE
OF
THE
WORD
IS
ESSENTIAL
TO
SALVATION
BUT
BIGOTRY
HINDERS
SUCH
ACTION
.....................................................
312
2
THE
BOOK
OF
GOD
*
S
WORKS
..................................................................
314
2.1
THE
IMPORTANCE
OF
DEFINING
THE
TERM
.....................................
314
2.2
GOD
*
S
WORKS
ARE
DISPLAYED
IN
THE
SIGHTS
AND
SOUNDS
OF
A
PERSONAL
ENCOUNTER
WITH
NATURE
......................................316
2.3
GOD
*
S
WORKS
ARE
OBSERVABLE
IN
ALL
WEATHERS
.......................
318
2.3.1
COWPER
FOUND
STORMS
EDENIC
...................................
322
2.3.2
EVERY
ASPECT
OF
NATURE
BELONGS
TO
GOD
*
S
WORKS
......
323
2.4
GOD
STILL
SPEAKS
THROUGH
HIS
WORKS
EVEN
TO
TOWNSMEN
....325
2.5
COWPER
SAW
GOD
*S
WORKS
CLEARER
WHERE
TOWN
LIFE
WAS
LESS
EVIDENT
.....................................................................
325
2.6
COWPER
WAS
NO
HERMIT
............................................................
326
2.7
COWPER
WAS
NO
PERPETUAL
*
STRICKEN
DEER
*
..............................330
2.8
GOD
*S
WORKS
ARE
ACTIVE
IN
RELATION
TO
GOD
AND
MAN
............
332
2.9
ONLY
A
MAN
RIGHT
WITH
GOD
CAN
ENJOY
NATURE
TO
ITS
FULL
.........334
3
THE
BOOK
OF
GOD
*
S
WAYS
...................................................................
336
3.1
COWPER
AND
GOD
*
S
GRAND
DESIGN
............................................336
3.2
GOD
*
S
PLAN
FOR
MAN
IS
THE
RECURRING
THEME
IN
ALMOST
ALL
COWPER
*
S
VERSE
WRITTEN
FOR
PUBLICATION
.........................337
3.3
GOD
*
S
PLAN
IS
TO
FREE
BELIEVING MAN
AND
CREATE
A
NEW
PARADISE
FOR
HIM
......................................................................
337
3.4
ORIGINAL
EDEN
WAS
NEVER
A
PERMANENT
PART
OF
GOD
*
S
PLAN
......
340
3.5
POETRY
AND
PROPHECY
IN
GOD
*
S
PLAN
.........................................
342
3.6
THE
DUAL
PURPOSE
OF
PROPHETIC
POETRY
....................................
343
3.7
EVEN
GOD
*
S
*
DREADFUL
PART
*
DRAWS
MEN TO
HIM
....................
346
3.8
THE
CHRISTIAN
POET
PROPHESIES
A
PROMISED
SABBATH
...............
347
3.9
COWPER
AND
GOD
*
S
MISSIONARY
PLANS
FOR
THE
FUTURE
...............
347
3.10
OLNEY
WAS
A
PIONEER
CENTRE
OF
MISSIONARY
ENTERPRISE
..........
349
3.11
THE
EVANGELISATION
OF
THE
WORLD
IS
A
PREPARATION
FOR
PARADISE
REGAINED
....................................................................
350
3.12
COWPER,
CALVINISM
AND
THE
*
LARGER
HOPE
*
..............................
351
3.13
A
PARADISE
OF
PERPETUAL
SPRING
................................................
354
3.14 A
PARADISE
OF
CHRISTIAN
COMMERCE
.........................................
355
3.15
COWPER
*S
VIEW
OF
NATURE
REBORN
IS
NOT
MERELY
*
VISIONARY
*
................................................................................
358
3.16
COWPER
*
S
VIEW
OF
NATURE
IS
INSEPARABLE
FROM
HIS
ESCHATOLOGY
.............................................................................
361
3.17
COWPER
*
S
JUXTAPOSITION
OF
TOWN
AND
COUNTRY
IS
A
MERE
MEANS
TO
AN
END
......................................................................
362
12
CONTENTS
3.18
ARTISTRY
AND
ESCHATOLOGY
IN
COWPER
*
S
WORKS
........................364
3.19
COWPER
*S
DOCTRINE
OF
THE
RELATIONSHIP
BETWEEN
SCRIPTURE
AND
NATURE
IS
QUITE
FREE
FROM
THE
SPECULATIONS
OF
THE
DISPENSATIONALISTS
...........................................................374
4
THE
BOOK
OF
EXPERIENCE
......................................................................
375
4.1
EXPERIENCE
AND
FEELING
WERE
EMPHASISED
IN
COWPER
*
S
CIRCLE.
375
4.2 THE
MAN
OF
FEELING
...................................................................377
4.3
THE
AGE
OF
SENSITIVITY,
SYMPATHY
AND
SENSIBILITY
................
378
4.3.1
THE
POET
OF
MELANCHOLY
.............................................
378
4.3.2
THE
POET
OF
SYMPATHY
................................................
383
4.3.3
THE
POET
OF
SENSIBILITY
...............................................384
4.4
COWPER
*
S
GREAT
DESIRE
WAS
TO
SHARE
HIS
EXPERIENCE
AND
FEELINGS
WITH
OTHERS
................................................................
385
4.5
THE
EXPERIENCE
OF
JOY
IN
BELIEVING
IS
CENTRAL
TO
COWPER
*
S
TEACHING
...................................................................
386
4.6
COWPER
IS
THE
POET
OF
THE
EYES,
EARS
AND
NOSE
.....................
391
4.7 THE
NEED
FOR
A
LANGUAGE
TO
EXPRESS
FEELING
........................
393
CHAPTER
EIGHT:
REFITTING
POETRY
FOR
THE
CHRISTIAN
*
S
TASK
.......................................
395
1
COWPER
THE
POET
OF
6
SOUND
WORDS
*
....................................................
395
2
GIVEN
THE
CONTENTS,
COWPER
WAS
FLEXIBLE
IN
HIS
USE
OF
LANGUAGE,
STYLE
AND
METRE
.................................................................
396
3
LANGUAGE
AND
STYLE
............................................................................
