Antropologia poiesis: = Poiesis anthropology
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Romanian |
| Veröffentlicht: |
Bucureşti
Editura Academiei Române
2019
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | 202 Seiten |
| ISBN: | 9789732731383 |
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Datensatz im Suchindex
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| adam_text | CUPMNS Cuvânt-înainte................................................................... 11 Capitolul I. ANTROPOLOGIA POILSIS.................. între imanent şi transcendent.................................... Simbolic şi abstract creativ....................................... Dialectica actului artistic............................................ Creaţia este personală................................................. Omul şi natura. Omul şi cetatea................................ Poiesis şi frumos. Catharsis...................................... 13 13 14 15 15 17 20 Pentamorfoza artei, o viziune originală a fenomenului artistic, la Alexandru Surdu...................................... Artă şi dialectică.................................. Perfecţiunea în artă..................................................... Frumos, apariţie, esenţă.............................................. Symetros şi dynamis în operele clasice.................... 23 23 25 27 30 Publius Ovidius Naso şi Dante Aligheri. De la Metamorfoze la Itinerarium mentis in Deum............ Sacralitatea în poem................................................... Feminitatea ca principiu ordonator........................... Sensul şi structura „discursului” poematic............... Feminitatea ca simbol raţional şi sensul iubirii....... Itinerarium mentis in Deum...................................... 36 39 41 43 46 49 Creaţie, ordine, distrugere, renaştere....................... Sensurile poiein la Platon........................................... Viziunea brahmanică despre creaţie.......................... Creaţia
ca suferinţă şi introspecţie............................ Fenomenele originare................................................. 52 52 54 55 58
8 Mīhai Popa Fiinţa capoiesis în Sentimentul românesc alfiinţei.... Fragilitatea fiinţei în devenire.................................. „Ivirile” individualului şi ordinea pe care o caută.... Chipul individual al generalului................ Raţiunea fiinţei........................................................... 66 68 70 73 76 Capitolul П. POIESIS CA EMULAŢIE A OMULUI ÎNTRU ASEMĂNARE CU DIVINITATEA ŞI AUTONEGARE......................................................... Imitaţie sau anamnesis?.............................................. Semnificaţia libertăţii de creaţie în Renaştere......... Ştiinţa de a face.......................................................... Anamnesis şi spiritul formelor ideale....................... „Ştiinţa practică” şi „ştiinţa poetică”........................ Bivalenţa actului de creaţie....................................... Creaţie şi natură.......................................................... 79 79 80 82 82 84 85 87 Eu, persoană, devenire istorică.................................. 88 Eul şi persoana creativă............ ................................ 89 Modurile de raportare la lume ale eului şi persoanei.... 91 Realizarea ca persoană a omului............................... 92 Eul şi persoana în istorie............................................ 93 Geneza personalităţii.................................................. 95 Cunoaşterea personală. Tentaţia metafizică............. 96 Personalitatea ca sinteză a eului subiectiv cu eul obiectiv................................................................. 98 Deschiderea poietică a
persoanei către noi orizonturi.................................................................100 Consideraţii asupra moralei Personalismului energetic. Vocaţia - între muncă şi imaginaţie creativă........................................................................... 104 Elemente şi caracteristici ale personalităţii creative ...106 Experienţa şi cristalizarea eului.................................. 108 Relaţia artei cu filosofia..............................................110
Antropologia Poiesis 9 Capitolul III. SEMNIFICAŢIA METAFIZICĂ A CREAŢIEI ARTISTICE.......................................116 Rembrandt şi Brâncuşi - creaţie şi cunoaştere...... 116 Reconfigurarea simbolică a microcosmosului uman. Asemănare şi transfigurare........................118 Semnificaţia metafizică a reprezentării în artă..........121 Rolul şi simbolistica luminii în reprezentarea artistică................................................................. 127 Chip, obiect, imaginaţie creativă...............................132 înăuntrul şi în afara operei........................................135 Fiinţa din lucruri........................................................ 141 Giordano Bruno - Despre înlănţuiri în general. Iubirea şi cunoaşterea................................................144 Frumos, raţiune, iubire..............................................146 Iubirea mediază între raţional şi iraţional..................150 Funcţiunea ordonatoare a iubirii...............................153 Iubirea are rol formativ. Medierea între concret şi abstract................................................................. 156 Capitolul IV. POIESIS ŞI METAFIZICĂ..................162 Imaginaţia şi poiesis. Armonia simbolică.................163 Intuiţie şi abstractizare..............................................165 Cunoaştere şi acţiunea. Dialectica şi sponteneitatea gândirii................................................................. 170 Intelect, raţiune, speculaţiune....................................176 Poietica
