Verfügbarkeit: CrossSections

CrossSections: processing artistic and curatorial research

Gespeichert in:

Bibliographische Detailangaben
Weitere Verfasser:	Şenova, Başak (HerausgeberIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Berlin De Gruyter [2020]
Schriftenreihe:	Edition Angewandte
Schlagworte:	CrossSections > Veranstaltung > 2017-2019 > Wien; Helsinki; Stockholm Kunst Künstlerische Forschung Interdisziplinäre Forschung
Online-Zugang:	https://www.degruyter.com/books/9783110716481 Inhaltsverzeichnis
Beschreibung:	271 Seiten Illustrationen 22 cm x 15.5 cm
ISBN:	9783110716481 3110716488

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Datensatz im Suchindex

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adam_text	TABLE OF CONTENTS CHAPTER 1 INTRODUCTION CROSSSECTIONS 12 CROSSSECTIONS: PROCESSING ARTISTIC AND CURATORIAL RESEARCH BA§AK §ENOVA 13 THE OPENING MOVE BA§AK §ENOVA IN CONVERSATION WITH JONATAN HABIB ENGQVIST 16 THE (UN)KNOWN UNKNOWNS ANDREAS SPIEGL CHAPTER 2 THE PROCESS 18 PHASES / MEETINGS 20 THE CORE MEETINGS 24 MAKO ISHIZUKA * S PAGES ON THE CORE MEETINGS 28 WHERE ARE WE NOW? WHAT ARE WE GOING TO DO? BJORN NORBERG 31 THE SHARE MEETINGS 32 TOWARDS THE REIGN OF THE CAT JONATAN HABIB ENGQVIST 37 THE PERIPHERAL MEETINGS 39 THE PUBLIC MEETINGS 43 RESIDENCIES CHAPTER 3 REFLECTIONS OF THE PARTNERS 45 CHANGING PERSPECTIVES ANDREA LOBEL & KLAUS SCHAFLER, KUNSTHALLE EXNERGASSE (KEX) - WUK 46 INVESTING IN THE UNKNOWN MARIA LANTZ, KONSTFACK - UNIVERSITY OF ARTS, CRAFTS AND DESIGN 47 A PLATFORM FOR ARTISTS AND CURATORS JONATAN HABIB ENGQVIST & BJORN NORBERG, NFK - THE NORDIC ART ASSOCIATION 48 PROMOTING EXPERIMENTATION, REFLECTION AND DISCUSSION JOHANNA VAKKARI, ACADEMY OF FINE ARTS, HELSINKI 49 PROVOCATIVE COMMUNITIES BARBARA PUTZ-PLECKO, UNIVERSITY OF APPLIED ARTS VIENNA 50 A PROGRAMME IN DIALOGUE HRISTINAIVANOSKA & YANE CALOVSKI, PRESS TO EXIT PROJECT SPACE 51 OUR DIALOGUE MIKE BODE, NYA SMALAND 51 EMBRACING UNCERTAINTY AND SERENDIPITY JUHA HUUSKONEN, HIAP - HELSINKI INTERNATIONAL ARTIST PROGRAMME 52 OPEN-ENDED PROCESS JOHAN POUSETTE, IASPIS 53 DIALOGUE AND PARTNERING MARJA KARTTUNEN, SAASTAMOINEN FOUNDATION CHAPTER 4 THE CONTENT ARTISTS, ARTISTIC RESEARCHES, PROJECTS, CURATOR 56 BARBARA HOLUB 60 SHADES AND SHADOWS OF THE SOCIAL: THE BLUE FROG SOCIETY PAUL O * NEILL 64 BEHZAD KHOSRAVI-NOOR1 66 SYNECDOCHE, YUGOSLAVIA SANJA HORVATINCIC 70 BENJI