396
3.1
PLAIN
WORDS
FOR
PLAIN
TRUTHS
TO
PLAIN
PEOPLE
..........................396
3.2
POETIC
LANGUAGE
MUST
BE
MANLY
.............................................
397
3.3
STYLE
MUST
REFLECT
THE
AUTHOR
*
S
SINCERITY
..............................399
3.4
THE
STYLE
MUST
SUIT
THE
OCCASION
............................................400
3.5
COWPER AIMED
TO
*
CATCH
THE
PUBLIC
BY
THE
EAR
*
....................
401
3.6
FANCY
MUST
FLOW
IN
POETRY
......................................................
403
3.7
SESQUIPEDALIAN
SILLINESS
HAS
A
PLACE
IN
POETRY
........................406
3.8
COWPER
CRITICISED
FOR
BEING
TOO
LAX
WITH
LANGUAGE
...........409
3.9
COWPER
FAILED
IN
HIS
ATTEMPT
TO
*
THROW
THE
LANGUAGE
BACKWARDS
*
...............................................................................410
3.10
THE
TRUE
LANGUAGE
OF
POETRY
IS
THE
LANGUAGE
OF
PARADISE
REGAINED
.....................................................................412
3.11
A
CONTEMPORARY
CRITIC
*
S
VIEW
OF
COWPER
*
S
LANGUAGE
AND
STYLE
...................................................................................412
4
VERSIFICATION
........................................................................................
413
4.1
PROSE
FOR
THE
PROSAIC,
POETRY
FOR
THE
GLOWING
HEART
...............
413
4.2
POETRY
IS
NOT
MATHEMATICS
BUT
A
VEHICLE
OF
TRUE
KNOWLEDGE
................................................................................414
CONTENTS
13
4.3
COWPER
PUTS
MEASURE
SECOND
TO
MESSAGE
..............................
414
4.4
THE
AIM
OF
GOOD
VERSE
TO
STRIKE
THE
HEART
IS
HINDERED
BY THE
USE
OF
ART
......................................................................416
4.5
COWPER
GAVE
POPE
MOST
OF
THE
BLAME
FOR
PERVERTING
POETRY
.........................................................................................417
4.6
VERSE
MUST
SPEAK
THE
LANGUAGE
OF
PROSE
...............................
418
4.7
COWPER
AND
THE
*
NOBLE
SAVAGE
*
..............................................419
4.8
MACAULAY
ON
COWPER
*
S
ORIGINALITY
.........................................419
5
COWPER
*
S
FAVOURITE
VERSE
FORMS
........................................................420
5.1
THE
BALLAD
.................................................................................
422
5.2
BLANK
VERSE
..............................................................................
423
5.2.1
BLANK
VERSE
IS
TRULY
ENGLISH
.....................................
425
5.2.2
BLANK
VERSE
AND
HOMER
.............................................
426
5.2.3
BLANK
VERSE
IS
HARD
WORK
.........................................
427
5.2.4
BLANK
VERSE
AND
THE
CLASSIFICATION
OF
POETS
.............
428
5.2.5
BLANK
VERSE
AND
THE
LANGUAGE
OF
EDEN
....................
429
5.2.6
THE
SO-CALLED
GOLDEN
AGE
IN
POETRY
........................
430
6
STRUCTURE
IN
COWPER
*
S
POETRY
..............................................................432
6.1
THE
DIFFICULTY
OF
FINDING
STRUCTURE
IN
COWPER
*S
VERSE
..........432
6.2
COWPER
FELT
THAT
CONTEMPORARY
TASTE
DEMANDED
A
NEW
ATTITUDE
TO
STRUCTURE
.........................................................
433
6.3
COWPER
*
S
POETRY
WAS
NOT
UNPREMEDITATED
..............................
435
7
TRANSLATION
WORK
.................................................................................
437
7.1
TRANSLATING
FOREIGN
AUTHORS
WAS
A
POPULAR
LITERARY
OCCUPATION
IN
COWPER
*S
DAY
..................................................437
7.2
TRANSLATION
WORK
WAS
PART
OF
A
MOVEMENT
TO
PROVIDE
A
MORE
GENERAL
READERSHIP
WITH
LITERATURE
...........................
438
7.3
MOST
EIGHTEENTH
CENTURY
CLERGYMEN,
LIKE
THE
REFORMERS
AND
PURITANS
BEFORE
THEM,
HAD
RECEIVED
A
CLASSICAL
EDUCATION
................................................................
439
7.4
THE
EVANGELICALS
WERE
PIONEERS
IN
BRINGING
LITERATURE
TO
THE
COMMON
MAN
...........................................................
440
7.5
COWPER
DID
MUCH
TRANSLATION
WORK
IN
HIS
CHILDHOOD
AND
YOUTH
................................
445
7.6 CRITICISM
CONCERNING
COWPER
*
S
INTEREST
IN
TRANSLATION
WORK
..
446
7.7
TRANSLATION
WORK
WAS
MEDICINAL
WHEN
COWPER
*
S
MIND
WAS
TROUBLED
............................................................................447
7.8
COWPER
THE
TRANSLATOR
OF
BOURNE
............................................450
7.9
TRANSLATING
MADAME
GUYON
....................................................
451
7.10
COWPER
THE
TRANSLATOR
OF
HOMER
AND
HIS
CRITICISM
OF
POPE
......................................................................................
452
7.11
FURTHER
REASONS
FOR
TRANSLATING
HOMER
..................................
453
14
CONTENTS
7.11.1
HOMER
*
S
MORAL
VALUE
.................................................
453
7.11.2
COWPER
FOUND
HOMER
*
S
LANGUAGE
CAME
VERY
NEAR
TO
HIS
IDEAL
...............................................................454
7.11.3
COWPER
FELT
A
REAL
SENSE
OF
MISSION
IN
TRANSLATING
HOMER
...........................................................
454
7.12
COWPER
*
S
GUIDELINES
FOR
TRANSLATION
WORK
............................
455
7.13
THE
DIFFICULTY
OF
ASSESSING
THE
IMPORTANCE
OF
COWPER
*
S
HOMER
FOR
THE
POET
*
S
LITERARY
DEVELOPMENT
........456
CHAPTER
NINE:
SUMMARY
AND
CONCLUSION
.................................................................