transcendentului..........................................177 Experienţa posibilă şi realitatea sensibilă..................179 Problema transcendenţei..........................................181 Călătoria....................................... 186 Abstract............................................................................ 196 Contents............................................................................ 200
CONTENTS Foreword.......................................................................... 11 CHAPTER I. POIESIS ANTHROPOLOGY................ Between the immanent and the transcendent......... The symbolic and the abstract creative dimensions.... The dialectic of the artistic act................................ Creation is personal.................................................. Man and nature. Man and the city........................... Poiesis and beauty. Catharsis................................. 13 13 14 15 15 17 20 Art pentamorphosis, an original vision of the artistic phenomenon at Alexandra Surdu.............. Art and dialectic....................................................... Perfection in art........................................................ Beauty, appearance, essence....................... Symetros and dynamis in classical works................ 23 23 25 27 30 Publius Ovidius Naso and Dante Aligheri. From Metamorphose to Itinerarium mentis in Deum........................................................................... Sacrality in poetry.................................................... Femininity as principle of order............................... The sense and the structure of the poematic “discourse”............................................................... Femininity as rational symbol and the meaning of love...................................................................... Itinerarium mentis in Deum..................................... 36 39 41 43 46 49 Creation, order, destruction, revival....................... 52 Poiesis
meanings at Plato......................................... 52 The Brahmanic vision about creation....................... 54
Antropologia Poiesis 201 Creation as sufferance and introspection.................. 55 Originary phenomena................................................ 58 The being as poiesis in The Romanian Sense ofBeing........................................................................ The fragility of being in becoming........................... “The appearances” of the individual and the searched order........................................................... The individual face of the general............................ The reason of being................................................... 66 68 70 73 76 CHAPTER П. POIESIS AS MAN’S EMULATION OF DIVINITY AND SELF-NEGATION................ 79 Imitation or anamnesis?............................................. 79 The meaning of creation freedom in the Renaissance................................................................ 80 The science of doing................................................. 82 Anamnesis and the spirit of the ideal forms............. 82 “Practical science” and “poetical science”................ 84 The bivalence of the act of creation...................... . 85 Creation and nature..................................................... 87 The self, the person, and the historical becoming... 88 The self and the creative person................................ 89 The ways the self and the person relate to the world.... 91 The accomplishment of man as a person................. 92 The self and the person in history............................. 93 The genesis of the personality................................... 95
Personal knowledge. Metaphysic temptation........... 96 Personality as synthesis of die subjective self and the objective self........................................................ 98 The poietic opening of the person towards new horizons.......................................................................100 Consideration on the moral of Energetic personalism. Vocation - between work and creative imagination... 104 Elements and characteristics of the creative personality.................................................................. 106
