The unfinished book:
"This collection is founded on the premise that the physical book is far from exhausted as informational medium, art object, or conceptual resource. The Unfinished Book identifies instead the many ways in which study of books-of their compounding of matter and meaning, their global travels and...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
2021
|
| Ausgabe: | First edition |
| Schriftenreihe: | Oxford twenty-first century approaches to literature
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "This collection is founded on the premise that the physical book is far from exhausted as informational medium, art object, or conceptual resource. The Unfinished Book identifies instead the many ways in which study of books-of their compounding of matter and meaning, their global travels and historical transitions, their shaping of and by new media technologies-remains unfinished business for humanist scholarship generally and literary studies in particular. Contributors investigate the book's continuing resilience as a platform for delivering information and entertainment, while they address the question-why isn't the book history? Assessing a wide variety of particular books, book-like objects, and book collections and working through two millennia of wildly variable and conflicting definitions of the book and its purposes, The Unfinished Book surveys the many things that books have been and suggests some reasons why the book's grip on the cultural imagination remains so tenacious"-- |
| Beschreibung: | xvi, 509 Seiten Illustrationen |
| ISBN: | 9780198830801 |
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Datensatz im Suchindex
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| adam_text | CONTENTS List ofFigures Contributors ix xv ALEXANDRA GILLESPIE AND DEIDRE LYNCH The Unfinished Book: Introduction 1 I WHAT IS A BOOK? 1 BRIAN CUMMINGS 2 LYNN FESTA 3 ALBERTO CAMPAGNOLO 4 ANDREW KRAEBEL 5 MEREDITH 6 JASON SCOTT-WARREN 7 PENNYFIELDING AND DEIDRE LYNCH 8 JULIAS. CARLSON 9 L What is a Book? 19 The Things Books Make Insides and Outsides Ordinatio: The Arrangement of Parts in a Book McGILL 47 62 Books on the Loose 79 The Exuvial Book 94 The Book as Fearful Thing Tangible Burns MATTHEW RUBERY 33 Book Audio 10 JACQUELINE GOLDSBY Book Faces 11 KATIETRUMPENER 12 ANNA SIGRÍDUR ARNAR The Modernist Picture Book in Three Dimensions 108 121 136 151 166 “Reading” the Book at Exhibitions of Contemporary Global Art 183 II WHERE IS A BOOK? 13 ALEXANDRA GILLESPIE Turk’s-Head Knots 203 14 STEPHANIE ANN FRAMPTON In the Library 219 15 ANTHONY BALE Pilgrims’Texts 231
viii CONTENTS 16 JEFFREYTODD KNIGHT Institutional Forme 246 17 MELANIE CHAMBLISS A Library in Progress 260 18 CAROLINE WIGGINTON An Indigenous Pipe Bibliography 19 JOSEPH REZEK 20 PRIYASHA MUKHOPADHYAY 21 DENNIS Yl TENEN 22 ADAM HAMMOND Transatlantic Traffic: Phillis Wheatley and Her Books Books in Ether 272 289 303 Reading Platforms: A Concise History of the Electronic Book 316 Books in Videogames 332 III WHEN IS A BOOK? 23 JULIET FLEMING Derrida’s Unfinished Book 347 24 SIMON READER Notebooks: The Lichtenberg Way 357 25 LUISA CALÈ Remade 370 26 RACHELSAGNERBUURMA 27 ANDREW M. STAUFFER Indexed 28 PATRICIA CRAIN 29 LEAH WHITTINGTON 30 MARYA. FAVRETAND SARAH ROSS 384 The Date-Stamped Book How the Virgin Lost Her Book The Mutilated Text JOSHUA CALHOUN 32 UNC KEŞLER Index 412 429 How the Bookworm Got its Glasses, ora Natural History of Bookishness 31 397 Book Microbiomes Indigenous People and the Written Word 444 460 474 491
The Unfinished Book What accounts for the book’s continuing resilience as a platform for delivering information and entertainment? Why isn’t the book history? To help answer those questions, this collection recovers books’ long history of shape-shifting, reinvention, and repurposing. This collection is founded on the premise that the physical book is far from exhausted as informational medium, art object, or conceptual resource. The contributors to The Unfinished Book identify the many ways in which study of books—of their compounding of matter and meaning, of their global travels and historical transitions, of their shaping of and by new media technologies—remains unfinished business for humanist scholarship generally and literary studies in particular. The collection’s 32 chapters also demonstrate in tandem how much book history has to gain in turn from engaging the most vital and innovative literary-critical modes of the twenty-first century. Book studies thus intersects here with scholarship on empire, the environment, disability, and affect, as well as with work in African-American and Indigenous studies. Literary study is uniquely positioned, this collection asserts, to honor books’ distinctive ways of both meaning things and being things.
