Horrible white people: gender, genre, and television's precarious whiteness
Examines the bleak television comedies that illustrate the obsession of the white left with its own anxiety and sufferingAt the same time that right-wing political figures like Donald Trump were elected and reactionary socio-economic policies like Brexit were voted into law, representations of bleak...
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| Hauptverfasser: | , |
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| Format: | Buch |
| Sprache: | English |
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New York
New York University Press
[2020]
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| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | Examines the bleak television comedies that illustrate the obsession of the white left with its own anxiety and sufferingAt the same time that right-wing political figures like Donald Trump were elected and reactionary socio-economic policies like Brexit were voted into law, representations of bleakly comic white fragility spread across television screens. American and British programming that featured the abjection of young, middle-class, liberal white people-such as Broad City, Casual, You're the Worst, Catastrophe, Fleabag, and Transparent-proliferated to wide popular acclaim in the 2010s. Taylor Nygaard and Jorie Lagerwey track how these shows of the white left, obsessed with its own anxiety and suffering, are complicit in the rise and maintenance of the far right-particularly in the mobilization, representation, and sustenance of structural white supremacy on television.Nygaard and Lagerwey examine a cycle of dark television comedies, the focus of which are "horrible white people," by putting them in conversation with similar upmarket comedies from creators and casts of color like Insecure, Atlanta, Dear White People, and Master of None. Through their analysis, they demonstrate the ways these non-white-centric shows negotiate prestige TV's dominant aesthetics of whiteness and push back against the centering of white suffering in a time of cultural crisis.Through the lens of media analysis and feminist cultural studies, Nygaard and Lagerwey's book opens up new ways of looking at contemporary television consumption-and the political, cultural, and social repercussions of these "horrible white people" shows, both on- and off-screen |
| Beschreibung: | xi, 259 Seiten Illustrationen |
| ISBN: | 9781479805358 9781479885459 |
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| 520 | |a Examines the bleak television comedies that illustrate the obsession of the white left with its own anxiety and sufferingAt the same time that right-wing political figures like Donald Trump were elected and reactionary socio-economic policies like Brexit were voted into law, representations of bleakly comic white fragility spread across television screens. American and British programming that featured the abjection of young, middle-class, liberal white people-such as Broad City, Casual, You're the Worst, Catastrophe, Fleabag, and Transparent-proliferated to wide popular acclaim in the 2010s. Taylor Nygaard and Jorie Lagerwey track how these shows of the white left, obsessed with its own anxiety and suffering, are complicit in the rise and maintenance of the far right-particularly in the mobilization, representation, and sustenance of structural white supremacy on television.Nygaard and Lagerwey examine a cycle of dark television comedies, the focus of which are "horrible white people," by putting them in conversation with similar upmarket comedies from creators and casts of color like Insecure, Atlanta, Dear White People, and Master of None. Through their analysis, they demonstrate the ways these non-white-centric shows negotiate prestige TV's dominant aesthetics of whiteness and push back against the centering of white suffering in a time of cultural crisis.Through the lens of media analysis and feminist cultural studies, Nygaard and Lagerwey's book opens up new ways of looking at contemporary television consumption-and the political, cultural, and social repercussions of these "horrible white people" shows, both on- and off-screen | ||
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Datensatz im Suchindex
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| adam_text | CONTENTS Authors’ Note, or, a Note on Being Horrible Introduction: The Fraying Fantasies of White Supremacy ix i 1. Peak TV and the Spreadability of Transatlantic Horrible White People 39 2. Alternative Families and White Fragility: The Politics of the Dystopian Sitcom 75 3. Emergent Feminisms and Racial Discourses of Televisual Girlfriendship 115 4. Diverse Quality Comedies in an Era of White Precarity 153 Conclusion: NFL Protests and White Supremacy in the Mass Market 197 Acknowledgments 221 Appendix: Horrible White People Shows and Diverse Quality Comedies Synopses 223 Notes 231 References 235 Index 253 About the Authors 259
է the same time that right-wing politicai figures like Donald Trump were elected and reactionary socio-economic policies like Brexit were gaining traction, representa tions of bleakly comic White fragility spread across television screens. American and British programming that featured the abjection of young, middle-class, lib eral White people—shows like Broad City, Casual, You’re the Worst, Catastrophe, Fleabag, and Transparent—proliferated to wide popular acclaim in the 2010s. Taylor Nygaard and Jorie Lagerwey track how these shows of the White left, obsessed with its own anxiety and suffering, are complicit in the rise and maintenance of the far right—particularly in the mobilization, representation, and sustenance of structural White supremacy on television. Nygaard and Lagerwey examine a cycle of dark television comedies that focus on horri ble White people” by putting them in conversation with similar upmarket comedies from creators and casts of color, like Insecure, Atlanta, and Dear White People. Through their analysis, they demonstrate the ways these non-White-centric shows negotiate prestige TV’s dominant aesthetics of Whiteness and push back against the centering of White suffering in a time of cultural crisis. Through the lens of media analysis and feminist cultural stud ies, Nygaard and Lagerwey’s book opens up new ways of looking at contemporary televi sion consumption—and the political, cultural, and social repercussions that these “horrible White people” shows have, both on- and off-screen. is a Faculty Associate in the Department of English’s Film
and Me dia Studies division at Arizona State University. is Associate Professor in Television Studies at University College Dublin and author of Postfeminist Celebrity and Motherhood: Brand Mom.
