The envious destroyer of all things:
Time, which kills everything, obsessed early modern England's architects as much as its playwrights. If for a distraught Macbeth, moments crept interminably, for Stuart and Tudor builders, time’s slog always threatened to end too soon. The inevitability of architectural death through slow ruin,...
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| Format: | Elektronisch Artikel |
| Sprache: | English |
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2020-10-21
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| Zusammenfassung: | Time, which kills everything, obsessed early modern England's architects as much as its playwrights. If for a distraught Macbeth, moments crept interminably, for Stuart and Tudor builders, time’s slog always threatened to end too soon. The inevitability of architectural death through slow ruin, or frenetic dismantling, took on particular verve in a polity with a history of iconoclasm. Architecture’s emphasis upon surface aligned building with (say) portraiture which, around 1600, carried its own rhetorics of time – and information – arrested. Both building and posing subsisted in the proffering of a good face, the warding off of bodily death. And in the case of this article's focus – an ephemeral arch built in London in 1603 – this face – this façade – was threatened by unexpected epistemes of time: duration, instant, and epoch. These were temporalities in upheaval in Stuart London, a moment of unsteady power relations, of new kinds of printed publications, and of that most unpresentable of human phenomena: contagion |
| Beschreibung: | 1 Online-Ressource 5 Illustrationen |
| ISSN: | 2701-1550 |
| DOI: | 10.11588/xxi.2020.2.76232 |
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| 520 | 3 | |a Time, which kills everything, obsessed early modern England's architects as much as its playwrights. If for a distraught Macbeth, moments crept interminably, for Stuart and Tudor builders, time’s slog always threatened to end too soon. The inevitability of architectural death through slow ruin, or frenetic dismantling, took on particular verve in a polity with a history of iconoclasm. Architecture’s emphasis upon surface aligned building with (say) portraiture which, around 1600, carried its own rhetorics of time – and information – arrested. Both building and posing subsisted in the proffering of a good face, the warding off of bodily death. And in the case of this article's focus – an ephemeral arch built in London in 1603 – this face – this façade – was threatened by unexpected epistemes of time: duration, instant, and epoch. These were temporalities in upheaval in Stuart London, a moment of unsteady power relations, of new kinds of printed publications, and of that most unpresentable of human phenomena: contagion | |
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| spelling | Heuer, Christopher P. Verfasser (DE-588)137103751 aut The envious destroyer of all things Christopher P. Heuer 2020-10-21 1 Online-Ressource 5 Illustrationen txt rdacontent c rdamedia cr rdacarrier Time, which kills everything, obsessed early modern England's architects as much as its playwrights. If for a distraught Macbeth, moments crept interminably, for Stuart and Tudor builders, time’s slog always threatened to end too soon. The inevitability of architectural death through slow ruin, or frenetic dismantling, took on particular verve in a polity with a history of iconoclasm. Architecture’s emphasis upon surface aligned building with (say) portraiture which, around 1600, carried its own rhetorics of time – and information – arrested. Both building and posing subsisted in the proffering of a good face, the warding off of bodily death. And in the case of this article's focus – an ephemeral arch built in London in 1603 – this face – this façade – was threatened by unexpected epistemes of time: duration, instant, and epoch. These were temporalities in upheaval in Stuart London, a moment of unsteady power relations, of new kinds of printed publications, and of that most unpresentable of human phenomena: contagion Jakob I. England, König 1566-1625 (DE-588)118639889 gnd rswk-swf Geschichte 1603 gnd rswk-swf Triumphbogen (DE-588)4186247-8 gnd rswk-swf Einzug (DE-588)4301833-6 gnd rswk-swf Temporäre Architektur (DE-588)1032411767 gnd rswk-swf London (DE-588)4074335-4 gnd rswk-swf Triumphbogen Zeitlichkeit Pest Unruhen London (DE-588)4074335-4 g Temporäre Architektur (DE-588)1032411767 s Triumphbogen (DE-588)4186247-8 s Geschichte 1603 z DE-604 Jakob I. England, König 1566-1625 (DE-588)118639889 p Einzug (DE-588)4301833-6 s volume:1 number:2 year:2020 pages:381-402 21: inquiries into art, history, and the visual Heidelberg, 2020 Vol. 1, No. 2 (2020), Seite 381-402 (DE-604)BV046617927 2701-1550 (DE-600)3010740-4 https://doi.org/10.11588/xxi.2020.2.76232 Resolving-System kostenfrei Volltext |
| spellingShingle | Heuer, Christopher P. The envious destroyer of all things Jakob I. England, König 1566-1625 (DE-588)118639889 gnd Triumphbogen (DE-588)4186247-8 gnd Einzug (DE-588)4301833-6 gnd Temporäre Architektur (DE-588)1032411767 gnd |
| subject_GND | (DE-588)118639889 (DE-588)4186247-8 (DE-588)4301833-6 (DE-588)1032411767 (DE-588)4074335-4 |
| title | The envious destroyer of all things |
| title_auth | The envious destroyer of all things |
| title_exact_search | The envious destroyer of all things |
| title_exact_search_txtP | The envious destroyer of all things |
| title_full | The envious destroyer of all things Christopher P. Heuer |
| title_fullStr | The envious destroyer of all things Christopher P. Heuer |
| title_full_unstemmed | The envious destroyer of all things Christopher P. Heuer |
| title_short | The envious destroyer of all things |
| title_sort | the envious destroyer of all things |
| topic | Jakob I. England, König 1566-1625 (DE-588)118639889 gnd Triumphbogen (DE-588)4186247-8 gnd Einzug (DE-588)4301833-6 gnd Temporäre Architektur (DE-588)1032411767 gnd |
| topic_facet | Jakob I. England, König 1566-1625 Triumphbogen Einzug Temporäre Architektur London |
| url | https://doi.org/10.11588/xxi.2020.2.76232 |
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