471
1
COWPER
*
S
LIFE
AND
ACHIEVEMENTS
.......................................................
471
2
COWPER
*
S
UNIQUENESS
AS
A
POET
...........................................................
475
BIBLIOGRAPHY
......................................................................................................479
INDEX
OF
AUTHORS
QUOTED
...................................................................................494
|
| adam_txt |
CONTENTS
PREFACE
.
15
ACKNOWLEDGEMENTS
AND
GENERAL
REMARKS
.
24
INTRODUCTION:
HOW
THINGS
BEGAN
.
27
1
A
SCHOOLBOY
ENCOUNTERS
COWPER
.
27
2
BIOGRAPHICAL
CAUSES
OF
ALARM
.
27
3
LITERARY
SHOCKS
AND
SURPRISES
.
29
4
THE
TASK
BEFORE
ME
.
31
4.1
TO
SHOW
HOW
COWPER
WISHED TO
REFORM
MANKIND
.
31
4.2 TO
DEMONSTRATE
NEWTON
*
S
TRUE
AFFILIATION
WITH
COWPER
.
31
4.3
TO
SHOW
THAT
COWPER
WAS
A
LANGUAGE
REFORMER
.
32
4.4 TO
DEMONSTRATE
COWPER
*
S
TRUE
UNDERSTANDING
OF
NATURE
.
33
5
THE
INEVITABLE
BY-PRODUCTS
OF
SUCH
A
TASK
.
33
6
WILLIAM
COWPER
AND
THE
EVANGELICAL
AWAKENING
.
34
7
EVANGELICALS
PIONEERED
LITERACY
FOR
THE
COMMON
MAN
.
35
8
COWPER
WAS
A
SOURCE
OF
GREAT
INFLUENCE
ON
THE
REVIVAL
.
35
9
SCHOLARSHIP
HAS
DONE
LITTLE
WORK
ON
COWPER
*
S
POETIC
THEORY
.
36
10
COWPER
IS
USUALLY
VIEWED
FROM
TOO
NARROW
A
POSITION
.
37
11
SIGNS
OF
A
REVERSAL
IN
VIEWING
THE
PURITANS
.
38
12
COWPER
*S
LOVE
OF
THE
PURITANS
.
39
13
THERE
IS
A
UNITY
OF
THOUGHT BETWEEN
COWPER
*
S
THEORY
OF
POETRY
AND
HIS
FAITH
.
39
14
COWPERIAN
SCHOLARSHIP
HAS
BEEN
CONCERNED
MAINLY
WITH
BIOGRAPHY
OR
CLASSIFYING
COWPER
ACCORDING
TO
SPECIFIC
SCHOOLS
OUTSIDE
OF
COWPER
*
S
THOUGHT
.
40
15
COWPER
*S
POETRY
REFLECTS
THE
REVIVAL
SPIRIT
OF
HIS
AGE
.
41
15.1
COWPER
*
S
CRITICS
ALSO
REFLECT
THE
SPIRIT
OF
THEIR
AGE
.
41
15.2
HUMOUR
ALSO
VARIES
FROM
AGE
TO
AGE
.
42
15.3
A
NEW
SPIRIT
AND
A
NEW
AGE
.
43
CHAPTER
ONE:
COWPER
AND
THE
CRITICS
.
45
1
A
GENERAL
OVER-VIEW
.
45
1.1
COWPER:
ALWAYS
A
FAVOURITE
OF
CRITICAL
INVESTIGATORS
.
45
1.2
NEW
PERCEPTIONS
ON
COWPER
.
46
6
CONTENTS
1.3
WORKS
SHEDDING
NEW
LIGHT
ON
COWPER
SCHOLARSHIP
.
47
1.4
AREAS
OF
CRITICAL
RESEARCH
HAVE
BEEN
STRICTLY
LIMITED
.
50
1.5
THE
COURSE
RESEARCH
HAS
MAINLY
TAKEN
.
51
1.5.1
CONTEMPORARY
EVALUATIONS
.
51
1.5.2
SCHOLARSHIP
FOLLOWS
A
SIDE-ISSUE
.
53
1.5.3
THE
CALVINIST-ARMINIAN
CONTROVERSY
.
54
1.6.
CRITICISM
OF
COWPER
*
S
WORKS
IS
MAINLY
BIOGRAPHICAL,
PHILOSOPHICAL
AND
PSEUDO-PSYCHOANALYTICAL
RATHER
THAN
LITERARY
.
55
1.6.1
QUEER
THEORIES
.
57
1.6.2
COWPER
*
S
ALLEGED
UNACCEPTABLE
BEHAVIOUR
.
57
1.6.3
ELFENBEIN
*
S
FREUDIAN
*
FIXED
IDEA
*
.
58
1.6.4
COWPER
*
S
ALLEGED
SECRETS
.
59
1.6.5
ELFENBEIN
TEASES
HIS
READERS
.
60
1.6.6
RE-INTERPRETING
COWPER
*S
CONVERSION
STORY
.
60
1.6.7
COWPER
EXPLAINS
THE
CHRISTOLOGY
OF
THE
PASSAGE
.
62
1.6.8
ELFENBEIN
HAS
PICKED
THE
WRONG
MAN
FOR
HIS
QUEER
INVENTION
.
63
1.6.9
CONRAD
BRUNSTROM
SEES
COWPER
THROUGH
THE
ALLEGED
EYES
OF
FOUCAULT,
HEGEL
AND
FREUD
.
64
1.7
ATTEMPTS
TO
VIEW
COWPER
*
S
RELIGION
IN
RELATIONSHIP
TO
HIS
WORKS
.
67
1.7.1
BROOK
*
S
THEOLOGY
OF
THE
POETS
.
67
1.7.2
FAIRCHILD
*S
RELIGIOUS
TRENDS
.
69
1.7.3
COX
*
S
STRANGER
WITHIN
.
71
1.8
ATTEMPTING
TO
VIEW
COWPER
*
S
FAITH
AGAINST
ITS
CORRECT
BACKGROUND
.
71
1.8.1
THOMAS
*
WILLIAM
COWPER
AND THE
1
8
TH
CENTURY
.
71
1.8.2
BRUNSTROM
TAKES
SIDES
.
