Indonesian cinema after the new order: going mainstream
"In Indonesian Cinema after the New Order: Going Mainstream, Thomas Barker presents the first systematic and most comprehensive history of contemporary Indonesian cinema. The book focuses on a 20-year period of great upheaval from modest, indie beginnings, through mainstream appeal, to internat...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Hong Kong
HKU Press
[2019]
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| Schlagworte: | |
| Zusammenfassung: | "In Indonesian Cinema after the New Order: Going Mainstream, Thomas Barker presents the first systematic and most comprehensive history of contemporary Indonesian cinema. The book focuses on a 20-year period of great upheaval from modest, indie beginnings, through mainstream appeal, to international recognition. More than a simple narrative, Barker contributes to cultural studies and sociological research by defining the three stages of an industry moving from state administration; through needing to succeed in local pop culture, specifically succeeding with Indonesian youth, to remain financially viable; until it finally realizes international recognition as an art form. This "going mainstream" paradigm reaches far beyond film history and forms a methodology for understanding the market in which all cultural industries operate, where the citizen-consumer (not the state) becomes sovereign. Indonesia presents a particularly interesting case because "going mainstream" has increasingly meant catering to the demands of new Islamic piety movements. It has also meant working with a new Ministry of Tourism and Creative Economy, established in 2011. Rather than a simplified creative world many hoped for, Indonesian filmmaking now navigates a new complex of challenges different to those faced before 1998. Barker sees this industry as a microcosm of the entire country: democratic yet burdened by authoritarian legacies, creative yet culturally contested, international yet domestically shaped"-- |
| Beschreibung: | vii, 234 Seiten Illustrationen, Portraits 23 cm |
| ISBN: | 9789888528073 |
Internformat
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| 505 | 8 | |a Introduction : Indonesian cinema after authoritarianism -- Indonesian cinema before Reformasi -- From indie to mainstream -- Horrifying youth -- Marrying Islam and pop culture -- Audiences without cinemas -- Producing an oligopoly -- Friction : society, censorship, and government policy -- Conclusion : Indonesian cinema as pop culture | |
| 520 | 3 | |a "In Indonesian Cinema after the New Order: Going Mainstream, Thomas Barker presents the first systematic and most comprehensive history of contemporary Indonesian cinema. The book focuses on a 20-year period of great upheaval from modest, indie beginnings, through mainstream appeal, to international recognition. More than a simple narrative, Barker contributes to cultural studies and sociological research by defining the three stages of an industry moving from state administration; through needing to succeed in local pop culture, specifically succeeding with Indonesian youth, to remain financially viable; until it finally realizes international recognition as an art form. This "going mainstream" paradigm reaches far beyond film history and forms a methodology for understanding the market in which all cultural industries operate, where the citizen-consumer (not the state) becomes sovereign. Indonesia presents a particularly interesting case because "going mainstream" has increasingly meant catering to the demands of new Islamic piety movements. It has also meant working with a new Ministry of Tourism and Creative Economy, established in 2011. Rather than a simplified creative world many hoped for, Indonesian filmmaking now navigates a new complex of challenges different to those faced before 1998. Barker sees this industry as a microcosm of the entire country: democratic yet burdened by authoritarian legacies, creative yet culturally contested, international yet domestically shaped"-- | |
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Datensatz im Suchindex
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| author | Barker, Thomas 1980- |
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| author_facet | Barker, Thomas 1980- |
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| author_sort | Barker, Thomas 1980- |
| author_variant | t b tb |
| building | Verbundindex |
| bvnumber | BV047081948 |
| contents | Introduction : Indonesian cinema after authoritarianism -- Indonesian cinema before Reformasi -- From indie to mainstream -- Horrifying youth -- Marrying Islam and pop culture -- Audiences without cinemas -- Producing an oligopoly -- Friction : society, censorship, and government policy -- Conclusion : Indonesian cinema as pop culture |
