Emerging naturalism: contexts and narratives in European sculpture 1140-1220
"For many decades, specialists in Romanesque and Early Gothic art and architecture have questioned the usefulness of traditional stylistic terminology. It is regarded as having limited relevance insofar as it fails to reflect the complexity and plurality of the period under discussion. Nor does...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Turnhout, Belgium
Brepols
[2020]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "For many decades, specialists in Romanesque and Early Gothic art and architecture have questioned the usefulness of traditional stylistic terminology. It is regarded as having limited relevance insofar as it fails to reflect the complexity and plurality of the period under discussion. Nor does it embrace functional, formal or iconographic specificities. Despite these deficiencies, we still have no better way of referring to the art of the period than Romanesque, Late Romanesque or Early Gothic which we make yet more cumbersome by adding a geographical or political term. Of the various media which were affected by artistic innovation in Europe during the second half of the 12th century, particular attention has been paid to stained glass, manuscript illumination, metalwork and enamel. Monumental sculpture was equally subject to profound change during the period, in addition to developing in directions that were largely independent of other media. As a result, late Romanesque sculpture extends across the period from 1140 to 1220, from Saxony to Galicia, though it is still impossible to encapsulate in a single statement what this complex network represented. However, the attainment of a compelling naturalism does seem to have been a shared aspiration among Latin European sculptors. Emerging Naturalism: Contexts and Narratives in European Sculpture 1140–1220 offers a panoramic analysis of this artistic landscape, focused on a central issue in medieval European artistic production. To narrow this field of study, the book concentrates on the innovations and solutions adopted in the great church workshops of western Europe." |
| Beschreibung: | 436 Seiten Illustrationen, Karten |
| ISBN: | 9782503574486 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV047076026 | ||
| 003 | DE-604 | ||
| 005 | 20220425 | ||
| 007 | t | ||
| 008 | 201230s2020 a||| |||| 00||| eng d | ||
| 020 | |a 9782503574486 |c hardback |9 978-2-503-57448-6 | ||
| 035 | |a (OCoLC)1231446733 | ||
| 035 | |a (DE-599)BVBBV047076026 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Y2 |a DE-188 |a DE-Y3 |a DE-473 |a DE-255 |a DE-29 |a DE-12 |a DE-20 | ||
| 084 | |a LH 69410 |0 (DE-625)94765: |2 rvk | ||
| 245 | 1 | 0 | |a Emerging naturalism |b contexts and narratives in European sculpture 1140-1220 |c edited by Gerardo Boto Varela, Marta Serranco Coll, John McNeill |
| 246 | 1 | 3 | |a Contexts and narratives in European sculpture 1140-1220 |
| 264 | 1 | |a Turnhout, Belgium |b Brepols |c [2020] | |
| 264 | 4 | |c © 2020 | |
| 300 | |a 436 Seiten |b Illustrationen, Karten | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a "For many decades, specialists in Romanesque and Early Gothic art and architecture have questioned the usefulness of traditional stylistic terminology. It is regarded as having limited relevance insofar as it fails to reflect the complexity and plurality of the period under discussion. Nor does it embrace functional, formal or iconographic specificities. Despite these deficiencies, we still have no better way of referring to the art of the period than Romanesque, Late Romanesque or Early Gothic which we make yet more cumbersome by adding a geographical or political term. Of the various media which were affected by artistic innovation in Europe during the second half of the 12th century, particular attention has been paid to stained glass, manuscript illumination, metalwork and enamel. Monumental sculpture was equally subject to profound change during the period, in addition to developing in directions that were largely independent of other media. As a result, late Romanesque sculpture extends across the period from 1140 to 1220, from Saxony to Galicia, though it is still impossible to encapsulate in a single statement what this complex network represented. However, the attainment of a compelling naturalism does seem to have been a shared aspiration among Latin European sculptors. Emerging Naturalism: Contexts and Narratives in European Sculpture 1140–1220 offers a panoramic analysis of this artistic landscape, focused on a central issue in medieval European artistic production. To narrow this field of study, the book concentrates on the innovations and solutions adopted in the great church workshops of western Europe." | |