BOYADGIAN 72 IMAGINARY JACK PERSEKIAN 76 BENJI BOYADGIAN & BEHZAD KHOSRAVI-NOORI 78 REGULATING TIME: THE OWLS, THE QUEEN, AND THE MAQUETTISTE BA§AK JJENOVA 82 BRONWYNLACE 86 MIRROR MIRROR KOULLA XINISTERIS 90 EBRUKURBAK 92 INTERSECTING DIMENSIONS: CHRONOLACE STUDIES BAJJAK §ENOVA 96 EGLEODDO 98 SPLITTER LORI ADRAGNA 102 HEBAY.AMIN 106 OPERATION SUNKEN SEA: FLIPPING THE HISTORICAL NARRATIVE BA§AK §ENOVA 110 INMA HERRERA 114 DRAWING OUT NEW SOUNDS FROM ONE * S INSTRUMENT RUTH PELZER-MONTADA 118 ISA ROSENBERGER 122 . .THE VAST LAND FROM WHICH SHE COMES BA§AK §ENOVA 126 LINASELANDER 128 ON OVERFORINGSDIAGRAM NR 1 [DIAGRAM OF TRANSFER NO. 1] OSCAR MANGIONE 132 MARCUS NEUSTETTER 134 DEFINING LINES WILHELM VAN RENSBURG 134 ILLUMINATING THE AFRICAN ARCHIVE MARYCORRIGALL 138 NIKOLAUS GANSTERER 140 THE GESTURE ANDREAS SPIEGL 144 NISRINE BOUKHARI 146 LANDSCAPES OF UNCERTAIN TIMES JENNIE FAHLSTROM 150 OTTOKARVONEN 152 JAILBIRDS JUKKA RELANDER 156 RAMESCHDAHA 160 I AM HEALTHY, I CANNOT WRITE THIS LETTER MYSELF MARTI MANEN 164 RICARDADENZER 168 RICARDA DENZER * S AUFZEICHNUNGEN BRANDON LABELLE 172 TAMSINSNOW 174 SPARE FACE SUSANNA DAVIES-CROOK 178 TIMOTUHKANEN 182 SONIC INDEPENDENCE BJORN NORBERG 186 YANECALOVSKI 190 OBSESSION, THINGS, AND NARRATIVES ASTRID WEGE 195 BA§AK§ENOVA CHAPTER 5 THE PROCEEDINGS 197 EXHIBITIONS 198 EXHIBITIONS AS CURATORIAL READYMADE FORMS OF ESCAPE PAUL O * NEILL 201 A CONSTRUCTED MODEL: THE CROSSSECTIONS EXHIBITIONS 202 DESIGN OF THE CROSSSECTIONS EXHIBITIONS BA§AK §ENOVA 204 UTILIZING * TABLE * AS A DESIGN ELEMENT IN A RESEARCH-BASED CURATORIAL AND SCENOGRAPHIC PRACTICE FUNDA §ENOVA TUNALI 206 CROSSSECTIONS_INTERVALS: EXHIBITION WITH ENDLESS COMPLEXITIES NIA TABAKOVA 209 CROSSSECTIONS_POTENTIALS 212 CROSSSECTIONS-INTENSITIES 214 CROSSSECTIONS_INTERVALS 220 PERSPECTIVES ANNE KLONTZ 221 CROSSSECTIONS_PERSPECTIVES 226 SUPPORT STRUCTURE: THOUGHTS AFTER AN OPENING ANNA-KAISA RASTENBERGER 227 CROSSSECTIONS_NOTES 232 MODELS 232 THE FIRST MODEL, PARALLEL VIENNA 2018 233 THE TRAVELLING MODEL, CROSSSECTIONS_NOTES 2 34 THE TRAVELLING MODEL, CROSSSECTIONS_PERSPECTIVES 235 SOLO EXHIBITIONS 236 SHADOW OPTICS, LINA SELANDER 237 . .THE VAST LAND FROM WHICH SHE COMES, ISA ROSENBERGER 238 BLUE FROG SOCIETY I A HABITAT WITHOUT TERRITORY, BARBARA HOLUB 239 THE WORLD IN COMMON, EGLE ODDO 240 CROSSSECTIONS IN CLIMBING THROUGH THE TIDE EXHIBITION 241 COMMUNITY ACTIVATION: B7L9 - BAHR