Creative autonomy, copyright and popular music in Nigeria:
This book provides an in-depth analysis of the unique structure of the Nigerian popular music industry. It explores the dissonance between copyright's thematic support for creative autonomy and the practical ways in which the law allows singer-songwriters' (performing authors') creati...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cham
Springer International Publishing
2020
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| Schlagworte: | |
| Online-Zugang: | UER01 BTU01 URL des Erstveröffentlichers |
| Zusammenfassung: | This book provides an in-depth analysis of the unique structure of the Nigerian popular music industry. It explores the dissonance between copyright's thematic support for creative autonomy and the practical ways in which the law allows singer-songwriters' (performing authors') creative autonomy to be subverted in their contractual relationships with record labels. The book establishes the concept of creative autonomy for performing authors as a key criterion for sustainable economic development, and makes innovative legal and policy recommendations to help stakeholders preserve it. Mary W. Gani holds a degree in law (Jos), an LLM in international commercial law (University of Kent), and a PhD in commercial law from Queen Mary, University of London, UK. She is a barrister and solicitor of the Supreme Court of Nigeria. |
| Beschreibung: | Chapter 1. The Significance of Measuring Creativity for Copyright -- Chapter 2. The Traditional Structure of the Popular Music Industry and the Performing Author's Role -- Chapter 3. The Unique Structure of the Nigerian Popular Music Industry -- Chapter 4. An Empirical Analysis of the Status of Performing Authors' Creative Autonomy -- Chapter 5. Creative Autonomy within the Theory of Copyright Law -- Chapter 6. Problems for Creative Autonomy in Copyright Law -- Chapter 7. Problems for Creative Autonomy in New Business Models -- Chapter 8. Problems for Creative Autonomy in Recording Contracts -- Chapter 9. Policy and Legislative Recommendations for the Preservation of Creative Autonomy -- Chapter 10. Conclusion |
| Beschreibung: | 1 Online-Ressource (XXV, 310 Seiten) Illustrationen |
| ISBN: | 9783030486945 |
| DOI: | 10.1007/978-3-030-48694-5 |
Internformat
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| 500 | |a Chapter 1. The Significance of Measuring Creativity for Copyright -- Chapter 2. The Traditional Structure of the Popular Music Industry and the Performing Author's Role -- Chapter 3. The Unique Structure of the Nigerian Popular Music Industry -- Chapter 4. An Empirical Analysis of the Status of Performing Authors' Creative Autonomy -- Chapter 5. Creative Autonomy within the Theory of Copyright Law -- Chapter 6. Problems for Creative Autonomy in Copyright Law -- Chapter 7. Problems for Creative Autonomy in New Business Models -- Chapter 8. Problems for Creative Autonomy in Recording Contracts -- Chapter 9. Policy and Legislative Recommendations for the Preservation of Creative Autonomy -- Chapter 10. Conclusion | ||
| 520 | |a This book provides an in-depth analysis of the unique structure of the Nigerian popular music industry. It explores the dissonance between copyright's thematic support for creative autonomy and the practical ways in which the law allows singer-songwriters' (performing authors') creative autonomy to be subverted in their contractual relationships with record labels. The book establishes the concept of creative autonomy for performing authors as a key criterion for sustainable economic development, and makes innovative legal and policy recommendations to help stakeholders preserve it. Mary W. Gani holds a degree in law (Jos), an LLM in international commercial law (University of Kent), and a PhD in commercial law from Queen Mary, University of London, UK. She is a barrister and solicitor of the Supreme Court of Nigeria. | ||
| 650 | 4 | |a Mass media | |
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| dewey-tens | 340 - Law |
| discipline | Rechtswissenschaft |
| discipline_str_mv | Rechtswissenschaft |
| doi_str_mv | 10.1007/978-3-030-48694-5 |
| format | Electronic eBook |
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| id | DE-604.BV047054027 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:09:20Z |
| indexdate | 2024-07-10T09:01:17Z |
| institution | BVB |
| isbn | 9783030486945 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032461326 |
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| physical | 1 Online-Ressource (XXV, 310 Seiten) Illustrationen |
| psigel | ebook ZDB-2-LCR ZDB-2-SXLC ZDB-2-LCR_2020_Fremddaten |
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| spelling | Gani, Mary W. Verfasser aut Creative autonomy, copyright and popular music in Nigeria Mary W. Gani Cham Springer International Publishing 2020 ©2020 1 Online-Ressource (XXV, 310 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Chapter 1. The Significance of Measuring Creativity for Copyright -- Chapter 2. The Traditional Structure of the Popular Music Industry and the Performing Author's Role -- Chapter 3. The Unique Structure of the Nigerian Popular Music Industry -- Chapter 4. An Empirical Analysis of the Status of Performing Authors' Creative Autonomy -- Chapter 5. Creative Autonomy within the Theory of Copyright Law -- Chapter 6. Problems for Creative Autonomy in Copyright Law -- Chapter 7. Problems for Creative Autonomy in New Business Models -- Chapter 8. Problems for Creative Autonomy in Recording Contracts -- Chapter 9. Policy and Legislative Recommendations for the Preservation of Creative Autonomy -- Chapter 10. Conclusion This book provides an in-depth analysis of the unique structure of the Nigerian popular music industry. It explores the dissonance between copyright's thematic support for creative autonomy and the practical ways in which the law allows singer-songwriters' (performing authors') creative autonomy to be subverted in their contractual relationships with record labels. The book establishes the concept of creative autonomy for performing authors as a key criterion for sustainable economic development, and makes innovative legal and policy recommendations to help stakeholders preserve it. Mary W. Gani holds a degree in law (Jos), an LLM in international commercial law (University of Kent), and a PhD in commercial law from Queen Mary, University of London, UK. She is a barrister and solicitor of the Supreme Court of Nigeria. Mass media Law Commercial law Ethnology-Africa Music Erscheint auch als Druck-Ausgabe 978-3-030-48693-8 Erscheint auch als Druck-Ausgabe 978-3-030-48695-2 Erscheint auch als Druck-Ausgabe 978-3-030-48696-9 https://doi.org/10.1007/978-3-030-48694-5 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Gani, Mary W. Creative autonomy, copyright and popular music in Nigeria Mass media Law Commercial law Ethnology-Africa Music |
| title | Creative autonomy, copyright and popular music in Nigeria |
| title_auth | Creative autonomy, copyright and popular music in Nigeria |
| title_exact_search | Creative autonomy, copyright and popular music in Nigeria |
| title_exact_search_txtP | Creative autonomy, copyright and popular music in Nigeria |
| title_full | Creative autonomy, copyright and popular music in Nigeria Mary W. Gani |
| title_fullStr | Creative autonomy, copyright and popular music in Nigeria Mary W. Gani |
| title_full_unstemmed | Creative autonomy, copyright and popular music in Nigeria Mary W. Gani |
| title_short | Creative autonomy, copyright and popular music in Nigeria |
| title_sort | creative autonomy copyright and popular music in nigeria |
| topic | Mass media Law Commercial law Ethnology-Africa Music |
| topic_facet | Mass media Law Commercial law Ethnology-Africa Music |
| url | https://doi.org/10.1007/978-3-030-48694-5 |
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