Appropriating blackness: performance and the politics of authenticity
"Blackness" and authenticity : what's performance got to do with it? -- The pot is brewing : Marlon Riggs' Black is ... Black ain't -- Manifest faggotry : queering masculinity in African American culture -- Mother knows best : Blackness and transgressive domestic space -- &q...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham, NC, USA
Duke University Press
[2012?]
|
| Schlagworte: | |
| Online-Zugang: | FUBA1 UBT01 Volltext |
| Zusammenfassung: | "Blackness" and authenticity : what's performance got to do with it? -- The pot is brewing : Marlon Riggs' Black is ... Black ain't -- Manifest faggotry : queering masculinity in African American culture -- Mother knows best : Blackness and transgressive domestic space -- "Nevah had uh cross word" : mammy and the trope of Black womanhood -- Sounds of Blackness down under : the Café of the Gate of Salvation -- Performance and/as pedagogy : performing Blackness in the classroom |
| Beschreibung: | Informationen wurden der Landingpage entnommen, da weder Titelblatt noch Impressum vorhanden (Duke University Press) |
| Beschreibung: | 1 Online-Ressource (xiii, 365 Seiten) Illustrationen |
| ISBN: | 9780822385103 |
| DOI: | 10.1215/9780822385103 |
Internformat
MARC
| LEADER | 00000nmm a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV047068495 | ||
| 003 | DE-604 | ||
| 005 | 20221110 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 201217s2012 |||| o||u| ||||||eng d | ||
| 020 | |a 9780822385103 |c Online |9 978-0-8223-8510-3 | ||
| 024 | 7 | |a 10.1215/9780822385103 |2 doi | |
| 035 | |a (OCoLC)1227483873 | ||
| 035 | |a (DE-599)BVBBV047068495 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-703 |a DE-188 | ||
| 084 | |a MS 3450 |0 (DE-625)123681: |2 rvk | ||
| 100 | 1 | |a Johnson, E. Patrick |d 1967- |e Verfasser |0 (DE-588)131849018 |4 aut | |
| 245 | 1 | 0 | |a Appropriating blackness |b performance and the politics of authenticity |c by E. Patrick Johnson |
| 264 | 1 | |a Durham, NC, USA |b Duke University Press |c [2012?] | |
| 300 | |a 1 Online-Ressource (xiii, 365 Seiten) |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Informationen wurden der Landingpage entnommen, da weder Titelblatt noch Impressum vorhanden (Duke University Press) | ||
| 520 | |a "Blackness" and authenticity : what's performance got to do with it? -- The pot is brewing : Marlon Riggs' Black is ... Black ain't -- Manifest faggotry : queering masculinity in African American culture -- Mother knows best : Blackness and transgressive domestic space -- "Nevah had uh cross word" : mammy and the trope of Black womanhood -- Sounds of Blackness down under : the Café of the Gate of Salvation -- Performance and/as pedagogy : performing Blackness in the classroom | ||
| 534 | |c 2003 | ||
| 650 | 4 | |a African Americans |x Race identity | |
| 650 | 4 | |a African Americans |x Intellectual life | |
| 650 | 4 | |a African Americans in popular culture | |
| 650 | 4 | |a Authenticity (Philosophy) |x Political aspects |x United States | |
| 650 | 4 | |a Performing arts |x Social aspects |x United States | |
| 650 | 4 | |a Performing arts |x Political aspects |x United States | |
| 650 | 0 | 7 | |a Kultur |0 (DE-588)4125698-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Erziehung |0 (DE-588)4015482-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Schwarze |0 (DE-588)4116433-7 |2 gnd |9 rswk-swf |
| 651 | 4 | |a United States |x Race relations | |
| 651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 0 | 1 | |a Schwarze |0 (DE-588)4116433-7 |D s |
| 689 | 0 | 2 | |a Kultur |0 (DE-588)4125698-0 |D s |
| 689 | 0 | 3 | |a Erziehung |0 (DE-588)4015482-8 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Elektronische Reproduktion von |a Johnson, E. Patrick, 1967- |t Appropriating blackness |d Durham : Duke University Press, 2003 |z 978-0-8223-3154-4 |z 978-0-8223-3191-9 |w (DE-604)BV017038012 |
| 856 | 4 | 0 | |u https://doi.org/10.1215/9780822385103 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-198-DUB |a ZDB-198-DUP |a ZDB-198-DUG | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032475538 | ||
| 966 | e | |u https://doi.org/10.1215/9780822385103 |l FUBA1 |p ZDB-198-DUG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1215/9780822385103 |l UBT01 |p ZDB-198-DUB |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804182069760229376 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Johnson, E. Patrick 1967- |
| author_GND | (DE-588)131849018 |
| author_facet | Johnson, E. Patrick 1967- |
| author_role | aut |
| author_sort | Johnson, E. Patrick 1967- |
| author_variant | e p j ep epj |
| building | Verbundindex |
| bvnumber | BV047068495 |
| classification_rvk | MS 3450 |