| 648 | 7 | |a Geschichte 1140-1220 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Stil |0 (DE-588)4124256-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Romanik |0 (DE-588)4050482-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Plastik |0 (DE-588)4046277-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Gotik |0 (DE-588)4021656-1 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Europa |0 (DE-588)4015701-5 |2 gnd |9 rswk-swf | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 688 | 7 | |a Romantik, Rezeption |0 (DE-2581)TH000005260 |2 gbd | |
| 689 | 0 | 0 | |a Europa |0 (DE-588)4015701-5 |D g |
| 689 | 0 | 1 | |a Plastik |0 (DE-588)4046277-8 |D s |
| 689 | 0 | 2 | |a Geschichte 1140-1220 |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Europa |0 (DE-588)4015701-5 |D g |
| 689 | 1 | 1 | |a Plastik |0 (DE-588)4046277-8 |D s |
| 689 | 1 | 2 | |a Stil |0 (DE-588)4124256-7 |D s |
| 689 | 1 | 3 | |a Romanik |0 (DE-588)4050482-7 |D s |
| 689 | 1 | 4 | |a Gotik |0 (DE-588)4021656-1 |D s |
| 689 | 1 | |5 DE-604 | |
| 700 | 1 | |a Boto Varela, Gerardo |d 1967- |0 (DE-588)141087293 |4 edt | |
| 700 | 1 | |a Serrano Coll, Marta |d 1972- |0 (DE-588)134203429 |4 edt | |
| 700 | 1 | |a McNeill, John |d 1957- |0 (DE-588)108986258X |4 edt | |
| 856 | 4 | 2 | |m Digitalisierung UB Bamberg - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032482984&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |n gbd | |
| 940 | 1 | |q BSB_NED_20210816 | |
| 940 | 1 | |q gbd_4_2204 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032482984 | ||
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 0902 |g 4 |
Datensatz im Suchindex
| _version_ | 1804182082578022400 |
|---|---|
| adam_text | Contents Emerging Naturalism and a New Medieval Morphology Herbert L. Kessler I. Shaping Late Romanesque Sculpture. Balance 7 and Perspective The Attainment of a Compelling Naturalism in Sculpture c. 1200 Gerardo Boro Varela 13 What is So-Called Late Romanesque Sculpture? Xavier Barral i Altet 25 IL Late Romanesque / Early Gothic Sculpture in European Cathedrals (1140-1220) The Role of Burgundy in the Development of the First Column-Statues Marnilo Angheben 53 Late Romanesque Sculpture and the Cathedrals of South-Western France Quitterie Cazes lb An Enigma Put Aside. The Origin and Interpretation of a Decontextualized Capital from Saint Trophime at Arles Juan Antonio Olañeta 87 Around and After 1200. Old and New Concepts of Monumental Sculpture in the German Territories of the Holy Roman Empire Claudia Rückert 103 Sculpture and Liturgy: Monuments and Art Histories of Southern Italy (c. 1150—1250 and Beyond) Elisabetta Scirocco 127 Old Testament Sacrifice and Thirteenth-Century Tithe: Cain and Abel in the Architectural Sculpture of the Holy Roman Empire Stephanie Luther 149 Late Romanesque Sculpture in England. How Far Can the Evidence Take Us? John McNeill 167 The Gothic Last Judgment Portal c. 1210.Visual Strategies and Communicative Function Bruno BOERNER 197 Aesthetics and the Imitation ofAntiquity in Early Gothic Sculpture Laurence Terrier Aliferis 213 5
Contents III. Sculptural Visualisations 6 in the Cathedrals of the Iberian Kingdoms (1160-1220) The Reception of Burgundian Models in the Second Half of the Twelfth Century and the Naturalist Redefinition of Romanesque Sculpture in Castile Marta Poza Yagüe 239 Master Mateo and the Cathedral of Santiago at the End of the Twelfth Century Ramón Yzquierdo Peiró 263 Late Romanesque Sculpture in the Kingdoms of Leon and Castile: Continuity or Change? José Luís Hernando Garrido Antonio Ledesma 295 Romanesque Sculpture in Portuguese Cathedrals: Models, Continuity and Adaptation Carla Varela Fernandes Paulo Almeida Fernandes 317 The Meaning of the Romanesque Sculpture in the Cámara Santa at the Cathedral of Oviedo César García de CastroValdės 333 Images and Stories: The Transformation of Space in the Cathedrals of the Ebro Valley Esther Lozano López 359 The Vault Corbels in the Cloister ofTarragona Cathedral: Shaping a New Pictorial Corporeality that Goes Beyond Late Romanesque Gerardo Boto Varela MartaSerrano Coll 379 About the Authors 405 Index of Names 409 Index of Places 415 Colour Plates 425
|
| adam_txt |
