Everyone loves live music: a theory of performance institutions
Introduction. The Social Study of Musical Performance Institutions -- Conceptualizing Musical Performance Culture Clubs in Everyday Urban Life -- The Social Study of Music in Cities -- The Commercial Institutionalization of Rock Clubs in New York -- How Did Institutionalization Evolve in Europe? : M...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago
The University of Chicago Press
2020
|
| Schriftenreihe: | Big issues in music
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Introduction. The Social Study of Musical Performance Institutions -- Conceptualizing Musical Performance Culture Clubs in Everyday Urban Life -- The Social Study of Music in Cities -- The Commercial Institutionalization of Rock Clubs in New York -- How Did Institutionalization Evolve in Europe? : Music Festivals in the Summer Season -- A Worldview History of Music Festivals -- The Evolution of Anglophone Global Culture -- Three Industry Evolutions That Changed Festival Culture -- New Media, New Festival Worlds "In Everyone Loves Live Music, Fabian Holt takes us through transformations in musical performance culture that explain how live music became the wildly popular industry it is today--and what these changes mean for fans. Holt looks at two realms of live music subject to the same commercializing trends: rock clubs, a feature of everyday life in major American and European cities and blowout musical festivals, venues for over-the-top experiences. As both clubs and festivals are being bought up and managed by a shrinking number of corporate entities such as Live Nation, they are becoming increasingly homogenous, showcasing a narrow roster of mostly Anglophone musicians. While many of the clubs and festivals Holt studies began as highly local scenes, they have fallen prey to media conglomerates, affecting the social worlds not only of fans, but of the cities and neighborhoods that are home to these musical cultures. As a result, Holt shows, our social worlds are transforming as particular forms of music, place, lifestyle, and leisure come to dominate our cultural lives" |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 347 Seiten Illustrationen |
| ISBN: | 9780226738543 9780226738406 |
Internformat
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| 520 | 3 | |a Introduction. The Social Study of Musical Performance Institutions -- Conceptualizing Musical Performance Culture Clubs in Everyday Urban Life -- The Social Study of Music in Cities -- The Commercial Institutionalization of Rock Clubs in New York -- How Did Institutionalization Evolve in Europe? : Music Festivals in the Summer Season -- A Worldview History of Music Festivals -- The Evolution of Anglophone Global Culture -- Three Industry Evolutions That Changed Festival Culture -- New Media, New Festival Worlds | |
| 520 | 3 | |a "In Everyone Loves Live Music, Fabian Holt takes us through transformations in musical performance culture that explain how live music became the wildly popular industry it is today--and what these changes mean for fans. Holt looks at two realms of live music subject to the same commercializing trends: rock clubs, a feature of everyday life in major American and European cities and blowout musical festivals, venues for over-the-top experiences. As both clubs and festivals are being bought up and managed by a shrinking number of corporate entities such as Live Nation, they are becoming increasingly homogenous, showcasing a narrow roster of mostly Anglophone musicians. While many of the clubs and festivals Holt studies began as highly local scenes, they have fallen prey to media conglomerates, affecting the social worlds not only of fans, but of the cities and neighborhoods that are home to these musical cultures. As a result, Holt shows, our social worlds are transforming as particular forms of music, place, lifestyle, and leisure come to dominate our cultural lives" | |
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Datensatz im Suchindex
| _version_ | 1804182086821609472 |
|---|---|
| adam_text | Contents 1 2 Introduction: The Social Study of Musical Performance Institutions Conceptualizing Musical Performance Culture і 41 dubs in Everyday Urban Life 3 4 5 The Social Study of Music in Cities The Commercial Institutionalization of the Rock Club in New York How Did the Rock Club Evolve in Europe ? 65 74 123 Music Festivals in the Summer Season і 9 A Worldview History of Music Festivals The Evolution of Anglophone Global Culture Three Industry Evolutions That Changed Festival Culture Festival Video and Social Media 157 183 220 239 10 Conclusion 262 7 8 Acknowledgments 285 Notes 289 Works Cited 299 Index ofNames 333 Index ofSubjects 339
|
| adam_txt |
Contents 1 2 Introduction: The Social Study of Musical Performance Institutions Conceptualizing Musical Performance Culture і 41 dubs in Everyday Urban Life 3 4 5 The Social Study of Music in Cities The Commercial Institutionalization of the Rock Club in New York How Did the Rock Club Evolve in Europe ? 65 74 123 Music Festivals in the Summer Season і 9 A Worldview History of Music Festivals The Evolution of Anglophone Global Culture Three Industry Evolutions That Changed Festival Culture Festival Video and Social Media 157 183 220 239 10 Conclusion 262 7 8 Acknowledgments 285 Notes 289 Works Cited 299 Index ofNames 333 Index ofSubjects 339 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Holt, Fabian 1972- |