| collection | ZDB-198-DUB ZDB-198-DUP ZDB-198-DUG |
| ctrlnum | (OCoLC)1227483873 (DE-599)BVBBV047068495 |
| discipline | Soziologie |
| discipline_str_mv | Soziologie |
| doi_str_mv | 10.1215/9780822385103 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02978nmm a2200565 c 4500</leader><controlfield tag="001">BV047068495</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20221110 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">201217s2012 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780822385103</subfield><subfield code="c">Online</subfield><subfield code="9">978-0-8223-8510-3</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1215/9780822385103</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1227483873</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047068495</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-703</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MS 3450</subfield><subfield code="0">(DE-625)123681:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Johnson, E. Patrick</subfield><subfield code="d">1967-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)131849018</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Appropriating blackness</subfield><subfield code="b">performance and the politics of authenticity</subfield><subfield code="c">by E. Patrick Johnson</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Durham, NC, USA</subfield><subfield code="b">Duke University Press</subfield><subfield code="c">[2012?]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xiii, 365 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Informationen wurden der Landingpage entnommen, da weder Titelblatt noch Impressum vorhanden (Duke University Press)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Blackness" and authenticity : what's performance got to do with it? -- The pot is brewing : Marlon Riggs' Black is ... Black ain't -- Manifest faggotry : queering masculinity in African American culture -- Mother knows best : Blackness and transgressive domestic space -- "Nevah had uh cross word" : mammy and the trope of Black womanhood -- Sounds of Blackness down under : the Café of the Gate of Salvation -- Performance and/as pedagogy : performing Blackness in the classroom</subfield></datafield><datafield tag="534" ind1=" " ind2=" "><subfield code="c">2003</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">African Americans</subfield><subfield code="x">Race identity</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">African Americans</subfield><subfield code="x">Intellectual life</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">African Americans in popular culture</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Authenticity (Philosophy)</subfield><subfield code="x">Political aspects</subfield><subfield code="x">United States</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Performing arts</subfield><subfield code="x">Social aspects</subfield><subfield code="x">United States</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Performing arts</subfield><subfield code="x">Political aspects</subfield><subfield code="x">United States</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kultur</subfield><subfield code="0">(DE-588)4125698-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Erziehung</subfield><subfield code="0">(DE-588)4015482-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Schwarze</subfield><subfield code="0">(DE-588)4116433-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">United States</subfield><subfield code="x">Race relations</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Schwarze</subfield><subfield code="0">(DE-588)4116433-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kultur</subfield><subfield code="0">(DE-588)4125698-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Erziehung</subfield><subfield code="0">(DE-588)4015482-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Elektronische Reproduktion von</subfield><subfield code="a">Johnson, E. Patrick, 1967-</subfield><subfield code="t">Appropriating blackness</subfield><subfield code="d">Durham : Duke University Press, 2003</subfield><subfield code="z">978-0-8223-3154-4</subfield><subfield code="z">978-0-8223-3191-9</subfield><subfield code="w">(DE-604)BV017038012</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1215/9780822385103</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-198-DUB</subfield><subfield code="a">ZDB-198-DUP</subfield><subfield code="a">ZDB-198-DUG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032475538</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1215/9780822385103</subfield><subfield code="l">FUBA1</subfield><subfield code="p">ZDB-198-DUG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1215/9780822385103</subfield><subfield code="l">UBT01</subfield><subfield code="p">ZDB-198-DUB</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | United States Race relations USA (DE-588)4078704-7 gnd |