Contents Emerging Naturalism and a New Medieval Morphology Herbert L. Kessler I. Shaping Late Romanesque Sculpture. Balance 7 and Perspective The Attainment of a Compelling Naturalism in Sculpture c. 1200 Gerardo Boro Varela 13 What is So-Called Late Romanesque Sculpture? Xavier Barral i Altet 25 IL Late Romanesque / Early Gothic Sculpture in European Cathedrals (1140-1220) The Role of Burgundy in the Development of the First Column-Statues Marnilo Angheben 53 Late Romanesque Sculpture and the Cathedrals of South-Western France Quitterie Cazes lb An Enigma Put Aside. The Origin and Interpretation of a Decontextualized Capital from Saint Trophime at Arles Juan Antonio Olañeta 87 Around and After 1200. Old and New Concepts of Monumental Sculpture in the German Territories of the Holy Roman Empire Claudia Rückert 103 Sculpture and Liturgy: Monuments and Art Histories of Southern Italy (c. 1150—1250 and Beyond) Elisabetta Scirocco 127 Old Testament Sacrifice and Thirteenth-Century Tithe: Cain and Abel in the Architectural Sculpture of the Holy Roman Empire Stephanie Luther 149 Late Romanesque Sculpture in England. How Far Can the Evidence Take Us? John McNeill 167 The Gothic Last Judgment Portal c. 1210.Visual Strategies and Communicative Function Bruno BOERNER 197 Aesthetics and the Imitation ofAntiquity in Early Gothic Sculpture Laurence Terrier Aliferis 213 5
Contents III. Sculptural Visualisations 6 in the Cathedrals of the Iberian Kingdoms (1160-1220) The Reception of Burgundian Models in the Second Half of the Twelfth Century and the Naturalist Redefinition of Romanesque Sculpture in Castile Marta Poza Yagüe 239 Master Mateo and the Cathedral of Santiago at the End of the Twelfth Century Ramón Yzquierdo Peiró 263 Late Romanesque Sculpture in the Kingdoms of Leon and Castile: Continuity or Change? José Luís Hernando Garrido Antonio Ledesma 295 Romanesque Sculpture in Portuguese Cathedrals: Models, Continuity and Adaptation Carla Varela Fernandes Paulo Almeida Fernandes 317 The Meaning of the Romanesque Sculpture in the Cámara Santa at the Cathedral of Oviedo César García de CastroValdės 333 Images and Stories: The Transformation of Space in the Cathedrals of the Ebro Valley Esther Lozano López 359 The Vault Corbels in the Cloister ofTarragona Cathedral: Shaping a New Pictorial Corporeality that Goes Beyond Late Romanesque Gerardo Boto Varela MartaSerrano Coll 379 About the Authors 405 Index of Names 409 Index of Places 415 Colour Plates 425 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author2 | Boto Varela, Gerardo 1967- Serrano Coll, Marta 1972- McNeill, John 1957- |
| author2_role | edt edt edt |
| author2_variant | v g b vg vgb c m s cm cms j m jm |
| author_GND | (DE-588)141087293 (DE-588)134203429 (DE-588)108986258X |
| author_facet | Boto Varela, Gerardo 1967- Serrano Coll, Marta 1972- McNeill, John 1957- |
| building | Verbundindex |
| bvnumber | BV047076026 |
| classification_rvk | LH 69410 |
| ctrlnum | (OCoLC)1231446733 (DE-599)BVBBV047076026 |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| era | Geschichte 1140-1220 gnd |
| era_facet | Geschichte 1140-1220 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04098nam a2200601 c 4500</leader><controlfield tag="001">BV047076026</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220425 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">201230s2020 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9782503574486</subfield><subfield code="c">hardback</subfield><subfield code="9">978-2-503-57448-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1231446733</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047076026</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y2</subfield><subfield code="a">DE-188</subfield><subfield code="a">DE-Y3</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-29</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-20</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 69410</subfield><subfield code="0">(DE-625)94765:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Emerging naturalism</subfield><subfield code="b">contexts and narratives in European sculpture 1140-1220</subfield><subfield code="c">edited by Gerardo Boto Varela, Marta Serranco Coll, John McNeill</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Contexts and narratives in European sculpture 1140-1220</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Turnhout, Belgium</subfield><subfield code="b">Brepols</subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">436 Seiten</subfield><subfield code="b">Illustrationen, Karten</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"For many decades, specialists in Romanesque and Early Gothic art and architecture have questioned the usefulness of traditional stylistic terminology. It is regarded as having limited relevance insofar as it fails to reflect the complexity and plurality of the period under discussion. Nor does it embrace functional, formal or iconographic specificities. Despite these deficiencies, we still have no better way of referring to the art