Exploring seriality on screen: audiovisual narratives in film and television
"This collective book analyzes seriality as a major phenomenon increasingly connecting audiovisual narratives (cinematic films and television series) in the 20th and 21st centuries. The book historicizes and contextualizes the notion of seriality, combining narratological, aesthetic, industrial...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2021
|
| Schriftenreihe: | Routledge research in cultural and media studies
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "This collective book analyzes seriality as a major phenomenon increasingly connecting audiovisual narratives (cinematic films and television series) in the 20th and 21st centuries. The book historicizes and contextualizes the notion of seriality, combining narratological, aesthetic, industrial, philosophical, and political perspectives, showing how seriality as a paradigm informs media convergence and resides at the core of cinema and television history. By associating theoretical considerations and close readings of specific works, as well as diachronic and synchronic approaches, this volume offers a complex panorama of issues related to seriality including audience engagement, intertextuality and transmediality, cultural legitimacy, authorship, and medium specificity in remakes, adaptations, sequels, and reboots. Written by a team of international scholars, this book highlights a diversity of methodologies that will be of interest to scholars and doctoral students across disciplinary areas such as media studies, film studies, literature, aesthetics, and cultural studies. It will also interest students attending classes on serial audiovisual narratives and will appeal to fans of the series it addresses, such as Fargo, Twin Peaks, The Hunger Games, Bates Motel, and Sherlock"-- |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xiv, 269 Seiten Illustrationen |
| ISBN: | 9780367491482 9780367491475 |
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Datensatz im Suchindex
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| adam_text | Contents List of illustrations Acknowledgments List of contributors vii ix xi Introduction: cinematic, televisual, or post-serialities 1 ARIANE HUDELET AND ANNE CRÉMIEUX PARTI Serial specificities 1.1 Opening gambits: cross-media self-reflexivity and audience engagement in serial cinema, 1936-2008 17 19 ILKA BRASCH AND FELIX BRINKER 1.2 Ensemble storytelling: dramatic television seriality, the melodramatic mode, and emotions 37 E. DEIDRE PRIBRAM 1.3 The cinematic-televisual: rethinking medium specificity in television’s new Golden Age 53 C.E. HARRIS PART II Marketing seriality 2.1 A forgotten episode in the history of Hollywood cinema, television, and seriality: the case of the Mirisch Company PAUL KERR 77 79
vi Contents 2.2 Diversions in the Hunger Games film series: the fragmented narrative of hijacked images 103 CHLOÉ MONASTEROLO 2.3 Raising Caine: Hollywood remakes of Michael Caine’s Cockney cycle 122 AGNIESZKA RASMUS PART III Seriality and the cinematic/televisual convergence 137 3.1 The (re)making of a serial killer: replaying, “preplaying,” and rewriting Hitchcock’s Psycho in the series Bates Motel 139 DENNIS TREDY 3.2 Fargo (FX, 2014-) and cinema: “just like in the movie”? 159 SYLVAINE BATAILLE 3.3 Screening dreams: Twin Peaks, from the series to the film, back again and beyond 177 SARAH HATCHUEL PART IV Meta-serialities 197 4.1 In-between still and moving pictures: series and seriality in Stephen Poliakoff’s serial drama Shooting the Past (1999) 199 NICOLE CLOAREC 4.2 “The abominable bride”: Sherlock and seriality 213 CHRISTOPHE GELLY 4.3 Subject positions and seriality in The Good Wife 233 SAMUEL A. CHAMBERS Index 259
|
| adam_txt |
Contents List of illustrations Acknowledgments List of contributors vii ix xi Introduction: cinematic, televisual, or post-serialities 1 ARIANE HUDELET AND ANNE CRÉMIEUX PARTI Serial specificities 1.1 Opening gambits: cross-media self-reflexivity and audience engagement in serial cinema, 1936-2008 17 19 ILKA BRASCH AND FELIX BRINKER 1.2 Ensemble storytelling: dramatic television seriality, the melodramatic mode, and emotions 37 E. DEIDRE PRIBRAM 1.3 The cinematic-televisual: rethinking medium specificity in television’s new Golden Age 53 C.E. HARRIS PART II Marketing seriality 2.1 A forgotten episode in the history of Hollywood cinema, television, and seriality: the case of the Mirisch Company PAUL KERR 77 79
vi Contents 2.2 Diversions in the Hunger Games film series: the fragmented narrative of hijacked images 103 CHLOÉ MONASTEROLO 2.3 Raising Caine: Hollywood remakes of Michael Caine’s Cockney cycle 122 AGNIESZKA RASMUS PART III Seriality and the cinematic/televisual convergence 137 3.1 The (re)making of a serial killer: replaying, “preplaying,” and rewriting Hitchcock’s Psycho in the series Bates Motel 139 DENNIS TREDY 3.2 Fargo (FX, 2014-) and cinema: “just like in the movie”? 159 SYLVAINE BATAILLE 3.3 Screening dreams: Twin Peaks, from the series to the film, back again and beyond 177 SARAH HATCHUEL PART IV Meta-serialities 197 4.1 In-between still and moving pictures: series and seriality in Stephen Poliakoff’s serial drama Shooting the Past (1999) 199 NICOLE CLOAREC 4.2 “The abominable bride”: Sherlock and seriality 213 CHRISTOPHE GELLY 4.3 Subject positions and seriality in The Good Wife 233 SAMUEL A. CHAMBERS Index 259 |
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| title | Exploring seriality on screen audiovisual narratives in film and television |
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