Shakespeare's auditory worlds: hearing and staging practices, then and now
"Shakespeare's Auditory Worlds examines special listening situations like overhearing, eavesdropping, and asides. It explores complex relationships between sound and sight, dialogue and blocking, non-English languages, and nonverbal relationships inherent in noise, sounds, and music, endin...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Vancouver ; Madison ; Teaneck ; Wroxton
Fairleigh Dickinson University Press
[2021]
|
| Schriftenreihe: | Shakespeare and the stage
|
| Schlagworte: | |
| Zusammenfassung: | "Shakespeare's Auditory Worlds examines special listening situations like overhearing, eavesdropping, and asides. It explores complex relationships between sound and sight, dialogue and blocking, non-English languages, and nonverbal relationships inherent in noise, sounds, and music, ending with a discussion with ASC Actors"-- |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | xi, 293 Seiten Illustrationen 24 cm |
| ISBN: | 9781683932024 9781683932000 |
Internformat
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| 245 | 1 | 0 | |a Shakespeare's auditory worlds |b hearing and staging practices, then and now |c edited by Laury Magnus and Walter W. Cannon |
| 264 | 1 | |a Vancouver ; Madison ; Teaneck ; Wroxton |b Fairleigh Dickinson University Press |c [2021] | |
| 264 | 4 | |c © 2021 | |
| 300 | |a xi, 293 Seiten |b Illustrationen |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Shakespeare and the stage | |
| 500 | |a Hier auch später erschienene, unveränderte Nachdrucke | ||
| 505 | 8 | |a Introduction: Listening to Shakespeare's worlds of sound / Walter W. Cannon and Laury Magnus -- Sensory apprehension : speaking, hearing, and seeing on Shakespeare's stages. "Report me and my cause aright" : hearing the language of exhortation in Hamlet and King Lear / David Bevington -- Sound and sight, sound vs. sight in Hamlet / Laury Magnus -- Hearing and interfering : solving puzzles in theater productions of Measure for measure / Gayle Gaskill -- Hearing gone awry : mishearing, not hearing, and silence. Silence, mishearing, and indirection in Much ado / Caroline Latta -- Writing letters, hearing voices : epistolary error on Twelfth night / Walter W. Cannon -- Staging "skimble-skamble stuff" : 1 Henry IV and the Welsh voice / Megan Lloyd and Elizabeth Brown -- Hearing beyond words : Shakespear's noise, sounds, and music. Soundscape for an offstage beheading : Shakespeare's revision of 2 Henry VI 4.1 / Stephen Urkowitz -- "Fearful and confused cries" : birdsong, sympathy, and the fear of sounds in Titus Andronicus / Clio Doyle -- "They say it will penetrate" : music as aural violation in The two gentlemen of Verona and Cymbeline / R. W. Jones -- Hearing cues in Shakespeare : instrumental music and sound effects in the later plays / Jennifer Linhart Wood -- Restructuring audience at Shakespeare's globe / Lesli C. Dunn -- Voices from the Blackfriars stage. Voices from the Blackfriars stage : a virtual roundtable discussion from actors at the American Shakespeare Center: Benjamin Curns, Sarah Fallon, Allison Glenzer, John Harrell, James Keegan, Patrick Midgley -- Hearing on the Blackfriars stage : a coda / Ralph Alan Cohen | |
| 520 | 3 | |a "Shakespeare's Auditory Worlds examines special listening situations like overhearing, eavesdropping, and asides. It explores complex relationships between sound and sight, dialogue and blocking, non-English languages, and nonverbal relationships inherent in noise, sounds, and music, ending with a discussion with ASC Actors"-- | |
| 600 | 1 | 7 | |a Shakespeare, William |d 1564-1616 |0 (DE-588)118613723 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Hören |g Motiv |0 (DE-588)4698246-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Belauschen |g Motiv |0 (DE-588)4416062-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Inszenierung |0 (DE-588)4027223-0 |2 gnd |9 rswk-swf |
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| 653 | 0 | |a Listening in literature | |
| 653 | 0 | |a Speech in literature | |
| 653 | 0 | |a Sound in literature | |
| 653 | 0 | |a Theaters / Stage-setting and scenery / History | |
| 653 | 1 | |a Shakespeare, William / 1564-1616 | |
| 653 | 0 | |a Communication in literature | |
| 653 | 0 | |a Listening in literature | |
| 653 | 0 | |a Sound in literature | |
| 653 | 0 | |a Speech in literature | |
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| 653 | 0 | |a Theaters / Stage-setting and scenery | |
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Datensatz im Suchindex
| _version_ | 1804182085812879360 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Magnus, Laury Cannon, Walter W. 1945- |