| ctrlnum | (OCoLC)1183841948 (DE-599)BVBBV047081948 |
| era | Geschichte 1998- gnd |
| era_facet | Geschichte 1998- |
| format | Book |
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| geographic | Indonesien (DE-588)4026761-1 gnd |
| geographic_facet | Indonesien |
| id | DE-604.BV047081948 |
| illustrated | Illustrated |
| index_date | 2024-07-03T16:16:45Z |
| indexdate | 2024-07-10T09:02:04Z |
| institution | BVB |
| isbn | 9789888528073 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032488731 |
| oclc_num | 1183841948 |
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| physical | vii, 234 Seiten Illustrationen, Portraits 23 cm |
| psigel | BSB_NED_20210604 |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | HKU Press |
| record_format | marc |
| spelling | Barker, Thomas 1980- Verfasser (DE-588)121224754X aut Indonesian cinema after the new order going mainstream Thomas Barker Hong Kong HKU Press [2019] © 2019 vii, 234 Seiten Illustrationen, Portraits 23 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Introduction : Indonesian cinema after authoritarianism -- Indonesian cinema before Reformasi -- From indie to mainstream -- Horrifying youth -- Marrying Islam and pop culture -- Audiences without cinemas -- Producing an oligopoly -- Friction : society, censorship, and government policy -- Conclusion : Indonesian cinema as pop culture "In Indonesian Cinema after the New Order: Going Mainstream, Thomas Barker presents the first systematic and most comprehensive history of contemporary Indonesian cinema. The book focuses on a 20-year period of great upheaval from modest, indie beginnings, through mainstream appeal, to international recognition. More than a simple narrative, Barker contributes to cultural studies and sociological research by defining the three stages of an industry moving from state administration; through needing to succeed in local pop culture, specifically succeeding with Indonesian youth, to remain financially viable; until it finally realizes international recognition as an art form. This "going mainstream" paradigm reaches far beyond film history and forms a methodology for understanding the market in which all cultural industries operate, where the citizen-consumer (not the state) becomes sovereign. Indonesia presents a particularly interesting case because "going mainstream" has increasingly meant catering to the demands of new Islamic piety movements. It has also meant working with a new Ministry of Tourism and Creative Economy, established in 2011. Rather than a simplified creative world many hoped for, Indonesian filmmaking now navigates a new complex of challenges different to those faced before 1998. Barker sees this industry as a microcosm of the entire country: democratic yet burdened by authoritarian legacies, creative yet culturally contested, international yet domestically shaped"-- Geschichte 1998- gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Indonesien (DE-588)4026761-1 gnd rswk-swf Motion pictures / Indonesia / History Motion picture industry / Indonesia / History Motion picture industry Motion pictures Indonesia History Indonesien (DE-588)4026761-1 g Film (DE-588)4017102-4 s Geschichte 1998- z DE-604 Online version Barker, Thomas Indonesian cinema after the new order Hong Kong : HKU Press, [2019] 9789882204751 |
| spellingShingle | Barker, Thomas 1980- Indonesian cinema after the new order going mainstream Introduction : Indonesian cinema after authoritarianism -- Indonesian cinema before Reformasi -- From indie to mainstream -- Horrifying youth -- Marrying Islam and pop culture -- Audiences without cinemas -- Producing an oligopoly -- Friction : society, censorship, and government policy -- Conclusion : Indonesian cinema as pop culture Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4026761-1 |
| title | Indonesian cinema after the new order going mainstream |
| title_auth | Indonesian cinema after the new order going mainstream |
| title_exact_search | Indonesian cinema after the new order going mainstream |
| title_exact_search_txtP | Indonesian cinema after the new order going mainstream |
| title_full | Indonesian cinema after the new order going mainstream Thomas Barker |
| title_fullStr | Indonesian cinema after the new order going mainstream Thomas Barker |
| title_full_unstemmed | Indonesian cinema after the new order going mainstream Thomas Barker |
| title_short | Indonesian cinema after the new order |
| title_sort | indonesian cinema after the new order going mainstream |
| title_sub | going mainstream |
| topic | Film (DE-588)4017102-4 gnd |
| topic_facet | Film Indonesien |
| work_keys_str_mv | AT barkerthomas indonesiancinemaafterthenewordergoingmainstream |