|
| adam_txt |
CONTENTS Authors’ Note, or, a Note on Being Horrible Introduction: The Fraying Fantasies of White Supremacy ix i 1. Peak TV and the Spreadability of Transatlantic Horrible White People 39 2. Alternative Families and White Fragility: The Politics of the Dystopian Sitcom 75 3. Emergent Feminisms and Racial Discourses of Televisual Girlfriendship 115 4. Diverse Quality Comedies in an Era of White Precarity 153 Conclusion: NFL Protests and White Supremacy in the Mass Market 197 Acknowledgments 221 Appendix: Horrible White People Shows and Diverse Quality Comedies Synopses 223 Notes 231 References 235 Index 253 About the Authors 259
է the same time that right-wing politicai figures like Donald Trump were elected and reactionary socio-economic policies like Brexit were gaining traction, representa tions of bleakly comic White fragility spread across television screens. American and British programming that featured the abjection of young, middle-class, lib eral White people—shows like Broad City, Casual, You’re the Worst, Catastrophe, Fleabag, and Transparent—proliferated to wide popular acclaim in the 2010s. Taylor Nygaard and Jorie Lagerwey track how these shows of the White left, obsessed with its own anxiety and suffering, are complicit in the rise and maintenance of the far right—particularly in the mobilization, representation, and sustenance of structural White supremacy on television. Nygaard and Lagerwey examine a cycle of dark television comedies that focus on "horri ble White people” by putting them in conversation with similar upmarket comedies from creators and casts of color, like Insecure, Atlanta, and Dear White People. Through their analysis, they demonstrate the ways these non-White-centric shows negotiate prestige TV’s dominant aesthetics of Whiteness and push back against the centering of White suffering in a time of cultural crisis. Through the lens of media analysis and feminist cultural stud ies, Nygaard and Lagerwey’s book opens up new ways of looking at contemporary televi sion consumption—and the political, cultural, and social repercussions that these “horrible White people” shows have, both on- and off-screen. is a Faculty Associate in the Department of English’s Film
and Me dia Studies division at Arizona State University. is Associate Professor in Television Studies at University College Dublin and author of Postfeminist Celebrity and Motherhood: Brand Mom. |
| any_adam_object | 1 |
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| geographic_facet | USA Großbritannien |
| id | DE-604.BV047067305 |
| illustrated | Illustrated |
| index_date | 2024-07-03T16:13:01Z |
| indexdate | 2024-07-10T09:01:40Z |
| institution | BVB |
| isbn | 9781479805358 9781479885459 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032474376 |
| oclc_num | 1192533818 |
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| owner_facet | DE-703 DE-12 DE-355 DE-BY-UBR |
| physical | xi, 259 Seiten Illustrationen |
| psigel | BSB_NED_20210428 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | New York University Press |
| record_format | marc |
| spelling | Nygaard, Taylor Verfasser (DE-588)123055808X aut Horrible white people gender, genre, and television's precarious whiteness Taylor Nygaard and Jorie Lagerwey New York New York University Press [2020] © 2020 xi, 259 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Examines the bleak television comedies that illustrate the obsession of the white left with its own anxiety and sufferingAt the same time that right-wing political figures like Donald Trump were elected and reactionary socio-economic policies like Brexit were voted into law, representations of bleakly comic white fragility spread across television screens. American and British programming that featured the abjection of young, middle-class, liberal white people-such as Broad City, Casual, You're the Worst, Catastrophe, Fleabag, and Transparent-proliferated to wide popular acclaim in the 2010s. Taylor Nygaard and Jorie Lagerwey track how these shows of the white left, obsessed with its own anxiety and suffering, are complicit in the rise and maintenance of the far right-particularly in the mobilization, representation, and sustenance of structural white supremacy on television.Nygaard and Lagerwey examine a cycle of dark television comedies, the focus of which are "horrible white people," by putting them in conversation with similar upmarket comedies from creators and casts of color like Insecure, Atlanta, Dear White People, and Master of None. Through their analysis, they demonstrate the ways these non-white-centric shows negotiate prestige TV's dominant aesthetics of whiteness and push back against the centering of white suffering in a time of cultural crisis.Through the lens of media analysis and feminist cultural studies, Nygaard and Lagerwey's book opens up new ways of looking at contemporary television consumption-and the