73
1.8.3
COWPER
AND
ARMINIANISM
.
75
1.9
PATRICIA
M.
SPACKS
AND
COWPER
*
S
POETIC
AWARENESS
OF
NATURE
.
77
1.10
JOHN PIPER
ON
THE
FRUITS
OF
AFFLICTION
.
79
1.11
ATTEMPTS
TO
SHOW
THAT
COWPER
*
S
AIM
WAS
TO
PERFECT
POETIC
EXPRESSION
RATHER
THAN
BE
A
CHRISTIAN
MONITOR
.
83
1.11.1
PIERRE
DANCHIN
ON
COWPER
*
S
POETIC
PURPOSE
.
83
1.11.2
NEWEY
*
S
CRITICAL
STUDY
.
84
2
DOCTORAL
THESES
DEALING
WITH
COWPER
*
S
FAITH
AND
WORKS
.
86
2.1
AMERICAN
AND
BRITISH
THESES
.
87
2.1.1
NIELSON
CAMPBELL
HANNAY
*
S
THEORY
OF
A
DEVELOPMENT
IN
COWPER
FROM
UNRESTRAINED
PIETISM
TO
TOLERANCE
.
88
CONTENTS
7
2.1.2
LUISE
LANHAM
AND
COWPER
*
S
RELATION
TO
THE
ENGLISH
EVANGELICAL
MOVEMENT
.
89
2.1.3
EDITH
LAWTON
VIEWS
COWPER
AS
A
CLASSICAL
ROMANTICIST
.
90
2.1.4
RODERICK
TSUI
EN
HUANG
AND
THE
SUPPOSED
INFLUENCE
OF
JAMES
HERVEY
ON
COWPER
.
93
2.1.5
CONRAD
BRUNSTROM
*
S
WILLIAM
COWPER
*
S
RELIGIOUS
DIDACTICISM:
THE
FAILURE
OF
MEDIATION
.
93
2.1.6
JANE
DARCY
*
S
MELANCHOLY
AND
LITERARY
BIOGRAPHY,
1640-1816
.
103
2.1.7
DIANE
BUIE
*
S
MELANCHOLY
AND
THE
IDLE
LIFESTYLE
.
105
2.2
GERMAN
DISSERTATIONS
.
112
2.2.1
GUSTAV TIETJE
AND
COWPER
*
S
PERSONIFICATION
OF
NOUNS
112
2.2.2
WILLY
HOFFMANN
ON
THE
BOOKS
COWPER
READ
AND
HIS
CRITICISM
.
113
2.2.3
WILLI
POSSEHL
ON
COWPER
*
S
ATTITUDE
TO
RELIGION
.
114
2.2.4
ARTHUR
HANTSCHE
ON
COWPER
AS
A
NATURE
POET
.
114
2.2.5
GEORGE
ELLA
*
S
WILLIAM
COWPER:
THE
MAN
WITH
GOD
*
S
DEEP
STAMP
UPON
HIM
.
118
2.2.6
GEORGE
ELLA
*
S
PARADISE
AND
POETRY:
AN
IN-DEPTH
STUDY
OF
COWPER
*
S
POETIC
MIND
.
120
3
THE
EYE
OF
THE
CRITIC
.
124
4
RELIGION
AND
LITERATURE
IN
MODEM
CRITICAL
THOUGHT
.
124
4.1
MODEM
LITERATURE
DOES
NOT
FIGHT
SHY
OF
RELIGION
.
124
4.2
EDEN
HAS
ONCE
AGAIN
FOUND
A
PLACE
IN
LITERATURE
.
126
CHAPTER
TWO:
THE
POET
OF
PARADISE
IN
THE
MAKING
.
129
1
THE
COWPER
FAMILY
.
129
1.1
A
FAMILY
OF
POETS
.
129
1.2
A
FAMILY
OF
GENTLE
BIRTH
.
131
1.3
A
LEGAL
FAMILY
.
133
1.4
A
FAMILY
OF
EVANGELICALS
.
133
2
COWPER
*
S
POETIC
EDUCATION
.
133
2.1
MARKYATE
STREET
.
133
2.2
WESTMINSTER
.
134
2.3
LAW
DAYS:
THE
NONSENSE
CLUB
AND
EARLY
PUBLICATIONS
.
135
3
COWPER
*
S
COURTSHIP
OF
THEADORA
.
137
4
COWPER
*
S
BREAKDOWN,
HIS
CONVERSION
AND
ITS
CONSEQUENCES
.
141
5
COWPER
CONTEMPLATES
BECOMING
A
MINISTER
OF
THE
GOSPEL
.
146
6
COWPER
*
S
CALL
TO
BE
A
POET
.
149
7
COWPER
*
S
POETIC
AMBITION
.
153
8
CONTENTS
CHAPTER
THREE:
SOME
THEORIES
OF
DEPENDENCY
EXAMINED
.
161
1
IMPROBABLE
SOURCES
OF
INFLUENCE
.
161
1.1
COWPER
*
S
AVERSION
TO
IMITATION
IN
POETRY
.
161
1.2
CHURCHILL
AS
AN
IMPROBABLE
MAJOR
SOURCE
OF
INFLUENCE
.
163
1.3
VAUGHAN
AS
A
SUPPOSED
SOURCE
OF
INFLUENCE
ON
COWPER
.
168
2
A
PROBABLE
SOURCE
OF
INFLUENCE
CONSIDERED
.
170
2.1
JAMES
HERVEY
.
170
2.1.1
HERVEY
*
S
SUPPOSED
INFLUENCE
ON
COWPER
*
S
CONVERSION
.
174
2.1.2
REFERENCES
TO
HERVEY
IN
COWPER
*
S
WORKS
.
177
2.1.3
SIMILAR
DESCRIPTIONS
OF
NATURE
IN
BOTH
WRITERS
.
179
2.1.4
DIFFERENCES
IN
THE
TWO
WRITERS
*
DIDACTIC
USE
OF
NATURE
.
182
2.1.5
DIFFERENCES
IN
THE
TWO
AUTHORS
*
ESCHATOLOGY
.
186
2.1.6
HERVEY
AND
HIS
MERGING
OF
LITERARY
TRADITION
AND
RELIGIOUS
SENTIMENT
.