| author_GND | (DE-588)1042532060 |
| author_facet | Holt, Fabian 1972- |
| author_role | aut |
| author_sort | Holt, Fabian 1972- |
| author_variant | f h fh |
| building | Verbundindex |
| bvnumber | BV047078435 |
| classification_rvk | LS 48635 LS 48015 LR 56600 |
| ctrlnum | (OCoLC)1227687822 (DE-599)KXP1702004104 |
| dewey-full | 780.78 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.78 |
| dewey-search | 780.78 |
| dewey-sort | 3780.78 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Book |
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| institution | BVB |
| isbn | 9780226738543 9780226738406 |
| language | English |
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| spelling | Holt, Fabian 1972- Verfasser (DE-588)1042532060 aut Everyone loves live music a theory of performance institutions Fabian Holt Chicago The University of Chicago Press 2020 347 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Big issues in music Includes bibliographical references and index Introduction. The Social Study of Musical Performance Institutions -- Conceptualizing Musical Performance Culture Clubs in Everyday Urban Life -- The Social Study of Music in Cities -- The Commercial Institutionalization of Rock Clubs in New York -- How Did Institutionalization Evolve in Europe? : Music Festivals in the Summer Season -- A Worldview History of Music Festivals -- The Evolution of Anglophone Global Culture -- Three Industry Evolutions That Changed Festival Culture -- New Media, New Festival Worlds "In Everyone Loves Live Music, Fabian Holt takes us through transformations in musical performance culture that explain how live music became the wildly popular industry it is today--and what these changes mean for fans. Holt looks at two realms of live music subject to the same commercializing trends: rock clubs, a feature of everyday life in major American and European cities and blowout musical festivals, venues for over-the-top experiences. As both clubs and festivals are being bought up and managed by a shrinking number of corporate entities such as Live Nation, they are becoming increasingly homogenous, showcasing a narrow roster of mostly Anglophone musicians. While many of the clubs and festivals Holt studies began as highly local scenes, they have fallen prey to media conglomerates, affecting the social worlds not only of fans, but of the cities and neighborhoods that are home to these musical cultures. As a result, Holt shows, our social worlds are transforming as particular forms of music, place, lifestyle, and leisure come to dominate our cultural lives" Konzert Veranstaltung (DE-588)4317474-7 gnd rswk-swf Festival (DE-588)4154198-4 gnd rswk-swf Rockmusik (DE-588)4115774-6 gnd rswk-swf Sozialer Wandel (DE-588)4077587-2 gnd rswk-swf Live-Auftritt (DE-588)4570116-7 gnd rswk-swf Rock music / Social aspects / United States Rock music / Social aspects / Europe Music festivals / Social aspects / United States Music festivals / Social aspects / Europe Rockmusik (DE-588)4115774-6 s Festival (DE-588)4154198-4 s Konzert Veranstaltung (DE-588)4317474-7 s Live-Auftritt (DE-588)4570116-7 s Sozialer Wandel (DE-588)4077587-2 s DE-604 Erscheint auch als Online-Ausgabe 978-0-226-73868-0 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032485311&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Holt, Fabian 1972- Everyone loves live music a theory of performance institutions Konzert Veranstaltung (DE-588)4317474-7 gnd Festival (DE-588)4154198-4 gnd Rockmusik (DE-588)4115774-6 gnd Sozialer Wandel (DE-588)4077587-2 gnd Live-Auftritt (DE-588)4570116-7 gnd |
| subject_GND | (DE-588)4317474-7 (DE-588)4154198-4 (DE-588)4115774-6 (DE-588)4077587-2 (DE-588)4570116-7 |
| title | Everyone loves live music a theory of performance institutions |
| title_auth | Everyone loves live music a theory of performance institutions |
| title_exact_search | Everyone loves live music a theory of performance institutions |
| title_exact_search_txtP | Everyone loves live music a theory of performance institutions |
| title_full | Everyone loves live music a theory of performance institutions Fabian Holt |
| title_fullStr | Everyone loves live music a theory of performance institutions Fabian Holt |
| title_full_unstemmed | Everyone loves live music a theory of performance institutions Fabian Holt |
| title_short | Everyone loves live music |
| title_sort | everyone loves live music a theory of performance institutions |
| title_sub | a theory of performance institutions |
| topic | Konzert Veranstaltung (DE-588)4317474-7 gnd Festival (DE-588)4154198-4 gnd Rockmusik (DE-588)4115774-6 gnd Sozialer Wandel (DE-588)4077587-2 gnd Live-Auftritt (DE-588)4570116-7 gnd |
| topic_facet | Konzert Veranstaltung Festival Rockmusik Sozialer Wandel Live-Auftritt |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032485311&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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