Cosmos and Camus: science fiction film and the absurd
"Over the last two decades, many philosophers have been increasingly inclined to consider science fiction films as philosophical exercises that center on the nature of human consciousness and existence. Albert Camus' philosophy of the absurd, however, has almost never been employed as a co...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford ; Bern ; Berlin
Peter Lang
[2020]
|
| Schriftenreihe: | Peter Lang prompt
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | "Over the last two decades, many philosophers have been increasingly inclined to consider science fiction films as philosophical exercises that center on the nature of human consciousness and existence. Albert Camus' philosophy of the absurd, however, has almost never been employed as a constructive perspective that can illumine unexplored aspects of these films. This is surprising, since science fiction films seem to be packed with visions and dialogues that echo the Sisyphean universe. Cosmos and Camus endeavors to set foot on this uncharted terrain. Its first part aims to introduce the main components of Camus' absurdity in such a way that it can be easily applied to the analysis of the films later. Equipped with these Camusean essentials, it delves into an in-depth analysis of two first-encounter films (Contact and Arrival) and two AI films (A.I. and Her). These analyses yield more than an insightful reflection of the absurd contents in science-fiction film. Indeed, imaginative collisions with nonhumans seem to tell us a lot about the nature of the absurd in the human condition, as well as raising the question of whether absurdity is exclusively a human matter. Ultimately, the interpretation of the films illuminates the films themselves just as much as it illuminates, challenges, and expands Camus' concept of absurdity, thus contributing to our current understanding of what the absurd reality is and how we can either live with it or transcend it"-- |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | vi, 145 Seiten |
| ISBN: | 9781789976649 |
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| 520 | 8 | |a "Over the last two decades, many philosophers have been increasingly inclined to consider science fiction films as philosophical exercises that center on the nature of human consciousness and existence. Albert Camus' philosophy of the absurd, however, has almost never been employed as a constructive perspective that can illumine unexplored aspects of these films. This is surprising, since science fiction films seem to be packed with visions and dialogues that echo the Sisyphean universe. Cosmos and Camus endeavors to set foot on this uncharted terrain. Its first part aims to introduce the main components of Camus' absurdity in such a way that it can be easily applied to the analysis of the films later. Equipped with these Camusean essentials, it delves into an in-depth analysis of two first-encounter films (Contact and Arrival) and two AI films (A.I. and Her). These analyses yield more than an insightful reflection of the absurd contents in science-fiction film. Indeed, imaginative collisions with nonhumans seem to tell us a lot about the nature of the absurd in the human condition, as well as raising the question of whether absurdity is exclusively a human matter. Ultimately, the interpretation of the films illuminates the films themselves just as much as it illuminates, challenges, and expands Camus' concept of absurdity, thus contributing to our current understanding of what the absurd reality is and how we can either live with it or transcend it"-- | |
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Datensatz im Suchindex
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Contents Acknowledgments Abbreviations vii ix INTRODUCTION Camus’ absurd and science fiction film: A potential point of convergence? part I i Camus’ absurd: Consciousness and limits CHAPTER I The redemptive power of absurd walls in The Stranger chapter 17 z “Ifi were a tree”: Facing the limits of human existence in The Myth ofSisyphus 33 CHAPTER 3 “A strange form of love”: Responding to the limits of human existence in The Myth ofSisyphus and The Rebel part n 51 Science fiction films: Absurd at the edge of the cosmos INTRODUCTION TO PART II 75
vi Contents CHAPTER 4 When the silent universe speaks: Applying Camus’ absurd to the alien encounters of Contact and Arrival 79 chapter 5 Dreams of the impossible: Applying Camus’ absurd to the human/ machine relations ofA.I. Artificial Intelligence and Her 101 CHAPTER 6 The strangers: Reflections on the interrelations between Camus’ absurd and sci-fi encounters with nonhumans 12.5 Bibliography 137 Index 143
Contents Acknowledgments Abbreviations vii ix INTRODUCTION Camus’ absurd and science fiction film: A potential point of convergence? part I i Camus’ absurd: Consciousness and limits CHAPTER I The redemptive power of absurd walls in The Stranger chapter 17 z “Ifi were a tree”: Facing the limits of human existence in The Myth ofSisyphus 33 CHAPTER 3 “A strange form of love”: Responding to the limits of human existence in The Myth ofSisyphus and The Rebel part n 51 Science fiction films: Absurd at the edge of the cosmos INTRODUCTION TO PART II 75