202 MiHAi Popa Experience and the crystallization of the self............108 The relation of art with philosophy...........................110 CHAPTER III. THE METAPHYSICAL MEANING OF THE ARTISTIC CREATION............................116 Rembrandt and Brâncuşi - creation and knowledge.....................................................................116 The symbolic reconfiguration of the human microcosm. Resemblance and transfiguration...........118 The metaphysical meaning of art representation.......121 The role and the symbolism of light in artistic representation............................................................ 127 Face, object, and creative imagination......................132 Inside and outside the work....................................... 135 The being in things.................................................... 141 Giordano Bruno, OfBonds in General. Love and knowledge................................. 144 Beauty, reason, love.................................................. 146 Love mediates between rational and irrational..........150 The ordering fimetion of love.................................... 153 Love has a formative role. Mediation between concrete and abstract................................................. 156 CHAPTER IV. POIESIS AND METAPHYSICS...........162 Imagination and poiesis. The symbolic harmony......163 Intuition and abstraction............................................ 165 Knowledge and action. The dialectic and spontaneity of thinking..................................................................170 Intellect, ration,
and speculation............................... 176 The poiesis of the transcendent................................. 177 The possible experience and the sensible reality.......179 The problem of transcendence.................................. 181 The travel.....................................................................186 Abstract 196
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| adam_txt |
CUPMNS Cuvânt-înainte. 11 Capitolul I. ANTROPOLOGIA POILSIS. între imanent şi transcendent. Simbolic şi abstract creativ. Dialectica actului artistic. Creaţia este personală. Omul şi natura. Omul şi cetatea. Poiesis şi frumos. Catharsis. 13 13 14 15 15 17 20 Pentamorfoza artei, o viziune originală a fenomenului artistic, la Alexandru Surdu. Artă şi dialectică. Perfecţiunea în artă. Frumos, apariţie, esenţă. Symetros şi dynamis în operele clasice. 23 23 25 27 30 Publius Ovidius Naso şi Dante Aligheri. De la Metamorfoze la Itinerarium mentis in Deum. Sacralitatea în poem. Feminitatea ca principiu ordonator. Sensul şi structura „discursului” poematic. Feminitatea ca simbol raţional şi sensul iubirii. Itinerarium mentis in Deum. 36 39 41 43 46 49 Creaţie, ordine, distrugere, renaştere. Sensurile poiein la Platon. Viziunea brahmanică despre creaţie. Creaţia
ca suferinţă şi introspecţie. Fenomenele originare. 52 52 54 55 58
8 Mīhai Popa Fiinţa capoiesis în Sentimentul românesc alfiinţei. Fragilitatea fiinţei în devenire. „Ivirile” individualului şi ordinea pe care o caută. Chipul individual al generalului. Raţiunea fiinţei. 66 68 70 73 76 Capitolul П. POIESIS CA EMULAŢIE A OMULUI ÎNTRU ASEMĂNARE CU DIVINITATEA ŞI AUTONEGARE. Imitaţie sau anamnesis?. Semnificaţia libertăţii de creaţie în Renaştere. Ştiinţa de a face. Anamnesis şi spiritul formelor ideale. „Ştiinţa practică” şi „ştiinţa poetică”. Bivalenţa actului de creaţie. Creaţie şi natură. 79 79 80 82 82 84 85 87 Eu, persoană, devenire istorică. 88 Eul şi persoana creativă. . 89 Modurile de raportare la lume ale eului şi persoanei. 91 Realizarea ca persoană a omului. 92 Eul şi persoana în istorie. 93 Geneza personalităţii. 95 Cunoaşterea personală. Tentaţia metafizică. 96 Personalitatea ca sinteză a eului subiectiv cu eul obiectiv. 98 Deschiderea poietică a
persoanei către noi orizonturi.100 Consideraţii asupra moralei Personalismului energetic. Vocaţia - între muncă şi imaginaţie creativă. 104 Elemente şi caracteristici ale personalităţii creative .106 Experienţa şi cristalizarea eului. 108 Relaţia artei cu filosofia.110
Antropologia Poiesis 9 Capitolul III. SEMNIFICAŢIA METAFIZICĂ A CREAŢIEI ARTISTICE.116 Rembrandt şi Brâncuşi - creaţie şi cunoaştere. 116 Reconfigurarea simbolică a microcosmosului uman. Asemănare şi transfigurare.118 Semnificaţia metafizică a reprezentării în artă.121 Rolul şi simbolistica luminii în reprezentarea artistică. 127 Chip, obiect, imaginaţie creativă.132 înăuntrul şi în afara operei.135 Fiinţa din lucruri. 141 Giordano Bruno - Despre înlănţuiri în general. Iubirea şi cunoaşterea.144 Frumos, raţiune, iubire.146 Iubirea mediază între raţional şi iraţional.150 Funcţiunea ordonatoare a iubirii.153 Iubirea are rol formativ. Medierea între concret şi abstract. 156 Capitolul IV. POIESIS ŞI METAFIZICĂ.162 Imaginaţia şi poiesis. Armonia simbolică.163 Intuiţie şi abstractizare.165 Cunoaştere şi acţiunea. Dialectica şi sponteneitatea gândirii. 170 Intelect, raţiune, speculaţiune.176 Poietica
transcendentului.177 Experienţa posibilă şi realitatea sensibilă.179 Problema transcendenţei.181 Călătoria. 186 Abstract. 196 Contents. 200
CONTENTS Foreword. 11 CHAPTER I. POIESIS ANTHROPOLOGY. Between the immanent and the transcendent. The symbolic and the abstract creative dimensions. The dialectic of the artistic act. Creation is personal. Man and nature. Man and the city. Poiesis and beauty. Catharsis. 13 13 14 15 15 17 20 Art pentamorphosis, an original vision of the artistic phenomenon at Alexandra Surdu. Art and dialectic. Perfection in art. Beauty, appearance, essence. Symetros and dynamis in classical works. 23 23 25 27 30 Publius Ovidius Naso and Dante Aligheri. From Metamorphose to Itinerarium mentis in Deum. Sacrality in poetry. Femininity as principle of order. The sense and the structure of the poematic “discourse”. Femininity as rational symbol and the meaning of love. Itinerarium mentis in Deum. 36 39 41 43 46 49 Creation, order, destruction, revival. 52 Poiesis
