Ornament and monstrosity in early modern art:
Early modern art features a remarkable fascination with ornament, both as decorative device and compositional strategy, across artistic media and genres. Interestingly, the inventive, elegant manifestations of ornament in the art of the period often include layers of disquieting paradoxes, creating...
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| Weitere Verfasser: | , |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
2020
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| Schriftenreihe: | Visual and material culture, 1300-1700
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | Early modern art features a remarkable fascination with ornament, both as decorative device and compositional strategy, across artistic media and genres. Interestingly, the inventive, elegant manifestations of ornament in the art of the period often include layers of disquieting paradoxes, creating tensions - monstrosities even - that manifest themselves in a variety of ways. In some cases, dichotomies (between order and chaos, artificiality and nature, rational logic and imaginative creativity, etc.) may emerge. Elsewhere, a sense of agitation undermines structures of statuesque control or erupts into wild, unruly displays of constant genesis. The monstrosity of ornament is brought into play through strategies of hybridity and metamorphosis, or by the handling of scale, proportion, and space in ambiguous and discomforting ways that break with the laws of physical reality. An interest in strange exaggeration and curious artifice allows for such colossal ornamental attitude to thrive within early modern art |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 20 Nov 2020) Ambiguous delights: ornamental grotesques and femaile monstrosity in sixteenth-century Italy - Maria Fabricius Hansen -- - Dissonant symphonies: the Villa d'Este in Tivoli and the grotesque - Luke Morgan -- - Outside-in: the intrusion of ornament into sacred narrative - Tianna Helena Uchacz -- - 'That savage should mate with tame': hybridity, indeterminacy, and the grotesque in the murals of San Miguel Arcángel (Ixmiquilpan, Mexico) - Barnaby Nygren -- - Decoration in the desert: unsettling the order of architecture in the Certosa di San Martino - Maria-Anna Aristova -- - Masquing/(un)masking: animation and the restless ornament of Fontainebleau - Lisa Andersen -- - Sea-change: the whale in the Florentine Loggia - Chris Askholt Hammeken -- - Ornament and agency: Vico's poetic monsters - Frances Connelly -- - Trafficking the body: prolegomena to posthumanist theory of ornament to monstrosity - Jacob Wamberg |
| Beschreibung: | 1 Online-Ressource (281 Seiten) |
| ISBN: | 9789048535873 |
| DOI: | 10.1017/9789048535873 |
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| 520 | |a Early modern art features a remarkable fascination with ornament, both as decorative device and compositional strategy, across artistic media and genres. Interestingly, the inventive, elegant manifestations of ornament in the art of the period often include layers of disquieting paradoxes, creating tensions - monstrosities even - that manifest themselves in a variety of ways. In some cases, dichotomies (between order and chaos, artificiality and nature, rational logic and imaginative creativity, etc.) may emerge. Elsewhere, a sense of agitation undermines structures of statuesque control or erupts into wild, unruly displays of constant genesis. The monstrosity of ornament is brought into play through strategies of hybridity and metamorphosis, or by the handling of scale, proportion, and space in ambiguous and discomforting ways that break with the laws of physical reality. An interest in strange exaggeration and curious artifice allows for such colossal ornamental attitude to thrive within early modern art | ||
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Datensatz im Suchindex
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| author2 | Hammeken, Chris Askholt ca. 20./21. Jh Hansen, Maria Fabricius 1964- |
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| building | Verbundindex |
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| dewey-full | 745.4494 |
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| dewey-search | 745.4494 |
| dewey-sort | 3745.4494 |
| dewey-tens | 740 - Graphic arts and decorative arts |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| doi_str_mv | 10.1017/9789048535873 |
| era | Geschichte 1500-1800 gnd |
| era_facet | Geschichte 1500-1800 |