|
| adam_txt |
CONTENTS List ofFigures Contributors ix xv ALEXANDRA GILLESPIE AND DEIDRE LYNCH The Unfinished Book: Introduction 1 I WHAT IS A BOOK? 1 BRIAN CUMMINGS 2 LYNN FESTA 3 ALBERTO CAMPAGNOLO 4 ANDREW KRAEBEL 5 MEREDITH 6 JASON SCOTT-WARREN 7 PENNYFIELDING AND DEIDRE LYNCH 8 JULIAS. CARLSON 9 L What is a Book? 19 The Things Books Make Insides and Outsides Ordinatio: The Arrangement of Parts in a Book McGILL 47 62 Books on the Loose 79 The Exuvial Book 94 The Book as Fearful Thing Tangible Burns MATTHEW RUBERY 33 Book Audio 10 JACQUELINE GOLDSBY Book Faces 11 KATIETRUMPENER 12 ANNA SIGRÍDUR ARNAR The Modernist Picture Book in Three Dimensions 108 121 136 151 166 “Reading” the Book at Exhibitions of Contemporary Global Art 183 II WHERE IS A BOOK? 13 ALEXANDRA GILLESPIE Turk’s-Head Knots 203 14 STEPHANIE ANN FRAMPTON In the Library 219 15 ANTHONY BALE Pilgrims’Texts 231
viii CONTENTS 16 JEFFREYTODD KNIGHT Institutional Forme 246 17 MELANIE CHAMBLISS A Library in Progress 260 18 CAROLINE WIGGINTON An Indigenous Pipe Bibliography 19 JOSEPH REZEK 20 PRIYASHA MUKHOPADHYAY 21 DENNIS Yl TENEN 22 ADAM HAMMOND Transatlantic Traffic: Phillis Wheatley and Her Books Books in Ether 272 289 303 Reading Platforms: A Concise History of the Electronic Book 316 Books in Videogames 332 III WHEN IS A BOOK? 23 JULIET FLEMING Derrida’s Unfinished Book 347 24 SIMON READER Notebooks: The Lichtenberg Way 357 25 LUISA CALÈ Remade 370 26 RACHELSAGNERBUURMA 27 ANDREW M. STAUFFER Indexed 28 PATRICIA CRAIN 29 LEAH WHITTINGTON 30 MARYA. FAVRETAND SARAH ROSS 384 The Date-Stamped Book How the Virgin Lost Her Book The Mutilated Text JOSHUA CALHOUN 32 UNC KEŞLER Index 412 429 How the Bookworm Got its Glasses, ora Natural History of Bookishness 31 397 Book Microbiomes Indigenous People and the Written Word 444 460 474 491
The Unfinished Book What accounts for the book’s continuing resilience as a platform for delivering information and entertainment? Why isn’t the book history? To help answer those questions, this collection recovers books’ long history of shape-shifting, reinvention, and repurposing. This collection is founded on the premise that the physical book is far from exhausted as informational medium, art object, or conceptual resource. The contributors to The Unfinished Book identify the many ways in which study of books—of their compounding of matter and meaning, of their global travels and historical transitions, of their shaping of and by new media technologies—remains unfinished business for humanist scholarship generally and literary studies in particular. The collection’s 32 chapters also demonstrate in tandem how much book history has to gain in turn from engaging the most vital and innovative literary-critical modes of the twenty-first century. Book studies thus intersects here with scholarship on empire, the environment, disability, and affect, as well as with work in African-American and Indigenous studies. Literary study is uniquely positioned, this collection asserts, to honor books’ distinctive ways of both meaning things and being things. |
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