187
2.1.7
THE
VIEW
THAT
MAN
DOES
NOT
ACKNOWLEDGE
GOD
IN
NATURE
.
188
2.1.8
COWPER
AND
UNREALISTIC
PASTORALISM
.
188
2.1.9
THE
TWO
WRITERS
*
VIEWS
ON
CLASSICAL
MYTHOLOGY
.
188
2.1.10
IMPUTED
RIGHTEOUSNESS
IN
THE
WORKS
OF
COWPER
AND
HERVEY
.
189
2.1.11
HUANG
*
S
CLAIMS
ARE
NOT
SUBSTANTIATED
.
191
CHAPTER
FOUR:
COWPER
*
S
TRUE
POETIC
MENTORS
.
193
1
COWPER
ADMITTED
THAT
IMITATION
WAS
UNAVOIDABLE
.
193
2
MILTON
*
S
INFLUENCE
ON
COWPER
.
194
3
JOHN
NEWTON
*S
LITERARY
INFLUENCE
ON
WILLIAM
COWPER
.202
3.1
NEWTON
WAS
A
LEADING LITERARY
FIGURE
IN
THE
AWAKENING
.
203
3.2
THE
AFTERMATH
OF
RESTITUTION
LITERATURE
.204
3.3
COWPER
*S
OPINIONS
OF
NEWTON
*
S
LITERARY
SKILLS
.
205
3.4
COWPER
*
S
POETIC
MIND
BEFORE
AND
AFTER
CONVERSION
.209
3.5
THE
NEW
INTEREST
IN
COLLECTIONS
OF
HYMNS
.209
3.6
ROMAINE
*
S
STRICTURES
.
210
3.7
NEWTON
*
S
AND
COWPER
*
S
VIEWS
ON
HYMNS
.
211
3.8
THE
AIM
OF
THE
OLNEY
HYMNS
.212
3.9
THE
OLNEY
HYMNS
WERE
NOT
NECESSARILY
MEANT
TO
BE
SUNG
.
213
3.10 THE
OLNEY
HYMNS
AS
POETRY
.214
CONTENTS
9
3.11
DR
ISAAC
WATTS
AND
THE
OLNEY
HYMNS
.
218
3.12
CALVINISM
AND
THE
OLNEY
HYMNS
.219
3.13
SIMILARITIES
IN
THE
HYMNS
OF
NEWTON
AND
COWPER
.220
3.13.1
NEWTON
AND
NATURE
.220
3.13.2
THE
ESCHATOLOGY
OF
THE
TWO
FRIENDS
.
223
3.13.3
MAURICE
QUINLAN
ON
COWPER
*
S
AND
NEWTON
*
S
IMAGERY
.224
3.13.4
FURTHER
EVANGELICAL
JARGON
COMMON
TO
NEWTON
AND
COWPER
.229
3.13.5
OTHER
JOINT
USAGES
.230
3.13.6
BLOOD
IMAGERY
.
231
3.13.7
SIMILAR
IDIOSYNCRASIES
OF
EXPRESSION
.234
3.13.8
SIMILARITIES
OF
SUBJECT-MATTER
.
235
3.13.9
IDENTICAL
WORDING
.236
3.13.10
SIMILARITIES
IN
TECHNIQUES
.
236
3.13.11
SIMILARITY
IN
THE
USAGE
OF
QUOTATION
MARKS
.237
3.13.12
A
SIMILAR
USE
OF
THE
PARENTHESIS
.237
3.13.13
SIMILAR
EXPRESSIONS
OF
DOUBT
AND
DESPAIR
.
238
CHAPTERFIVE:
COWPER
*
S
HIGH
VIEW
OF
POETRY
AND
ITS
ORIGINS
.
245
1
COWPER
BELIEVED
THAT
CONTEMPORARY
POETRY
HAD
LOST
ITS
TRUE
FUNCTION
AND
POETS
THEIR
TRUE
CALLING
.
245
2
IN
THE
BEGINNING
.246
2.1
CREATION
EX
NIHILO
.246
2.1.1
THE
DEISTS
.
248
2.1.2
CREATION
BY
CHANCE
.250
2.13
CREATION
OUT
OF
MATERIAL
ALREADY
PRESENT
.
251
2.2
THE
CREATION
OF
MAN
.
252
2.2.1
MAN
WAS
FORMED
FROM
THE
DUST
.252
2.2.2
MAN
WAS
FORMED
ARTICULATE
AND
INTELLIGENT
.
252
2.2.3
MAN
WAS
GOD
*
S
CHIEF
PURPOSE
IN
CREATION
.
253
2.2.4
MAN
RESPONSIBLE
FOR
THE
WELL-BEING
OF
NATURE
.254
3
THE
ORIGIN
OF
POETRY
.
255
3.1
SOME
THEORIES
OF
POETRY
CONSIDERED
.
255
3.2
PERCY
BYSSHE
SHELLEY
*
S
VIEW
.
257
3.3
VIEWS
OF
LANGUAGE
AND
POETRY
IN
MODEM
AUTHORS
.
258
4
POETRY
IN
PARADISE
.
259
5
THE
FALL
AND
ITS
EXTENT
.
260
5.1
MAN
*
S
CHANGED
STATE
.260
5.2
ALL
NATURE
FELL
WITH
MAN
.
263
10
CONTENTS
CHAPTER
SIX:
FALLEN
MAN
CREATES
A
MOCK-EDEN
OF
ARTIFICIALITY
AND
ARTIFICE.
267
1
FALLEN MAN
ALWAYS
STRIVES
TO
CREATE
AN
ARTIFICIAL
PARADISE
.267
2
PARALLELS
DRAWN
WITH
THE
JEWS:
NATIONAL
HYPOCRISY
.
267
2.1
ARTIFICIAL
WOMEN
.
268
2.2
ARTIFICIAL
MEN
.
268
2.3
ARTIFICIAL
MANNERS
.269
3
MAN
CREATES
AN
ARTIFICIAL
NATURE
.
269
4
THE
ARTEFACTS
OF
THE
CHURCH
.
271
5
THE
SNARE
OF
SCIENCE
.
276
5.1
COWPER
SAW
COGNITIVE
SCIENCE
AS
A
HANDMAID
OF
FAITH
.