of the period than Romanesque, Late Romanesque or Early Gothic which we make yet more cumbersome by adding a geographical or political term. Of the various media which were affected by artistic innovation in Europe during the second half of the 12th century, particular attention has been paid to stained glass, manuscript illumination, metalwork and enamel. Monumental sculpture was equally subject to profound change during the period, in addition to developing in directions that were largely independent of other media. As a result, late Romanesque sculpture extends across the period from 1140 to 1220, from Saxony to Galicia, though it is still impossible to encapsulate in a single statement what this complex network represented. However, the attainment of a compelling naturalism does seem to have been a shared aspiration among Latin European sculptors. Emerging Naturalism: Contexts and Narratives in European Sculpture 1140–1220 offers a panoramic analysis of this artistic landscape, focused on a central issue in medieval European artistic production. To narrow this field of study, the book concentrates on the innovations and solutions adopted in the great church workshops of western Europe."</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1140-1220</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Stil</subfield><subfield code="0">(DE-588)4124256-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Romanik</subfield><subfield code="0">(DE-588)4050482-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Plastik</subfield><subfield code="0">(DE-588)4046277-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Gotik</subfield><subfield code="0">(DE-588)4021656-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Europa</subfield><subfield code="0">(DE-588)4015701-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="688" ind1=" " ind2="7"><subfield code="a">Romantik, Rezeption</subfield><subfield code="0">(DE-2581)TH000005260</subfield><subfield code="2">gbd</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Europa</subfield><subfield code="0">(DE-588)4015701-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Plastik</subfield><subfield code="0">(DE-588)4046277-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 1140-1220</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Europa</subfield><subfield code="0">(DE-588)4015701-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Plastik</subfield><subfield code="0">(DE-588)4046277-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Stil</subfield><subfield code="0">(DE-588)4124256-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Romanik</subfield><subfield code="0">(DE-588)4050482-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="4"><subfield code="a">Gotik</subfield><subfield code="0">(DE-588)4021656-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Boto Varela, Gerardo</subfield><subfield code="d">1967-</subfield><subfield code="0">(DE-588)141087293</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Serrano Coll, Marta</subfield><subfield code="d">1972-</subfield><subfield code="0">(DE-588)134203429</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">McNeill, John</subfield><subfield code="d">1957-</subfield><subfield code="0">(DE-588)108986258X</subfield><subfield code="4">edt</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Bamberg - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032482984&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">gbd</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20210816</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">gbd_4_2204</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032482984</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0902</subfield><subfield code="g">4</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| geographic | Europa (DE-588)4015701-5 gnd |
| geographic_facet | Europa |
| id | DE-604.BV047076026 |
| illustrated | Illustrated |
| index_date | 2024-07-03T16:14:43Z |
| indexdate | 2024-07-10T09:01:54Z |
| institution | BVB |
| isbn | 9782503574486 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032482984 |
| oclc_num | 1231446733 |
| open_access_boolean | |
| owner | DE-Y2 DE-188 DE-Y3 DE-473 DE-BY-UBG DE-255 DE-29 DE-12 DE-20 |
| owner_facet | DE-Y2 DE-188 DE-Y3 DE-473 DE-BY-UBG DE-255 DE-29 DE-12 DE-20 |
| physical | 436 Seiten Illustrationen, Karten |
| psigel | BSB_NED_20210816 gbd_4_2204 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Brepols |
| record_format | marc |
