Interpreting the synthesizer: meaning through sonics
This volume examines the synthesizer's significance for music and culture, with a range of contributors providing historical, musicological, practical and theoretical perspectives.The synthesizer as an instrument has evolved rapidly over the last 50 years, conveying different meanings in musica...
Gespeichert in:
| Weitere Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne, UK
Cambridge Scholars Publishing
2020
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This volume examines the synthesizer's significance for music and culture, with a range of contributors providing historical, musicological, practical and theoretical perspectives.The synthesizer as an instrument has evolved rapidly over the last 50 years, conveying different meanings in musical culture at various times in its history. For example, post-punk and new wave acts used synthesizers to signify their embrace of futurism and modernity. Earlier psychedelic bands used the instrument to sonically represent mind expansion while prog acts signposted their lineage to the classical avant-garde |
| Beschreibung: | xix, 154 Seiten Illustrationen |
| ISBN: | 9781527550025 |
Internformat
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| 520 | 3 | |a This volume examines the synthesizer's significance for music and culture, with a range of contributors providing historical, musicological, practical and theoretical perspectives.The synthesizer as an instrument has evolved rapidly over the last 50 years, conveying different meanings in musical culture at various times in its history. For example, post-punk and new wave acts used synthesizers to signify their embrace of futurism and modernity. Earlier psychedelic bands used the instrument to sonically represent mind expansion while prog acts signposted their lineage to the classical avant-garde | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents Foreword.................................................................................................... vii Tim Dalton Introduction................................................................................................ xv Nick Wilson Chapter 1.......................................................................................................1 Peddling the Putney: The Early Marketing of the VCS3 Synthesizer James Gardner Chapter 2.................................................................................................... 21 Always Crashing on the Same Synth: Voice/Synth Counterpoise in David Bowie’s Low Ian Dixon Chapter 3.................................................................................................... 36 Synth Sonics as Stylistic Signifiers in Sample-Based Hip-Hop: Synthetics Aesthetics from “Old-School” to Trap Michail Exarchos Chapter 4.................................................................................................... 70 The Synth Solo: Rupture in the Fabric of Recorded Music Nick Wilson Chapter 5....................................................................................................88 Gassing for a Synth: A Self-Reflexive Approach to the Psycho-Social Contexts of Gear Acquisition Syndrome David Prescott-Steed Chapter 6.................................................................................................. 102 New Modular Instruments and Performance Practice Nino Auricchio and Paul Borg
vi Contents Chapter 7..................................................................................................112 Microtonal Resources for the iPad Warren Burt Contributors.............................................................................................. 144 Index......................................................................................................... 147
|
| adam_txt |
Contents Foreword. vii Tim Dalton Introduction. xv Nick Wilson Chapter 1.1 Peddling the Putney: The Early Marketing of the VCS3 Synthesizer James Gardner Chapter 2. 21 Always Crashing on the Same Synth: Voice/Synth Counterpoise in David Bowie’s Low Ian Dixon Chapter 3. 36 Synth Sonics as Stylistic Signifiers in Sample-Based Hip-Hop: Synthetics Aesthetics from “Old-School” to Trap Michail Exarchos Chapter 4. 70 The Synth Solo: Rupture in the Fabric of Recorded Music Nick Wilson Chapter 5.88 Gassing for a Synth: A Self-Reflexive Approach to the Psycho-Social Contexts of Gear Acquisition Syndrome David Prescott-Steed Chapter 6. 102 New Modular Instruments and Performance Practice Nino Auricchio and Paul Borg
vi Contents Chapter 7.112 Microtonal Resources for the iPad Warren Burt Contributors. 144 Index. 147 |
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| spelling | Interpreting the synthesizer meaning through sonics edited by Nick Wilson Newcastle upon Tyne, UK Cambridge Scholars Publishing 2020 xix, 154 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier This volume examines the synthesizer's significance for music and culture, with a range of contributors providing historical, musicological, practical and theoretical perspectives.The synthesizer as an instrument has evolved rapidly over the last 50 years, conveying different meanings in musical culture at various times in its history. For example, post-punk and new wave acts used synthesizers to signify their embrace of futurism and modernity. Earlier psychedelic bands used the instrument to sonically represent mind expansion while prog acts signposted their lineage to the classical avant-garde Geschichte gnd rswk-swf Synthesizer Musikinstrument (DE-588)4124279-8 gnd rswk-swf Synthesizer (Musical instrument) Synthesizer (Musical instrument) / History Musicology History (DE-588)4143413-4 Aufsatzsammlung gnd-content Synthesizer Musikinstrument (DE-588)4124279-8 s Geschichte z DE-604 Wilson, Nick (DE-588)112716452X edt Electronic version Wilson, Nick Interpreting the synthesizer Newcastle upon Tyne, UK : Cambridge Scholars Publishing, 2020 9781527559110 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032494624&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Interpreting the synthesizer meaning through sonics |
| title_auth | Interpreting the synthesizer meaning through sonics |
| title_exact_search | Interpreting the synthesizer meaning through sonics |
| title_exact_search_txtP | Interpreting the synthesizer meaning through sonics |
| title_full | Interpreting the synthesizer meaning through sonics edited by Nick Wilson |
| title_fullStr | Interpreting the synthesizer meaning through sonics edited by Nick Wilson |
| title_full_unstemmed | Interpreting the synthesizer meaning through sonics edited by Nick Wilson |
| title_short | Interpreting the synthesizer |
| title_sort | interpreting the synthesizer meaning through sonics |
| title_sub | meaning through sonics |
| topic | Synthesizer Musikinstrument (DE-588)4124279-8 gnd |
| topic_facet | Synthesizer Musikinstrument Aufsatzsammlung |
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