276
5.2
COWPER
COULD
NOT
ACCEPT
SPECULATIVE
SCIENCE
.277
6
MAN
*
S
LANGUAGE
AND
THEREFORE
HIS
POETRY
IS
FALLEN
.280
7
POETRY
*
S
THEME
WAS
FUTILE
.
281
8
COWPER
*
S
CRITICISM
APPLIED
TO
WRITING
IN
GENERAL
.
283
8.1
NOVELS
.
283
8.2
THE
PRESS
.284
9
COWPER
*S
ATTITUDE
TO
MUSIC
.
285
9.1
NATURAL
MUSIC
.286
9.2
MUSIC
FOR
PERSONAL
ENTERTAINMENT
AND
EDIFICATION
.
288
9.3
PUBLIC
CAMPAIGNING
IN
SONG
.289
9.4.
MUSIC
IN
PRIVATE
AND
CHURCH
DEVOTION
.
293
9.4.1
WORDLESS
MUSIC
IS
MUSIC
WITHOUT
DEVOTION
.294
9.4.2
MUSIC
WITH
*
CHRISTIAN
*
WORDS
IS
NOT
NECESSARILY
DEVOTIONAL
.
295
9.4.3CHOIRS
AND
CHURCH
WORSHIP
.296
9.5
MUSIC
WHICH
AWAKES
ASSOCIATIONS
ACCEPTED
.297
9.6
CRITICISM
OF
COWPER
*S
ATTITUDE
TO
MUSIC
.298
9.7
MUSIC
AND
POETRY
IN
COWPER
*
S
THOUGHT
.
301
9.8
PARADISE
WILL
BE
USHERED
IN
WITH
MUSIC
OF
HEAVENLY
UNISON
.
302
10
RE-ESTABLISHING
COMMUNICATION
BY
MAKING
DIVINE
TRUTHS
PALATABLE
.
303
10.1
THE
TRUE
POET
IS
HEAVENLY
SELECTED
.
303
10.2
THE
POET
*
S
HIGH
CALLING
.
304
CHAPTER
SEVEN:
COWPER
AND
THE
CHRISTIAN
LIBRARY
.
307
1
THE
WORD
.307
1.1
THE
ONLY
DIRECT
REVELATION
OF
GOD
*
S
DEALINGS
WITH
MAN
.307
1.2
THE
BIBLE
IS
NEGLECTED
BY
POETS
IN
GENERAL
.
308
1.3
GOD
*
S
WORD
NOT
AFFECTED
BY
THE
FALL
.
309
CONTENTS
11
1.4
GOD
*
S
WORD
DISPLAYS
GOD
*
S
IMMANENCE
.
309
1.5
GOD
*
S
WORD
IS
THE
ONLY
SOURCE
OF
TRUE
KNOWLEDGE
.
311
1.6
ACCEPTANCE
OF
THE
WORD
IS
ESSENTIAL
TO
SALVATION
BUT
BIGOTRY
HINDERS
SUCH
ACTION
.
312
2
THE
BOOK
OF
GOD
*
S
WORKS
.
314
2.1
THE
IMPORTANCE
OF
DEFINING
THE
TERM
.
314
2.2
GOD
*
S
WORKS
ARE
DISPLAYED
IN
THE
SIGHTS
AND
SOUNDS
OF
A
PERSONAL
ENCOUNTER
WITH
NATURE
.316
2.3
GOD
*
S
WORKS
ARE
OBSERVABLE
IN
ALL
WEATHERS
.
318
2.3.1
COWPER
FOUND
STORMS
EDENIC
.
322
2.3.2
EVERY
ASPECT
OF
NATURE
BELONGS
TO
GOD
*
S
WORKS
.
323
2.4
GOD
STILL
SPEAKS
THROUGH
HIS
WORKS
EVEN
TO
TOWNSMEN
.325
2.5
COWPER
SAW
GOD
*S
WORKS
CLEARER
WHERE
TOWN
LIFE
WAS
LESS
EVIDENT
.
325
2.6
COWPER
WAS
NO
HERMIT
.
326
2.7
COWPER
WAS
NO
PERPETUAL
*
STRICKEN
DEER
*
.330
2.8
GOD
*S
WORKS
ARE
ACTIVE
IN
RELATION
TO
GOD
AND
MAN
.
332
2.9
ONLY
A
MAN
RIGHT
WITH
GOD
CAN
ENJOY
NATURE
TO
ITS
FULL
.334
3
THE
BOOK
OF
GOD
*
S
WAYS
.
336
3.1
COWPER
AND
GOD
*
S
GRAND
DESIGN
.336
3.2
GOD
*
S
PLAN
FOR
MAN
IS
THE
RECURRING
THEME
IN
ALMOST
ALL
COWPER
*
S
VERSE
WRITTEN
FOR
PUBLICATION
.337
3.3
GOD
*
S
PLAN
IS
TO
FREE
BELIEVING MAN
AND
CREATE
A
NEW
PARADISE
FOR
HIM
.
337
3.4
ORIGINAL
EDEN
WAS
NEVER
A
PERMANENT
PART
OF
GOD
*
S
PLAN
.
340
3.5
POETRY
AND
PROPHECY
IN
GOD
*
S
PLAN
.
342
3.6
THE
DUAL
PURPOSE
OF
PROPHETIC
POETRY
.
343
3.7
EVEN
GOD
*
S
*
DREADFUL
PART
*
DRAWS
MEN TO
HIM
.
346
3.8
THE
CHRISTIAN
POET
PROPHESIES
A
PROMISED
SABBATH
.
347
3.9
COWPER
AND
GOD
*
S
MISSIONARY
PLANS
FOR
THE
FUTURE
.
347
3.10
OLNEY
WAS
A
PIONEER
CENTRE
OF
MISSIONARY
ENTERPRISE
.
349
3.11
THE
EVANGELISATION
OF
THE
WORLD
IS
A
PREPARATION
FOR
PARADISE
REGAINED
.
350
3.12
COWPER,
CALVINISM
AND
THE
*
LARGER
HOPE
*
.
351
3.13
A
PARADISE
OF
PERPETUAL
SPRING
.
