Modernism and the idea of the crowd:
This book argues that modernists such as James Joyce and Virginia Woolf engaged creatively with modernity's expanding forms of collective experience and performative identities. Judith Paltin compares patterns of crowds in modernist Anglophone literature to historical arrangements and theories...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge ; New York, NY
Cambridge University Press
2020
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Schlagworte: | |
Zusammenfassung: | This book argues that modernists such as James Joyce and Virginia Woolf engaged creatively with modernity's expanding forms of collective experience and performative identities. Judith Paltin compares patterns of crowds in modernist Anglophone literature to historical arrangements and theories of democratic assembly to argue that an abstract construction of the crowd engages with the transformation of popular subjectivity from a nineteenth-century liberal citizenry to the contemporary sense of a range of political multitudes struggling with intersectional conditions of oppression and precarity. Modernist works, many of which were composed during the ascendancy of fascism and other populist politics claiming to be based on the action of the crowd, frequently stage the crowd as a primal scene for violence; at the same time, they posit a counterforce in more agile collective gatherings which clarify the changing relations in literary modernity between subjects and power |
Beschreibung: | vii, 225 Seiten |
ISBN: | 9781108842235 1108842232 |
Internformat
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245 | 1 | 0 | |a Modernism and the idea of the crowd |c Judith Paltin |
264 | 1 | |a Cambridge ; New York, NY |b Cambridge University Press |c 2020 | |
300 | |a vii, 225 Seiten | ||
336 | |b txt |2 rdacontent | ||
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505 | 8 | |a Introduction: Night terrors -- Compositions of the crowds of modernism -- Crowd involvements and attachments -- Crowds and transformation -- Crowds and agility -- Conclusion: Assembly and the agile becoming-subject | |
520 | 3 | |a This book argues that modernists such as James Joyce and Virginia Woolf engaged creatively with modernity's expanding forms of collective experience and performative identities. Judith Paltin compares patterns of crowds in modernist Anglophone literature to historical arrangements and theories of democratic assembly to argue that an abstract construction of the crowd engages with the transformation of popular subjectivity from a nineteenth-century liberal citizenry to the contemporary sense of a range of political multitudes struggling with intersectional conditions of oppression and precarity. Modernist works, many of which were composed during the ascendancy of fascism and other populist politics claiming to be based on the action of the crowd, frequently stage the crowd as a primal scene for violence; at the same time, they posit a counterforce in more agile collective gatherings which clarify the changing relations in literary modernity between subjects and power | |
653 | 0 | |a Crowds in literature | |
653 | 0 | |a English fiction / 20th century / History and criticism | |
653 | 0 | |a Modernism (Literature) | |
653 | 0 | |a Literature and society / Great Britain / History / 20th century | |
653 | 0 | |a Crowds in literature | |
653 | 0 | |a English fiction | |
653 | 0 | |a Literature and society | |
653 | 0 | |a Modernism (Literature) | |
653 | 2 | |a Great Britain | |
653 | 4 | |a 1900-1999 | |
653 | 6 | |a Criticism, interpretation, etc | |
653 | 6 | |a History | |
776 | 0 | 8 | |i Online version |a Paltin, Judith, 1959- |t Modernism and the idea of the crowd |z 9781108907026 |d Cambridge ; New York, NY : Cambridge University Press, 2020 |
999 | |a oai:aleph.bib-bvb.de:BVB01-032468733 |
Datensatz im Suchindex
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author | Paltin, Judith 1959- |
author_GND | (DE-588)1226237762 |
author_facet | Paltin, Judith 1959- |
author_role | aut |
author_sort | Paltin, Judith 1959- |
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building | Verbundindex |
bvnumber | BV047061584 |
classification_rvk | HM 1101 |
contents | Introduction: Night terrors -- Compositions of the crowds of modernism -- Crowd involvements and attachments -- Crowds and transformation -- Crowds and agility -- Conclusion: Assembly and the agile becoming-subject |
ctrlnum | (OCoLC)1245338584 (DE-599)BVBBV047061584 |
discipline | Anglistik / Amerikanistik |
discipline_str_mv | Anglistik / Amerikanistik |
format | Book |
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illustrated | Not Illustrated |
index_date | 2024-07-03T16:11:46Z |
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institution | BVB |
isbn | 9781108842235 1108842232 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032468733 |
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physical | vii, 225 Seiten |
publishDate | 2020 |
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publisher | Cambridge University Press |
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spelling | Paltin, Judith 1959- Verfasser (DE-588)1226237762 aut Modernism and the idea of the crowd Judith Paltin Cambridge ; New York, NY Cambridge University Press 2020 vii, 225 Seiten txt rdacontent n rdamedia nc rdacarrier Introduction: Night terrors -- Compositions of the crowds of modernism -- Crowd involvements and attachments -- Crowds and transformation -- Crowds and agility -- Conclusion: Assembly and the agile becoming-subject This book argues that modernists such as James Joyce and Virginia Woolf engaged creatively with modernity's expanding forms of collective experience and performative identities. Judith Paltin compares patterns of crowds in modernist Anglophone literature to historical arrangements and theories of democratic assembly to argue that an abstract construction of the crowd engages with the transformation of popular subjectivity from a nineteenth-century liberal citizenry to the contemporary sense of a range of political multitudes struggling with intersectional conditions of oppression and precarity. Modernist works, many of which were composed during the ascendancy of fascism and other populist politics claiming to be based on the action of the crowd, frequently stage the crowd as a primal scene for violence; at the same time, they posit a counterforce in more agile collective gatherings which clarify the changing relations in literary modernity between subjects and power Crowds in literature English fiction / 20th century / History and criticism Modernism (Literature) Literature and society / Great Britain / History / 20th century English fiction Literature and society Great Britain 1900-1999 Criticism, interpretation, etc History Online version Paltin, Judith, 1959- Modernism and the idea of the crowd 9781108907026 Cambridge ; New York, NY : Cambridge University Press, 2020 |
spellingShingle | Paltin, Judith 1959- Modernism and the idea of the crowd Introduction: Night terrors -- Compositions of the crowds of modernism -- Crowd involvements and attachments -- Crowds and transformation -- Crowds and agility -- Conclusion: Assembly and the agile becoming-subject |
title | Modernism and the idea of the crowd |
title_auth | Modernism and the idea of the crowd |
title_exact_search | Modernism and the idea of the crowd |
title_exact_search_txtP | Modernism and the idea of the crowd |
title_full | Modernism and the idea of the crowd Judith Paltin |
title_fullStr | Modernism and the idea of the crowd Judith Paltin |
title_full_unstemmed | Modernism and the idea of the crowd Judith Paltin |
title_short | Modernism and the idea of the crowd |
title_sort | modernism and the idea of the crowd |
work_keys_str_mv | AT paltinjudith modernismandtheideaofthecrowd |