| author2_role | edt edt |
| author2_variant | l m lm w w c ww wwc |
| author_GND | (DE-588)1224496574 (DE-588)1275410278 |
| author_facet | Magnus, Laury Cannon, Walter W. 1945- |
| building | Verbundindex |
| bvnumber | BV047077841 |
| classification_rvk | HI 3560 HI 3390 |
| contents | Introduction: Listening to Shakespeare's worlds of sound / Walter W. Cannon and Laury Magnus -- Sensory apprehension : speaking, hearing, and seeing on Shakespeare's stages. "Report me and my cause aright" : hearing the language of exhortation in Hamlet and King Lear / David Bevington -- Sound and sight, sound vs. sight in Hamlet / Laury Magnus -- Hearing and interfering : solving puzzles in theater productions of Measure for measure / Gayle Gaskill -- Hearing gone awry : mishearing, not hearing, and silence. Silence, mishearing, and indirection in Much ado / Caroline Latta -- Writing letters, hearing voices : epistolary error on Twelfth night / Walter W. Cannon -- Staging "skimble-skamble stuff" : 1 Henry IV and the Welsh voice / Megan Lloyd and Elizabeth Brown -- Hearing beyond words : Shakespear's noise, sounds, and music. Soundscape for an offstage beheading : Shakespeare's revision of 2 Henry VI 4.1 / Stephen Urkowitz -- "Fearful and confused cries" : birdsong, sympathy, and the fear of sounds in Titus Andronicus / Clio Doyle -- "They say it will penetrate" : music as aural violation in The two gentlemen of Verona and Cymbeline / R. W. Jones -- Hearing cues in Shakespeare : instrumental music and sound effects in the later plays / Jennifer Linhart Wood -- Restructuring audience at Shakespeare's globe / Lesli C. Dunn -- Voices from the Blackfriars stage. Voices from the Blackfriars stage : a virtual roundtable discussion from actors at the American Shakespeare Center: Benjamin Curns, Sarah Fallon, Allison Glenzer, John Harrell, James Keegan, Patrick Midgley -- Hearing on the Blackfriars stage : a coda / Ralph Alan Cohen |
| ctrlnum | (OCoLC)1249748532 (DE-599)BVBBV047077841 |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| format | Book |
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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV047077841 |
| illustrated | Illustrated |
| index_date | 2024-07-03T16:15:23Z |
| indexdate | 2024-07-10T09:01:57Z |
| institution | BVB |
| isbn | 9781683932024 9781683932000 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032484747 |
| oclc_num | 1249748532 |
| open_access_boolean | |
| owner | DE-12 DE-355 DE-BY-UBR |
| owner_facet | DE-12 DE-355 DE-BY-UBR |
| physical | xi, 293 Seiten Illustrationen 24 cm |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Fairleigh Dickinson University Press |
| record_format | marc |
| series2 | Shakespeare and the stage |
| spelling | Shakespeare's auditory worlds hearing and staging practices, then and now edited by Laury Magnus and Walter W. Cannon Vancouver ; Madison ; Teaneck ; Wroxton Fairleigh Dickinson University Press [2021] © 2021 xi, 293 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Shakespeare and the stage Hier auch später erschienene, unveränderte Nachdrucke Introduction: Listening to Shakespeare's worlds of sound / Walter W. Cannon and Laury Magnus -- Sensory apprehension : speaking, hearing, and seeing on Shakespeare's stages. "Report me and my cause aright" : hearing the language of exhortation in Hamlet and King Lear / David Bevington -- Sound and sight, sound vs. sight in Hamlet / Laury Magnus -- Hearing and interfering : solving puzzles in theater productions of Measure for measure / Gayle Gaskill -- Hearing gone awry : mishearing, not hearing, and silence. Silence, mishearing, and indirection in Much ado / Caroline Latta -- Writing letters, hearing voices : epistolary error on Twelfth night / Walter W. Cannon -- Staging "skimble-skamble stuff" : 1 Henry IV and the Welsh voice / Megan Lloyd and Elizabeth Brown -- Hearing beyond words : Shakespear's noise, sounds, and music. Soundscape for an offstage beheading : Shakespeare's revision of 2 Henry VI 4.1 / Stephen Urkowitz -- "Fearful and confused cries" : birdsong, sympathy, and the fear of sounds in Titus Andronicus / Clio Doyle -- "They say it will penetrate" : music as aural violation in The two gentlemen of Verona and Cymbeline / R. W. Jones -- Hearing cues in Shakespeare : instrumental music and sound effects in the later plays / Jennifer Linhart Wood -- Restructuring audience at Shakespeare's globe / Lesli C. Dunn -- Voices from the Blackfriars stage. Voices from the Blackfriars stage : a virtual roundtable discussion from actors at the American Shakespeare Center: Benjamin Curns, Sarah Fallon, Allison Glenzer, John Harrell, James Keegan, Patrick Midgley -- Hearing on the Blackfriars stage : a coda / Ralph Alan Cohen "Shakespeare's Auditory Worlds examines special listening situations like overhearing, eavesdropping, and asides. It explores complex relationships between sound and sight, dialogue and blocking, non-English languages, and nonverbal relationships inherent in noise, sounds, and music, ending with a discussion with ASC Actors"-- Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Hören Motiv (DE-588)4698246-2 gnd rswk-swf Belauschen Motiv (DE-588)4416062-8 gnd rswk-swf Inszenierung (DE-588)4027223-0 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Shakespeare, William / 1564-1616 / Dramatic production Communication in literature Listening in literature Speech in literature Sound in literature Theaters / Stage-setting and scenery / History Shakespeare, William / 1564-1616 Theater Theaters / Stage-setting and scenery History (DE-588)4143413-4 Aufsatzsammlung gnd-content Shakespeare, William 1564-1616 (DE-588)118613723 p Drama (DE-588)4012899-4 s Hören Motiv (DE-588)4698246-2 s Belauschen Motiv (DE-588)4416062-8 s Inszenierung (DE-588)4027223-0 s DE-604 Magnus, Laury (DE-588)1224496574 edt Cannon, Walter W. 1945- (DE-588)1275410278 edt Erscheint auch als Online-Ausgabe, epub 978-1-68393-201-7 |
| spellingShingle | Shakespeare's auditory worlds hearing and staging practices, then and now Introduction: Listening to Shakespeare's worlds of sound / Walter W. Cannon and Laury Magnus -- Sensory apprehension : speaking, hearing, and seeing on Shakespeare's stages. "Report me and my cause aright" : hearing the language of exhortation in Hamlet and King Lear / David Bevington -- Sound and sight, sound vs. sight in Hamlet / Laury Magnus -- Hearing and interfering : solving puzzles in theater productions of Measure for measure / Gayle Gaskill -- Hearing gone awry : mishearing, not hearing, and silence. Silence, mishearing, and indirection in Much ado / Caroline Latta -- Writing letters, hearing voices : epistolary error on Twelfth night / Walter W. Cannon -- Staging "skimble-skamble stuff" : 1 Henry IV and the Welsh voice / Megan Lloyd and Elizabeth Brown -- Hearing beyond words : Shakespear's noise, sounds, and music. Soundscape for an offstage beheading : Shakespeare's revision of 2 Henry VI 4.1 / Stephen Urkowitz -- "Fearful and confused cries" : birdsong, sympathy, and the fear of sounds in Titus Andronicus / Clio Doyle -- "They say it will penetrate" : music as aural violation in The two gentlemen of Verona and Cymbeline / R. W. Jones -- Hearing cues in Shakespeare : instrumental music and sound effects in the later plays / Jennifer Linhart Wood -- Restructuring audience at Shakespeare's globe / Lesli C. Dunn -- Voices from the Blackfriars stage. Voices from the Blackfriars stage : a virtual roundtable discussion from actors at the American Shakespeare Center: Benjamin Curns, Sarah Fallon, Allison Glenzer, John Harrell, James Keegan, Patrick Midgley -- Hearing on the Blackfriars stage : a coda / Ralph Alan Cohen Shakespeare, William 1564-1616 (DE-588)118613723 gnd Hören Motiv (DE-588)4698246-2 gnd Belauschen Motiv (DE-588)4416062-8 gnd Inszenierung (DE-588)4027223-0 gnd Drama (DE-588)4012899-4 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4698246-2 (DE-588)4416062-8 (DE-588)4027223-0 (DE-588)4012899-4 (DE-588)4143413-4 |
| title | Shakespeare's auditory worlds hearing and staging practices, then and now |
| title_auth | Shakespeare's auditory worlds hearing and staging practices, then and now |
| title_exact_search | Shakespeare's auditory worlds hearing and staging practices, then and now |
| title_exact_search_txtP | Shakespeare's auditory worlds hearing and staging practices, then and now |
| title_full | Shakespeare's auditory worlds hearing and staging practices, then and now edited by Laury Magnus and Walter W. Cannon |
| title_fullStr | Shakespeare's auditory worlds hearing and staging practices, then and now edited by Laury Magnus and Walter W. Cannon |
| title_full_unstemmed | Shakespeare's auditory worlds hearing and staging practices, then and now edited by Laury Magnus and Walter W. Cannon |
| title_short | Shakespeare's auditory worlds |
| title_sort | shakespeare s auditory worlds hearing and staging practices then and now |
| title_sub | hearing and staging practices, then and now |
| topic | Shakespeare, William 1564-1616 (DE-588)118613723 gnd Hören Motiv (DE-588)4698246-2 gnd Belauschen Motiv (DE-588)4416062-8 gnd Inszenierung (DE-588)4027223-0 gnd Drama (DE-588)4012899-4 gnd |
| topic_facet | Shakespeare, William 1564-1616 Hören Motiv Belauschen Motiv Inszenierung Drama Aufsatzsammlung |
| work_keys_str_mv | AT magnuslaury shakespearesauditoryworldshearingandstagingpracticesthenandnow AT cannonwalterw shakespearesauditoryworldshearingandstagingpracticesthenandnow |