| geographic_facet | United States Race relations USA |
| id | DE-604.BV047068495 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:13:20Z |
| indexdate | 2024-07-10T09:01:42Z |
| institution | BVB |
| isbn | 9780822385103 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032475538 |
| oclc_num | 1227483873 |
| open_access_boolean | |
| owner | DE-703 DE-188 |
| owner_facet | DE-703 DE-188 |
| physical | 1 Online-Ressource (xiii, 365 Seiten) Illustrationen |
| psigel | ZDB-198-DUB ZDB-198-DUP ZDB-198-DUG |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Duke University Press |
| record_format | marc |
| spelling | Johnson, E. Patrick 1967- Verfasser (DE-588)131849018 aut Appropriating blackness performance and the politics of authenticity by E. Patrick Johnson Durham, NC, USA Duke University Press [2012?] 1 Online-Ressource (xiii, 365 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Informationen wurden der Landingpage entnommen, da weder Titelblatt noch Impressum vorhanden (Duke University Press) "Blackness" and authenticity : what's performance got to do with it? -- The pot is brewing : Marlon Riggs' Black is ... Black ain't -- Manifest faggotry : queering masculinity in African American culture -- Mother knows best : Blackness and transgressive domestic space -- "Nevah had uh cross word" : mammy and the trope of Black womanhood -- Sounds of Blackness down under : the Café of the Gate of Salvation -- Performance and/as pedagogy : performing Blackness in the classroom 2003 African Americans Race identity African Americans Intellectual life African Americans in popular culture Authenticity (Philosophy) Political aspects United States Performing arts Social aspects United States Performing arts Political aspects United States Kultur (DE-588)4125698-0 gnd rswk-swf Erziehung (DE-588)4015482-8 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf United States Race relations USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Schwarze (DE-588)4116433-7 s Kultur (DE-588)4125698-0 s Erziehung (DE-588)4015482-8 s DE-604 Elektronische Reproduktion von Johnson, E. Patrick, 1967- Appropriating blackness Durham : Duke University Press, 2003 978-0-8223-3154-4 978-0-8223-3191-9 (DE-604)BV017038012 https://doi.org/10.1215/9780822385103 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Johnson, E. Patrick 1967- Appropriating blackness performance and the politics of authenticity African Americans Race identity African Americans Intellectual life African Americans in popular culture Authenticity (Philosophy) Political aspects United States Performing arts Social aspects United States Performing arts Political aspects United States Kultur (DE-588)4125698-0 gnd Erziehung (DE-588)4015482-8 gnd Schwarze (DE-588)4116433-7 gnd |
| subject_GND | (DE-588)4125698-0 (DE-588)4015482-8 (DE-588)4116433-7 (DE-588)4078704-7 |
| title | Appropriating blackness performance and the politics of authenticity |
| title_auth | Appropriating blackness performance and the politics of authenticity |
| title_exact_search | Appropriating blackness performance and the politics of authenticity |
| title_exact_search_txtP | Appropriating blackness performance and the politics of authenticity |
| title_full | Appropriating blackness performance and the politics of authenticity by E. Patrick Johnson |
| title_fullStr | Appropriating blackness performance and the politics of authenticity by E. Patrick Johnson |
| title_full_unstemmed | Appropriating blackness performance and the politics of authenticity by E. Patrick Johnson |
| title_short | Appropriating blackness |
| title_sort | appropriating blackness performance and the politics of authenticity |
| title_sub | performance and the politics of authenticity |
| topic | African Americans Race identity African Americans Intellectual life African Americans in popular culture Authenticity (Philosophy) Political aspects United States Performing arts Social aspects United States Performing arts Political aspects United States Kultur (DE-588)4125698-0 gnd Erziehung (DE-588)4015482-8 gnd Schwarze (DE-588)4116433-7 gnd |
| topic_facet | African Americans Race identity African Americans Intellectual life African Americans in popular culture Authenticity (Philosophy) Political aspects United States Performing arts Social aspects United States Performing arts Political aspects United States Kultur Erziehung Schwarze United States Race relations USA |
| url | https://doi.org/10.1215/9780822385103 |
| work_keys_str_mv | AT johnsonepatrick appropriatingblacknessperformanceandthepoliticsofauthenticity |