vi Contents CHAPTER 4 When the silent universe speaks: Applying Camus’ absurd to the alien encounters of Contact and Arrival 79 chapter 5 Dreams of the impossible: Applying Camus’ absurd to the human/ machine relations ofA.I. Artificial Intelligence and Her 101 CHAPTER 6 The strangers: Reflections on the interrelations between Camus’ absurd and sci-fi encounters with nonhumans 12.5 Bibliography 137 Index 143 |
| adam_txt |
Contents Acknowledgments Abbreviations vii ix INTRODUCTION Camus’ absurd and science fiction film: A potential point of convergence? part I i Camus’ absurd: Consciousness and limits CHAPTER I The redemptive power of absurd walls in The Stranger chapter 17 z “Ifi were a tree”: Facing the limits of human existence in The Myth ofSisyphus 33 CHAPTER 3 “A strange form of love”: Responding to the limits of human existence in The Myth ofSisyphus and The Rebel part n 51 Science fiction films: Absurd at the edge of the cosmos INTRODUCTION TO PART II 75
vi Contents CHAPTER 4 When the silent universe speaks: Applying Camus’ absurd to the alien encounters of Contact and Arrival 79 chapter 5 Dreams of the impossible: Applying Camus’ absurd to the human/ machine relations ofA.I. Artificial Intelligence and Her 101 CHAPTER 6 The strangers: Reflections on the interrelations between Camus’ absurd and sci-fi encounters with nonhumans 12.5 Bibliography 137 Index 143
Contents Acknowledgments Abbreviations vii ix INTRODUCTION Camus’ absurd and science fiction film: A potential point of convergence? part I i Camus’ absurd: Consciousness and limits CHAPTER I The redemptive power of absurd walls in The Stranger chapter 17 z “Ifi were a tree”: Facing the limits of human existence in The Myth ofSisyphus 33 CHAPTER 3 “A strange form of love”: Responding to the limits of human existence in The Myth ofSisyphus and The Rebel part n 51 Science fiction films: Absurd at the edge of the cosmos INTRODUCTION TO PART II 75
vi Contents CHAPTER 4 When the silent universe speaks: Applying Camus’ absurd to the alien encounters of Contact and Arrival 79 chapter 5 Dreams of the impossible: Applying Camus’ absurd to the human/ machine relations ofA.I. Artificial Intelligence and Her 101 CHAPTER 6 The strangers: Reflections on the interrelations between Camus’ absurd and sci-fi encounters with nonhumans 12.5 Bibliography 137 Index 143 |
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| spelling | Ṭubali, Shai 1976- Verfasser (DE-588)14237220X aut Cosmos and Camus science fiction film and the absurd Shai Tubali Oxford ; Bern ; Berlin Peter Lang [2020] © 2020 vi, 145 Seiten txt rdacontent n rdamedia nc rdacarrier Peter Lang prompt Includes bibliographical references and index "Over the last two decades, many philosophers have been increasingly inclined to consider science fiction films as philosophical exercises that center on the nature of human consciousness and existence. Albert Camus' philosophy of the absurd, however, has almost never been employed as a constructive perspective that can illumine unexplored aspects of these films. This is surprising, since science fiction films seem to be packed with visions and dialogues that echo the Sisyphean universe. Cosmos and Camus endeavors to set foot on this uncharted terrain. Its first part aims to introduce the main components of Camus' absurdity in such a way that it can be easily applied to the analysis of the films later. Equipped with these Camusean essentials, it delves into an in-depth analysis of two first-encounter films (Contact and Arrival) and two AI films (A.I. and Her). These analyses yield more than an insightful reflection of the absurd contents in science-fiction film. Indeed, imaginative collisions with nonhumans seem to tell us a lot about the nature of the absurd in the human condition, as well as raising the question of whether absurdity is exclusively a human matter. Ultimately, the interpretation of the films illuminates the films themselves just as much as it illuminates, challenges, and expands Camus' concept of absurdity, thus contributing to our current understanding of what the absurd reality is and how we can either live with it or transcend it"-- Camus, Albert 1913-1960 (DE-588)118518739 gnd rswk-swf Das Absurde (DE-588)4127920-7 gnd rswk-swf Science-Fiction-Film (DE-588)4054023-6 gnd rswk-swf Camus, Albert / 1913-1960 / Criticism and interpretation Science fiction films / History and criticism Absurd (Philosophy) in literature Camus, Albert 1913-1960 (DE-588)118518739 p Das Absurde (DE-588)4127920-7 s Science-Fiction-Film (DE-588)4054023-6 s DE-604 Erscheint auch als Online-Ausgabe, PDF 978-1-78997-665-6 Erscheint auch als Online-Ausgabe, EPUB 978-1-78997-666-3 Erscheint auch als Online-Ausgabe, MOBI 978-1-78997-667-0 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032461931&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032461931&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Cosmos and Camus science fiction film and the absurd |
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| title_exact_search | Cosmos and Camus science fiction film and the absurd |
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| title_full | Cosmos and Camus science fiction film and the absurd Shai Tubali |
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