LAZREG, TUNIS LINA LAZAAR, KAMEL LAZAAR FOUNDATION 244 ARTIST TALKS, PERFORMANCES, PRESENTATIONS, & GUIDED TOURS 246 GUIDE 246 CROSSSECTIONS-INTERVALS, KUNSTHALLE EXNERGASSE - WUK, ED. BY BA§AK §ENOVA 246 BOOKLET 246 SPEECHES BY BARBARA HOLUB 247 BOOK 247 SHADOW OPTICS. LINA SELANDER, ED. BY BA§AK §ENOVA 248 ARTIST BOOKS 248 CHRONOLACE, SEQUENCE #001 BY EBRU KURBAK 249 FRAGMENTS OF A FROZEN MOVEMENT BY INMA HERRERA 250 SCREENING PROGRAMME 250 CHAPTER 1, CHAPTER 2, CHAPTER 3, COORDINATES 251 NOTES FROM THE POST-PRODUCTION PROCESS GIZEM AKGULGIL CHAPTER 6 EDUCATIONAL AND CREATIVE CHANNELS 254 CO-TEACHING AND CO-PRODUCING 254 DEPARTMENT OF DESIGN, CRAFTS AND ARTS, KONSTFACK/CROSSSECTIONS 254 EXPERIENCING AND EXPERIMENTING WITH THE CONDITIONS AND THE PROCESS BA§AK §ENOVA 255 CRAFT/CROSSSECTIONS BELLA RUNE 260 ALTERNATIVE CHANNELS 260 KUNSTHALLE EXNERGASSE, FEDERAL CHANCELLERY & KULTURKONTAKT/CROSSSECTIONS 260 PARALLEL VIENNA 2018 261 UNIVERSITY OF APPLIED ARTS VIENNA/CROSSSECTIONS 261 B7L9, KAMEL LAZAAR FOUNDATION/CROSSSECTIONS 262 THE CROSSSECTIONSHUB 262 ALIEN PALACE BIRDHOUSE COLLECTION, OTTO KARVONEN 264 TIMES OF DILEMMA, BARBARA HOLUB, TRANSPARADISO 264 CLOGGED, BENJI BOYADGIAN 265 VIENNA IS A MUSEUM BY BRONWYN LACE & MARCUS NEUSTETTER 266 THE LOG 269 ACKNOWLEDGEMENTS 271 IMPRINT
adam_txt	TABLE OF CONTENTS CHAPTER 1 INTRODUCTION CROSSSECTIONS 12 CROSSSECTIONS: PROCESSING ARTISTIC AND CURATORIAL RESEARCH BA§AK §ENOVA 13 THE OPENING MOVE BA§AK §ENOVA IN CONVERSATION WITH JONATAN HABIB ENGQVIST 16 THE (UN)KNOWN UNKNOWNS ANDREAS SPIEGL CHAPTER 2 THE PROCESS 18 PHASES / MEETINGS 20 THE CORE MEETINGS 24 MAKO ISHIZUKA * S PAGES ON THE CORE MEETINGS 28 WHERE ARE WE NOW? WHAT ARE WE GOING TO DO? BJORN NORBERG 31 THE SHARE MEETINGS 32 TOWARDS THE REIGN OF THE CAT JONATAN HABIB ENGQVIST 37 THE PERIPHERAL MEETINGS 39 THE PUBLIC MEETINGS 43 RESIDENCIES CHAPTER 3 REFLECTIONS OF THE PARTNERS 45 CHANGING PERSPECTIVES ANDREA LOBEL & KLAUS SCHAFLER, KUNSTHALLE EXNERGASSE (KEX) - WUK 46 INVESTING IN THE UNKNOWN MARIA LANTZ, KONSTFACK - UNIVERSITY OF ARTS, CRAFTS AND DESIGN 47 A PLATFORM FOR ARTISTS AND CURATORS JONATAN HABIB ENGQVIST & BJORN NORBERG, NFK - THE NORDIC ART ASSOCIATION 48 PROMOTING EXPERIMENTATION, REFLECTION AND DISCUSSION JOHANNA VAKKARI, ACADEMY OF FINE ARTS, HELSINKI 49 PROVOCATIVE COMMUNITIES BARBARA PUTZ-PLECKO, UNIVERSITY OF APPLIED ARTS VIENNA 50 A PROGRAMME IN DIALOGUE