Inventing cinema: machines, gestures and media history
With machines mediating most of our cultural practices, and innovations, obsolescence and revivals constantly transforming our relation with images and sounds, media feel more unstable than ever. But was there ever a ‘stable’ moment in media history? Inventing Cinema proposes to approach this questi...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
2020
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| Schriftenreihe: | Cinema and technology (Amsterdam, Netherlands)
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| Schlagworte: | |
| Online-Zugang: | BSB01 FHN01 Volltext |
| Zusammenfassung: | With machines mediating most of our cultural practices, and innovations, obsolescence and revivals constantly transforming our relation with images and sounds, media feel more unstable than ever. But was there ever a ‘stable’ moment in media history? Inventing Cinema proposes to approach this question through an archaeology and epistemology of media machines. The archaeology analyses them as archives of users’ gestures, as well as of modes of perception. The epistemology reconstructs the problems that the machines’ designers and users have strived to solve, and the network of concepts they have elaborated to understand these problems. Drawing on the philosophy of technology and anthropology, Inventing Cinema argues that networks of gestures, problems, perception and concepts are inscribed in vision machines, from the camera obscura to the stereoscope, the Cinématographe, and digital cinema. The invention of cinema is ultimately seen as an ongoing process irreducible to a single moment in history |
| Beschreibung: | Originally published as: Inventer le cinéma. Épistémologie : problèmes, machines, Éditions L’Âge d’Homme (Lausanne), 2014. - Title from publisher's bibliographic system (viewed on 20 Nov 2020) |
| Beschreibung: | 1 Online-Ressource (267 Seiten) |
| ISBN: | 9789048550463 |
| DOI: | 10.1017/9789048550463 |
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| 520 | |a With machines mediating most of our cultural practices, and innovations, obsolescence and revivals constantly transforming our relation with images and sounds, media feel more unstable than ever. But was there ever a ‘stable’ moment in media history? Inventing Cinema proposes to approach this question through an archaeology and epistemology of media machines. The archaeology analyses them as archives of users’ gestures, as well as of modes of perception. The epistemology reconstructs the problems that the machines’ designers and users have strived to solve, and the network of concepts they have elaborated to understand these problems. Drawing on the philosophy of technology and anthropology, Inventing Cinema argues that networks of gestures, problems, perception and concepts are inscribed in vision machines, from the camera obscura to the stereoscope, the Cinématographe, and digital cinema. The invention of cinema is ultimately seen as an ongoing process irreducible to a single moment in history | ||
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| discipline | Allgemeines Philosophie |
| discipline_str_mv | Allgemeines Philosophie |
| doi_str_mv | 10.1017/9789048550463 |
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| isbn | 9789048550463 |
| language | English |
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| spelling | Turquety, Benoît 1974- (DE-588)1208867121 aut Inventer le cinéma <English> Inventing cinema machines, gestures and media history Benoît Turquety ; translated by Timothy Barnard Amsterdam Amsterdam University Press 2020 1 Online-Ressource (267 Seiten) txt rdacontent c rdamedia cr rdacarrier Cinema and technology (Amsterdam, Netherlands) Originally published as: Inventer le cinéma. Épistémologie : problèmes, machines, Éditions L’Âge d’Homme (Lausanne), 2014. - Title from publisher's bibliographic system (viewed on 20 Nov 2020) With machines mediating most of our cultural practices, and innovations, obsolescence and revivals constantly transforming our relation with images and sounds, media feel more unstable than ever. But was there ever a ‘stable’ moment in media history? Inventing Cinema proposes to approach this question through an archaeology and epistemology of media machines. The archaeology analyses them as archives of users’ gestures, as well as of modes of perception. The epistemology reconstructs the problems that the machines’ designers and users have strived to solve, and the network of concepts they have elaborated to understand these problems. Drawing on the philosophy of technology and anthropology, Inventing Cinema argues that networks of gestures, problems, perception and concepts are inscribed in vision machines, from the camera obscura to the stereoscope, the Cinématographe, and digital cinema. The invention of cinema is ultimately seen as an ongoing process irreducible to a single moment in history Cinematography / History Cinematography / Equipment and supplies Motion pictures / Technique Motion picture projection / Technological innovations Digital cinematography Erscheint auch als Druck-Ausgabe 978-94-637-2462-3 https://doi.org/10.1017/9789048550463 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Turquety, Benoît 1974- Inventing cinema machines, gestures and media history Cinematography / History Cinematography / Equipment and supplies Motion pictures / Technique Motion picture projection / Technological innovations Digital cinematography |
| title | Inventing cinema machines, gestures and media history |
| title_alt | Inventer le cinéma <English> |
| title_auth | Inventing cinema machines, gestures and media history |
| title_exact_search | Inventing cinema machines, gestures and media history |
| title_exact_search_txtP | Inventing cinema machines, gestures and media history |
| title_full | Inventing cinema machines, gestures and media history Benoît Turquety ; translated by Timothy Barnard |
| title_fullStr | Inventing cinema machines, gestures and media history Benoît Turquety ; translated by Timothy Barnard |
| title_full_unstemmed | Inventing cinema machines, gestures and media history Benoît Turquety ; translated by Timothy Barnard |
| title_short | Inventing cinema |
| title_sort | inventing cinema machines gestures and media history |
| title_sub | machines, gestures and media history |
| topic | Cinematography / History Cinematography / Equipment and supplies Motion pictures / Technique Motion picture projection / Technological innovations Digital cinematography |
| topic_facet | Cinematography / History Cinematography / Equipment and supplies Motion pictures / Technique Motion picture projection / Technological innovations Digital cinematography |
| url | https://doi.org/10.1017/9789048550463 |
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