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| spelling | Ornament and monstrosity in early modern art edited by Chris Askholt Hammeken and Maria Fabricius Hansen Amsterdam Amsterdam University Press 2020 1 Online-Ressource (281 Seiten) txt rdacontent c rdamedia cr rdacarrier Visual and material culture, 1300-1700 Title from publisher's bibliographic system (viewed on 20 Nov 2020) Ambiguous delights: ornamental grotesques and femaile monstrosity in sixteenth-century Italy - Maria Fabricius Hansen -- - Dissonant symphonies: the Villa d'Este in Tivoli and the grotesque - Luke Morgan -- - Outside-in: the intrusion of ornament into sacred narrative - Tianna Helena Uchacz -- - 'That savage should mate with tame': hybridity, indeterminacy, and the grotesque in the murals of San Miguel Arcángel (Ixmiquilpan, Mexico) - Barnaby Nygren -- - Decoration in the desert: unsettling the order of architecture in the Certosa di San Martino - Maria-Anna Aristova -- - Masquing/(un)masking: animation and the restless ornament of Fontainebleau - Lisa Andersen -- - Sea-change: the whale in the Florentine Loggia - Chris Askholt Hammeken -- - Ornament and agency: Vico's poetic monsters - Frances Connelly -- - Trafficking the body: prolegomena to posthumanist theory of ornament to monstrosity - Jacob Wamberg Early modern art features a remarkable fascination with ornament, both as decorative device and compositional strategy, across artistic media and genres. Interestingly, the inventive, elegant manifestations of ornament in the art of the period often include layers of disquieting paradoxes, creating tensions - monstrosities even - that manifest themselves in a variety of ways. In some cases, dichotomies (between order and chaos, artificiality and nature, rational logic and imaginative creativity, etc.) may emerge. Elsewhere, a sense of agitation undermines structures of statuesque control or erupts into wild, unruly displays of constant genesis. The monstrosity of ornament is brought into play through strategies of hybridity and metamorphosis, or by the handling of scale, proportion, and space in ambiguous and discomforting ways that break with the laws of physical reality. An interest in strange exaggeration and curious artifice allows for such colossal ornamental attitude to thrive within early modern art Geschichte 1500-1800 gnd rswk-swf Decoration and ornament / Europe / 16th century Art, European / 16th century Art, Renaissance Art / Europe / 16th century Monsters in art / 16th century Kunst (DE-588)4114333-4 gnd rswk-swf Groteske Kunst (DE-588)4158316-4 gnd rswk-swf Das Groteske (DE-588)4134841-2 gnd rswk-swf Ornament (DE-588)4043886-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Das Groteske (DE-588)4134841-2 s Kunst (DE-588)4114333-4 s Ornament (DE-588)4043886-7 s Geschichte 1500-1800 z DE-604 Groteske Kunst (DE-588)4158316-4 s Hammeken, Chris Askholt ca. 20./21. Jh. (DE-588)1199063568 edt Hansen, Maria Fabricius 1964- (DE-588)105211279X edt Erscheint auch als Druck-Ausgabe 978-94-629-8496-7 https://doi.org/10.1017/9789048535873 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Ornament and monstrosity in early modern art Decoration and ornament / Europe / 16th century Art, European / 16th century Art, Renaissance Art / Europe / 16th century Monsters in art / 16th century Kunst (DE-588)4114333-4 gnd Groteske Kunst (DE-588)4158316-4 gnd Das Groteske (DE-588)4134841-2 gnd Ornament (DE-588)4043886-7 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4158316-4 (DE-588)4134841-2 (DE-588)4043886-7 (DE-588)4143413-4 |
| title | Ornament and monstrosity in early modern art |
| title_auth | Ornament and monstrosity in early modern art |
| title_exact_search | Ornament and monstrosity in early modern art |
| title_exact_search_txtP | Ornament and monstrosity in early modern art |
| title_full | Ornament and monstrosity in early modern art edited by Chris Askholt Hammeken and Maria Fabricius Hansen |
| title_fullStr | Ornament and monstrosity in early modern art edited by Chris Askholt Hammeken and Maria Fabricius Hansen |
| title_full_unstemmed | Ornament and monstrosity in early modern art edited by Chris Askholt Hammeken and Maria Fabricius Hansen |
| title_short | Ornament and monstrosity in early modern art |
| title_sort | ornament and monstrosity in early modern art |
| topic | Decoration and ornament / Europe / 16th century Art, European / 16th century Art, Renaissance Art / Europe / 16th century Monsters in art / 16th century Kunst (DE-588)4114333-4 gnd Groteske Kunst (DE-588)4158316-4 gnd Das Groteske (DE-588)4134841-2 gnd Ornament (DE-588)4043886-7 gnd |
| topic_facet | Decoration and ornament / Europe / 16th century Art, European / 16th century Art, Renaissance Art / Europe / 16th century Monsters in art / 16th century Kunst Groteske Kunst Das Groteske Ornament Aufsatzsammlung |
| url | https://doi.org/10.1017/9789048535873 |
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