HRISTINAIVANOSKA & YANE CALOVSKI, PRESS TO EXIT PROJECT SPACE 51 OUR DIALOGUE MIKE BODE, NYA SMALAND 51 EMBRACING UNCERTAINTY AND SERENDIPITY JUHA HUUSKONEN, HIAP - HELSINKI INTERNATIONAL ARTIST PROGRAMME 52 OPEN-ENDED PROCESS JOHAN POUSETTE, IASPIS 53 DIALOGUE AND PARTNERING MARJA KARTTUNEN, SAASTAMOINEN FOUNDATION CHAPTER 4 THE CONTENT ARTISTS, ARTISTIC RESEARCHES, PROJECTS, CURATOR 56 BARBARA HOLUB 60 SHADES AND SHADOWS OF THE SOCIAL: THE BLUE FROG SOCIETY PAUL O * NEILL 64 BEHZAD KHOSRAVI-NOOR1 66 SYNECDOCHE, YUGOSLAVIA SANJA HORVATINCIC 70 BENJI BOYADGIAN 72 IMAGINARY JACK PERSEKIAN 76 BENJI BOYADGIAN & BEHZAD KHOSRAVI-NOORI 78 REGULATING TIME: THE OWLS, THE QUEEN, AND THE MAQUETTISTE BA§AK JJENOVA 82 BRONWYNLACE 86 MIRROR MIRROR KOULLA XINISTERIS 90 EBRUKURBAK 92 INTERSECTING DIMENSIONS: CHRONOLACE STUDIES BAJJAK §ENOVA 96 EGLEODDO 98 SPLITTER LORI ADRAGNA 102 HEBAY.AMIN 106 OPERATION SUNKEN SEA: FLIPPING THE HISTORICAL NARRATIVE BA§AK §ENOVA 110 INMA HERRERA 114 DRAWING OUT NEW SOUNDS FROM ONE * S INSTRUMENT RUTH PELZER-MONTADA 118 ISA ROSENBERGER 122 . .THE VAST LAND FROM WHICH SHE COMES BA§AK §ENOVA 126 LINASELANDER 128 ON OVERFORINGSDIAGRAM NR 1 [DIAGRAM OF TRANSFER NO. 1] OSCAR MANGIONE 132 MARCUS NEUSTETTER 134 DEFINING LINES WILHELM VAN RENSBURG 134 ILLUMINATING THE AFRICAN ARCHIVE MARYCORRIGALL 138 NIKOLAUS GANSTERER 140 THE GESTURE ANDREAS SPIEGL 144 NISRINE BOUKHARI 146 LANDSCAPES OF UNCERTAIN TIMES JENNIE FAHLSTROM 150 OTTOKARVONEN 152 JAILBIRDS JUKKA RELANDER 156 RAMESCHDAHA 160 I AM HEALTHY, I CANNOT WRITE THIS LETTER MYSELF MARTI MANEN 164 RICARDADENZER 168 RICARDA DENZER * S AUFZEICHNUNGEN BRANDON LABELLE 172 TAMSINSNOW 174 SPARE FACE SUSANNA DAVIES-CROOK 178 TIMOTUHKANEN 182 SONIC INDEPENDENCE BJORN NORBERG 186 YANECALOVSKI 190 OBSESSION, THINGS, AND NARRATIVES ASTRID WEGE 195 BA§AK§ENOVA CHAPTER 5 THE PROCEEDINGS 197 EXHIBITIONS 198 EXHIBITIONS AS CURATORIAL READYMADE FORMS OF ESCAPE PAUL O * NEILL 201 A CONSTRUCTED MODEL: THE CROSSSECTIONS EXHIBITIONS 202 DESIGN OF THE CROSSSECTIONS EXHIBITIONS BA§AK §ENOVA 204 UTILIZING * TABLE * AS A DESIGN ELEMENT IN A RESEARCH-BASED CURATORIAL AND SCENOGRAPHIC PRACTICE FUNDA §ENOVA TUNALI 206 CROSSSECTIONS_INTERVALS: EXHIBITION WITH ENDLESS COMPLEXITIES NIA TABAKOVA 209 CROSSSECTIONS_POTENTIALS 212 CROSSSECTIONS-INTENSITIES 214 CROSSSECTIONS_INTERVALS 220 PERSPECTIVES ANNE KLONTZ 221 CROSSSECTIONS_PERSPECTIVES 