meanings at Plato. 52 The Brahmanic vision about creation. 54
Antropologia Poiesis 201 Creation as sufferance and introspection. 55 Originary phenomena. 58 The being as poiesis in The Romanian Sense ofBeing. The fragility of being in becoming. “The appearances” of the individual and the searched order. The individual face of the general. The reason of being. 66 68 70 73 76 CHAPTER П. POIESIS AS MAN’S EMULATION OF DIVINITY AND SELF-NEGATION. 79 Imitation or anamnesis?. 79 The meaning of creation freedom in the Renaissance. 80 The science of doing. 82 Anamnesis and the spirit of the ideal forms. 82 “Practical science” and “poetical science”. 84 The bivalence of the act of creation. . 85 Creation and nature. 87 The self, the person, and the historical becoming. 88 The self and the creative person. 89 The ways the self and the person relate to the world. 91 The accomplishment of man as a person. 92 The self and the person in history. 93 The genesis of the personality. 95
Personal knowledge. Metaphysic temptation. 96 Personality as synthesis of die subjective self and the objective self. 98 The poietic opening of the person towards new horizons.100 Consideration on the moral of Energetic personalism. Vocation - between work and creative imagination. 104 Elements and characteristics of the creative personality. 106
202 MiHAi Popa Experience and the crystallization of the self.108 The relation of art with philosophy.110 CHAPTER III. THE METAPHYSICAL MEANING OF THE ARTISTIC CREATION.116 Rembrandt and Brâncuşi - creation and knowledge.116 The symbolic reconfiguration of the human microcosm. Resemblance and transfiguration.118 The metaphysical meaning of art representation.121 The role and the symbolism of light in artistic representation. 127 Face, object, and creative imagination.132 Inside and outside the work. 135 The being in things. 141 Giordano Bruno, OfBonds in General. Love and knowledge. 144 Beauty, reason, love. 146 Love mediates between rational and irrational.150 The ordering fimetion of love. 153 Love has a formative role. Mediation between concrete and abstract. 156 CHAPTER IV. POIESIS AND METAPHYSICS.162 Imagination and poiesis. The symbolic harmony.163 Intuition and abstraction. 165 Knowledge and action. The dialectic and spontaneity of thinking.170 Intellect, ration,
and speculation. 176 The poiesis of the transcendent. 177 The possible experience and the sensible reality.179 The problem of transcendence. 181 The travel.186 Abstract 196 |
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| index_date | 2024-07-03T16:11:04Z |
| indexdate | 2024-07-10T09:01:26Z |
| institution | BVB |
| isbn | 9789732731383 |
| language | Romanian |
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| spelling | Popa, Mihai 1964- Verfasser (DE-588)1223204952 aut Antropologia poiesis = Poiesis anthropology Mihai Popa Poiesis anthropology Bucureşti Editura Academiei Române 2019 202 Seiten txt rdacontent n rdamedia nc rdacarrier Zusammenfassung in englischer Sprache Poiesis (DE-588)4327328-2 gnd rswk-swf Philosophie (DE-588)4045791-6 gnd rswk-swf Anthropologie (DE-588)4002230-4 gnd rswk-swf Philosophie (DE-588)4045791-6 s Anthropologie (DE-588)4002230-4 s Poiesis (DE-588)4327328-2 s DE-604 Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032466481&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032466481&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Popa, Mihai 1964- Antropologia poiesis = Poiesis anthropology Poiesis (DE-588)4327328-2 gnd Philosophie (DE-588)4045791-6 gnd Anthropologie (DE-588)4002230-4 gnd |
| subject_GND | (DE-588)4327328-2 (DE-588)4045791-6 (DE-588)4002230-4 |
| title | Antropologia poiesis = Poiesis anthropology |
| title_alt | Poiesis anthropology |
| title_auth | Antropologia poiesis = Poiesis anthropology |
| title_exact_search | Antropologia poiesis = Poiesis anthropology |
| title_exact_search_txtP | Antropologia poiesis = Poiesis anthropology |
| title_full | Antropologia poiesis = Poiesis anthropology Mihai Popa |
| title_fullStr | Antropologia poiesis = Poiesis anthropology Mihai Popa |
| title_full_unstemmed | Antropologia poiesis = Poiesis anthropology Mihai Popa |
| title_short | Antropologia poiesis |
| title_sort | antropologia poiesis poiesis anthropology |
| title_sub | = Poiesis anthropology |
| topic | Poiesis (DE-588)4327328-2 gnd Philosophie (DE-588)4045791-6 gnd Anthropologie (DE-588)4002230-4 gnd |
| topic_facet | Poiesis Philosophie Anthropologie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032466481&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032466481&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT popamihai antropologiapoiesispoiesisanthropology AT popamihai poiesisanthropology |
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