political, cultural, and social repercussions of these "horrible white people" shows, both on- and off-screen Geschichte 2000-2020 gnd rswk-swf Aesthetics Blackness Comedy Dystopia Family Feminism Football Girlfriends Housing Industry Studies Millennials NFL. Peak TV. Portals Postfeminism Postrace Precarity Protest Quality TV. Race Whiteness Race Race;Race;Whiteness;Gender;Genre;Sitcom Rom-com Sitcom Streaming Television White Fragility SOCIAL SCIENCE / Discrimination & Race Relations bisacsh Gender identity on television Sex role on television Television broadcasting Social aspects United States Whites on television Weiße Motiv (DE-588)4140565-1 gnd rswk-swf Selbsthass Motiv (DE-588)1169588727 gnd rswk-swf Fernsehen (DE-588)4016825-6 gnd rswk-swf Die Linke Motiv (DE-588)1176743287 gnd rswk-swf Selbsteinschätzung (DE-588)4131522-4 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Großbritannien (DE-588)4022153-2 g USA (DE-588)4078704-7 g Weiße Motiv (DE-588)4140565-1 s Die Linke Motiv (DE-588)1176743287 s Selbsteinschätzung (DE-588)4131522-4 s Selbsthass Motiv (DE-588)1169588727 s Film (DE-588)4017102-4 s Fernsehen (DE-588)4016825-6 s Geschichte 2000-2020 z DE-604 Lagerwey, Jorie Verfasser (DE-588)1201586313 aut Erscheint auch als Online-Ausgabe 978-1-4798-0534-1 Erscheint auch als Online-Ausgabe 978-1-4798-0533-4 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032474376&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032474376&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Nygaard, Taylor Lagerwey, Jorie Horrible white people gender, genre, and television's precarious whiteness Aesthetics Blackness Comedy Dystopia Family Feminism Football Girlfriends Housing Industry Studies Millennials NFL. Peak TV. Portals Postfeminism Postrace Precarity Protest Quality TV. Race Whiteness Race Race;Race;Whiteness;Gender;Genre;Sitcom Rom-com Sitcom Streaming Television White Fragility SOCIAL SCIENCE / Discrimination & Race Relations bisacsh Gender identity on television Sex role on television Television broadcasting Social aspects United States Whites on television Weiße Motiv (DE-588)4140565-1 gnd Selbsthass Motiv (DE-588)1169588727 gnd Fernsehen (DE-588)4016825-6 gnd Die Linke Motiv (DE-588)1176743287 gnd Selbsteinschätzung (DE-588)4131522-4 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4140565-1 (DE-588)1169588727 (DE-588)4016825-6 (DE-588)1176743287 (DE-588)4131522-4 (DE-588)4017102-4 (DE-588)4078704-7 (DE-588)4022153-2 |
| title | Horrible white people gender, genre, and television's precarious whiteness |
| title_auth | Horrible white people gender, genre, and television's precarious whiteness |
| title_exact_search | Horrible white people gender, genre, and television's precarious whiteness |
| title_exact_search_txtP | Horrible white people gender, genre, and television's precarious whiteness |
| title_full | Horrible white people gender, genre, and television's precarious whiteness Taylor Nygaard and Jorie Lagerwey |
| title_fullStr | Horrible white people gender, genre, and television's precarious whiteness Taylor Nygaard and Jorie Lagerwey |
| title_full_unstemmed | Horrible white people gender, genre, and television's precarious whiteness Taylor Nygaard and Jorie Lagerwey |
| title_short | Horrible white people |
| title_sort | horrible white people gender genre and television s precarious whiteness |
| title_sub | gender, genre, and television's precarious whiteness |
| topic | Aesthetics Blackness Comedy Dystopia Family Feminism Football Girlfriends Housing Industry Studies Millennials NFL. Peak TV. Portals Postfeminism Postrace Precarity Protest Quality TV. Race Whiteness Race Race;Race;Whiteness;Gender;Genre;Sitcom Rom-com Sitcom Streaming Television White Fragility SOCIAL SCIENCE / Discrimination & Race Relations bisacsh Gender identity on television Sex role on television Television broadcasting Social aspects United States Whites on television Weiße Motiv (DE-588)4140565-1 gnd Selbsthass Motiv (DE-588)1169588727 gnd Fernsehen (DE-588)4016825-6 gnd Die Linke Motiv (DE-588)1176743287 gnd Selbsteinschätzung (DE-588)4131522-4 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Aesthetics Blackness Comedy Dystopia Family Feminism Football Girlfriends Housing Industry Studies Millennials NFL. Peak TV. Portals Postfeminism Postrace Precarity Protest Quality TV. Race Whiteness Race Race;Race;Whiteness;Gender;Genre;Sitcom Rom-com Sitcom Streaming Television White Fragility SOCIAL SCIENCE / Discrimination & Race Relations Gender identity on television Sex role on television Television broadcasting Social aspects United States Whites on television Weiße Motiv Selbsthass Motiv Fernsehen Die Linke Motiv Selbsteinschätzung Film USA Großbritannien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032474376&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032474376&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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