354
3.14 A
PARADISE
OF
CHRISTIAN
COMMERCE
.
355
3.15
COWPER
*S
VIEW
OF
NATURE
REBORN
IS
NOT
MERELY
*
VISIONARY
*
.
358
3.16
COWPER
*
S
VIEW
OF
NATURE
IS
INSEPARABLE
FROM
HIS
ESCHATOLOGY
.
361
3.17
COWPER
*
S
JUXTAPOSITION
OF
TOWN
AND
COUNTRY
IS
A
MERE
MEANS
TO
AN
END
.
362
12
CONTENTS
3.18
ARTISTRY
AND
ESCHATOLOGY
IN
COWPER
*
S
WORKS
.364
3.19
COWPER
*S
DOCTRINE
OF
THE
RELATIONSHIP
BETWEEN
SCRIPTURE
AND
NATURE
IS
QUITE
FREE
FROM
THE
SPECULATIONS
OF
THE
DISPENSATIONALISTS
.374
4
THE
BOOK
OF
EXPERIENCE
.
375
4.1
EXPERIENCE
AND
FEELING
WERE
EMPHASISED
IN
COWPER
*
S
CIRCLE.
375
4.2 THE
MAN
OF
FEELING
.377
4.3
THE
AGE
OF
SENSITIVITY,
SYMPATHY
AND
SENSIBILITY
.
378
4.3.1
THE
POET
OF
MELANCHOLY
.
378
4.3.2
THE
POET
OF
SYMPATHY
.
383
4.3.3
THE
POET
OF
SENSIBILITY
.384
4.4
COWPER
*
S
GREAT
DESIRE
WAS
TO
SHARE
HIS
EXPERIENCE
AND
FEELINGS
WITH
OTHERS
.
385
4.5
THE
EXPERIENCE
OF
JOY
IN
BELIEVING
IS
CENTRAL
TO
COWPER
*
S
TEACHING
.
386
4.6
COWPER
IS
THE
POET
OF
THE
EYES,
EARS
AND
NOSE
.
391
4.7 THE
NEED
FOR
A
LANGUAGE
TO
EXPRESS
FEELING
.
393
CHAPTER
EIGHT:
REFITTING
POETRY
FOR
THE
CHRISTIAN
*
S
TASK
.
395
1
COWPER
THE
POET
OF
6
SOUND
WORDS
*
.
395
2
GIVEN
THE
CONTENTS,
COWPER
WAS
FLEXIBLE
IN
HIS
USE
OF
LANGUAGE,
STYLE
AND
METRE
.
396
3
LANGUAGE
AND
STYLE
.
396
3.1
PLAIN
WORDS
FOR
PLAIN
TRUTHS
TO
PLAIN
PEOPLE
.396
3.2
POETIC
LANGUAGE
MUST
BE
MANLY
.
397
3.3
STYLE
MUST
REFLECT
THE
AUTHOR
*
S
SINCERITY
.399
3.4
THE
STYLE
MUST
SUIT
THE
OCCASION
.400
3.5
COWPER AIMED
TO
*
CATCH
THE
PUBLIC
BY
THE
EAR
*
.
401
3.6
FANCY
MUST
FLOW
IN
POETRY
.
403
3.7
SESQUIPEDALIAN
SILLINESS
HAS
A
PLACE
IN
POETRY
.406
3.8
COWPER
CRITICISED
FOR
BEING
TOO
LAX
WITH
LANGUAGE
.409
3.9
COWPER
FAILED
IN
HIS
ATTEMPT
TO
*
THROW
THE
LANGUAGE
BACKWARDS
*
.410
3.10
THE
TRUE
LANGUAGE
OF
POETRY
IS
THE
LANGUAGE
OF
PARADISE
REGAINED
.412
3.11
A
CONTEMPORARY
CRITIC
*
S
VIEW
OF
COWPER
*
S
LANGUAGE
AND
STYLE
.412
4
VERSIFICATION
.
413
4.1
PROSE
FOR
THE
PROSAIC,
POETRY
FOR
THE
GLOWING
HEART
.
413
4.2
POETRY
IS
NOT
MATHEMATICS
BUT
A
VEHICLE
OF
TRUE
KNOWLEDGE
.414
CONTENTS
13
4.3
COWPER
PUTS
MEASURE
SECOND
TO
MESSAGE
.
414
4.4
THE
AIM
OF
GOOD
VERSE
TO
STRIKE
THE
HEART
IS
HINDERED
BY THE
USE
OF
ART
.416
4.5
COWPER
GAVE
POPE
MOST
OF
THE
BLAME
FOR
PERVERTING
POETRY
.417
4.6
VERSE
MUST
SPEAK
THE
LANGUAGE
OF
PROSE
.
418
4.7
COWPER
AND
THE
*
NOBLE
SAVAGE
*
.419
4.8
MACAULAY
ON
COWPER
*
S
ORIGINALITY
.419
5
COWPER
*
S
FAVOURITE
VERSE
FORMS
.420
5.1
THE
BALLAD
.
422
5.2
BLANK
VERSE
.
423
5.2.1
BLANK
VERSE
IS
TRULY
ENGLISH
.
425
5.2.2
BLANK
VERSE
AND
HOMER
.
426
5.2.3
BLANK
VERSE
IS
HARD
WORK
.
427
5.2.4
BLANK
VERSE
AND
THE
CLASSIFICATION
OF
POETS
.
428
5.2.5
BLANK
VERSE
AND
THE
LANGUAGE
OF
EDEN
.
429
5.2.6
THE
SO-CALLED
GOLDEN
AGE
IN
POETRY
.
430
6
STRUCTURE
IN
COWPER
*
S
POETRY
.432
6.1
THE
DIFFICULTY
OF
FINDING
STRUCTURE
IN
COWPER
*S
VERSE
.432
6.2
COWPER
FELT
THAT
CONTEMPORARY
TASTE
DEMANDED
A
NEW
ATTITUDE
TO
STRUCTURE
.
433
6.3
COWPER
*
S
POETRY
WAS
NOT
UNPREMEDITATED
.
435
7
TRANSLATION
WORK
.