| spelling | Emerging naturalism contexts and narratives in European sculpture 1140-1220 edited by Gerardo Boto Varela, Marta Serranco Coll, John McNeill Contexts and narratives in European sculpture 1140-1220 Turnhout, Belgium Brepols [2020] © 2020 436 Seiten Illustrationen, Karten txt rdacontent n rdamedia nc rdacarrier "For many decades, specialists in Romanesque and Early Gothic art and architecture have questioned the usefulness of traditional stylistic terminology. It is regarded as having limited relevance insofar as it fails to reflect the complexity and plurality of the period under discussion. Nor does it embrace functional, formal or iconographic specificities. Despite these deficiencies, we still have no better way of referring to the art of the period than Romanesque, Late Romanesque or Early Gothic which we make yet more cumbersome by adding a geographical or political term. Of the various media which were affected by artistic innovation in Europe during the second half of the 12th century, particular attention has been paid to stained glass, manuscript illumination, metalwork and enamel. Monumental sculpture was equally subject to profound change during the period, in addition to developing in directions that were largely independent of other media. As a result, late Romanesque sculpture extends across the period from 1140 to 1220, from Saxony to Galicia, though it is still impossible to encapsulate in a single statement what this complex network represented. However, the attainment of a compelling naturalism does seem to have been a shared aspiration among Latin European sculptors. Emerging Naturalism: Contexts and Narratives in European Sculpture 1140–1220 offers a panoramic analysis of this artistic landscape, focused on a central issue in medieval European artistic production. To narrow this field of study, the book concentrates on the innovations and solutions adopted in the great church workshops of western Europe." Geschichte 1140-1220 gnd rswk-swf Stil (DE-588)4124256-7 gnd rswk-swf Romanik (DE-588)4050482-7 gnd rswk-swf Plastik (DE-588)4046277-8 gnd rswk-swf Gotik (DE-588)4021656-1 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Romantik, Rezeption (DE-2581)TH000005260 gbd Europa (DE-588)4015701-5 g Plastik (DE-588)4046277-8 s Geschichte 1140-1220 z DE-604 Stil (DE-588)4124256-7 s Romanik (DE-588)4050482-7 s Gotik (DE-588)4021656-1 s Boto Varela, Gerardo 1967- (DE-588)141087293 edt Serrano Coll, Marta 1972- (DE-588)134203429 edt McNeill, John 1957- (DE-588)108986258X edt Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032482984&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Emerging naturalism contexts and narratives in European sculpture 1140-1220 Stil (DE-588)4124256-7 gnd Romanik (DE-588)4050482-7 gnd Plastik (DE-588)4046277-8 gnd Gotik (DE-588)4021656-1 gnd |
| subject_GND | (DE-588)4124256-7 (DE-588)4050482-7 (DE-588)4046277-8 (DE-588)4021656-1 (DE-588)4015701-5 (DE-588)4143413-4 |
| title | Emerging naturalism contexts and narratives in European sculpture 1140-1220 |
| title_alt | Contexts and narratives in European sculpture 1140-1220 |
| title_auth | Emerging naturalism contexts and narratives in European sculpture 1140-1220 |
| title_exact_search | Emerging naturalism contexts and narratives in European sculpture 1140-1220 |
| title_exact_search_txtP | Emerging naturalism contexts and narratives in European sculpture 1140-1220 |
| title_full | Emerging naturalism contexts and narratives in European sculpture 1140-1220 edited by Gerardo Boto Varela, Marta Serranco Coll, John McNeill |
| title_fullStr | Emerging naturalism contexts and narratives in European sculpture 1140-1220 edited by Gerardo Boto Varela, Marta Serranco Coll, John McNeill |
| title_full_unstemmed | Emerging naturalism contexts and narratives in European sculpture 1140-1220 edited by Gerardo Boto Varela, Marta Serranco Coll, John McNeill |
| title_short | Emerging naturalism |
| title_sort | emerging naturalism contexts and narratives in european sculpture 1140 1220 |
| title_sub | contexts and narratives in European sculpture 1140-1220 |
| topic | Stil (DE-588)4124256-7 gnd Romanik (DE-588)4050482-7 gnd Plastik (DE-588)4046277-8 gnd Gotik (DE-588)4021656-1 gnd |
| topic_facet | Stil Romanik Plastik Gotik Europa Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032482984&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT botovarelagerardo emergingnaturalismcontextsandnarrativesineuropeansculpture11401220 AT serranocollmarta emergingnaturalismcontextsandnarrativesineuropeansculpture11401220 AT mcneilljohn emergingnaturalismcontextsandnarrativesineuropeansculpture11401220 AT botovarelagerardo contextsandnarrativesineuropeansculpture11401220 AT serranocollmarta contextsandnarrativesineuropeansculpture11401220 AT mcneilljohn contextsandnarrativesineuropeansculpture11401220 |