437
7.1
TRANSLATING
FOREIGN
AUTHORS
WAS
A
POPULAR
LITERARY
OCCUPATION
IN
COWPER
*S
DAY
.437
7.2
TRANSLATION
WORK
WAS
PART
OF
A
MOVEMENT
TO
PROVIDE
A
MORE
GENERAL
READERSHIP
WITH
LITERATURE
.
438
7.3
MOST
EIGHTEENTH
CENTURY
CLERGYMEN,
LIKE
THE
REFORMERS
AND
PURITANS
BEFORE
THEM,
HAD
RECEIVED
A
CLASSICAL
EDUCATION
.
439
7.4
THE
EVANGELICALS
WERE
PIONEERS
IN
BRINGING
LITERATURE
TO
THE
COMMON
MAN
.
440
7.5
COWPER
DID
MUCH
TRANSLATION
WORK
IN
HIS
CHILDHOOD
AND
YOUTH
.
445
7.6 CRITICISM
CONCERNING
COWPER
*
S
INTEREST
IN
TRANSLATION
WORK
.
446
7.7
TRANSLATION
WORK
WAS
MEDICINAL
WHEN
COWPER
*
S
MIND
WAS
TROUBLED
.447
7.8
COWPER
THE
TRANSLATOR
OF
BOURNE
.450
7.9
TRANSLATING
MADAME
GUYON
.
451
7.10
COWPER
THE
TRANSLATOR
OF
HOMER
AND
HIS
CRITICISM
OF
POPE
.
452
7.11
FURTHER
REASONS
FOR
TRANSLATING
HOMER
.
453
14
CONTENTS
7.11.1
HOMER
*
S
MORAL
VALUE
.
453
7.11.2
COWPER
FOUND
HOMER
*
S
LANGUAGE
CAME
VERY
NEAR
TO
HIS
IDEAL
.454
7.11.3
COWPER
FELT
A
REAL
SENSE
OF
MISSION
IN
TRANSLATING
HOMER
.
454
7.12
COWPER
*
S
GUIDELINES
FOR
TRANSLATION
WORK
.
455
7.13
THE
DIFFICULTY
OF
ASSESSING
THE
IMPORTANCE
OF
COWPER
*
S
HOMER
FOR
THE
POET
*
S
LITERARY
DEVELOPMENT
.456
CHAPTER
NINE:
SUMMARY
AND
CONCLUSION
.
471
1
COWPER
*
S
LIFE
AND
ACHIEVEMENTS
.
471
2
COWPER
*
S
UNIQUENESS
AS
A
POET
.
475
BIBLIOGRAPHY
.479
INDEX
OF
AUTHORS
QUOTED
.494 |
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| any_adam_object_boolean | 1 |
| author | Ella, George M. 1939- |
| author_GND | (DE-588)130523151 |
| author_facet | Ella, George M. 1939- |
| author_role | aut |
| author_sort | Ella, George M. 1939- |
| author_variant | g m e gm gme |
| building | Verbundindex |
| bvnumber | BV047088024 |
| ctrlnum | (OCoLC)1231967701 (DE-599)DNB1221739808 |
| format | Book |
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| id | DE-604.BV047088024 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:18:29Z |
| indexdate | 2024-07-10T09:02:14Z |
| institution | BVB |
| institution_GND | (DE-588)1065787804 |
| isbn | 9783957761033 3957761034 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032494658 |
| oclc_num | 1231967701 |
| open_access_boolean | |
| owner | DE-29 DE-12 |
| owner_facet | DE-29 DE-12 |
| physical | 499 Seiten 21 cm x 14.8 cm, 700 g |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | VTR Publications |
| record_format | marc |
| spelling | Ella, George M. 1939- (DE-588)130523151 aut Faith, facts and fancy William Cowper and literary criticism George M. Ella Nürnberg VTR Publications [2020] © 2020 499 Seiten 21 cm x 14.8 cm, 700 g txt rdacontent n rdamedia nc rdacarrier Cowper, William 1731-1800 (DE-588)118670387 gnd rswk-swf Literaturkritik (DE-588)4036020-9 gnd rswk-swf Christliche Lyrik (DE-588)4010111-3 gnd rswk-swf William Cowper Christianity Literary Criticism Cowper, William 1731-1800 (DE-588)118670387 p DE-604 Christliche Lyrik (DE-588)4010111-3 s Literaturkritik (DE-588)4036020-9 s VTR Verlag für Theologie und Religionswissenschaft (DE-588)1065787804 pbl B:DE-101 application/pdf https://d-nb.info/1221739808/04 Inhaltsverzeichnis DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032494658&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p vlb 20201119 DE-101 https://d-nb.info/provenance/plan#vlb |
| spellingShingle | Ella, George M. 1939- Faith, facts and fancy William Cowper and literary criticism Cowper, William 1731-1800 (DE-588)118670387 gnd Literaturkritik (DE-588)4036020-9 gnd Christliche Lyrik (DE-588)4010111-3 gnd |
| subject_GND | (DE-588)118670387 (DE-588)4036020-9 (DE-588)4010111-3 |
| title | Faith, facts and fancy William Cowper and literary criticism |
| title_auth | Faith, facts and fancy William Cowper and literary criticism |
| title_exact_search | Faith, facts and fancy William Cowper and literary criticism |
| title_exact_search_txtP | Faith, facts and fancy William Cowper and literary criticism |
| title_full | Faith, facts and fancy William Cowper and literary criticism George M. Ella |
| title_fullStr | Faith, facts and fancy William Cowper and literary criticism George M. Ella |
| title_full_unstemmed | Faith, facts and fancy William Cowper and literary criticism George M. Ella |
| title_short | Faith, facts and fancy |
| title_sort | faith facts and fancy william cowper and literary criticism |
| title_sub | William Cowper and literary criticism |
| topic | Cowper, William 1731-1800 (DE-588)118670387 gnd Literaturkritik (DE-588)4036020-9 gnd Christliche Lyrik (DE-588)4010111-3 gnd |
| topic_facet | Cowper, William 1731-1800 Literaturkritik Christliche Lyrik |
| url | https://d-nb.info/1221739808/04 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032494658&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT ellageorgem faithfactsandfancywilliamcowperandliterarycriticism AT vtrverlagfurtheologieundreligionswissenschaft faithfactsandfancywilliamcowperandliterarycriticism |
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