226 SUPPORT STRUCTURE: THOUGHTS AFTER AN OPENING ANNA-KAISA RASTENBERGER 227 CROSSSECTIONS_NOTES 232 MODELS 232 THE FIRST MODEL, PARALLEL VIENNA 2018 233 THE TRAVELLING MODEL, CROSSSECTIONS_NOTES 2 34 THE TRAVELLING MODEL, CROSSSECTIONS_PERSPECTIVES 235 SOLO EXHIBITIONS 236 SHADOW OPTICS, LINA SELANDER 237 . .THE VAST LAND FROM WHICH SHE COMES, ISA ROSENBERGER 238 BLUE FROG SOCIETY I A HABITAT WITHOUT TERRITORY, BARBARA HOLUB 239 THE WORLD IN COMMON, EGLE ODDO 240 CROSSSECTIONS IN CLIMBING THROUGH THE TIDE EXHIBITION 241 COMMUNITY ACTIVATION: B7L9 - BAHR LAZREG, TUNIS LINA LAZAAR, KAMEL LAZAAR FOUNDATION 244 ARTIST TALKS, PERFORMANCES, PRESENTATIONS, & GUIDED TOURS 246 GUIDE 246 CROSSSECTIONS-INTERVALS, KUNSTHALLE EXNERGASSE - WUK, ED. BY BA§AK §ENOVA 246 BOOKLET 246 SPEECHES BY BARBARA HOLUB 247 BOOK 247 SHADOW OPTICS. LINA SELANDER, ED. BY BA§AK §ENOVA 248 ARTIST BOOKS 248 CHRONOLACE, SEQUENCE #001 BY EBRU KURBAK 249 FRAGMENTS OF A FROZEN MOVEMENT BY INMA HERRERA 250 SCREENING PROGRAMME 250 CHAPTER 1, CHAPTER 2, CHAPTER 3, COORDINATES 251 NOTES FROM THE POST-PRODUCTION PROCESS GIZEM AKGULGIL CHAPTER 6 EDUCATIONAL AND CREATIVE CHANNELS 254 CO-TEACHING AND CO-PRODUCING 254 DEPARTMENT OF DESIGN, CRAFTS AND ARTS, KONSTFACK/CROSSSECTIONS 254 EXPERIENCING AND EXPERIMENTING WITH THE CONDITIONS AND THE PROCESS BA§AK §ENOVA 255 CRAFT/CROSSSECTIONS BELLA RUNE 260 ALTERNATIVE CHANNELS 260 KUNSTHALLE EXNERGASSE, FEDERAL CHANCELLERY & KULTURKONTAKT/CROSSSECTIONS 260 PARALLEL VIENNA 2018 261 UNIVERSITY OF APPLIED ARTS VIENNA/CROSSSECTIONS 261 B7L9, KAMEL LAZAAR FOUNDATION/CROSSSECTIONS 262 THE CROSSSECTIONSHUB 262 ALIEN PALACE BIRDHOUSE COLLECTION, OTTO KARVONEN 264 TIMES OF DILEMMA, BARBARA HOLUB, TRANSPARADISO 264 CLOGGED, BENJI BOYADGIAN 265 VIENNA IS A MUSEUM BY BRONWYN LACE & MARCUS NEUSTETTER 266 THE LOG 269 ACKNOWLEDGEMENTS 271 IMPRINT
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spelling	CrossSections processing artistic and curatorial research Berlin De Gruyter [2020] 271 Seiten Illustrationen 22 cm x 15.5 cm txt rdacontent n rdamedia nc rdacarrier Edition Angewandte CrossSections Veranstaltung 2017-2019 Wien; Helsinki; Stockholm (DE-588)1229021957 gnd rswk-swf Kunst Künstlerische Forschung Interdisziplinäre Forschung CrossSections Veranstaltung 2017-2019 Wien; Helsinki; Stockholm (DE-588)1229021957 f DE-604 Şenova, Başak (DE-588)1198337656 edt Walter de Gruyter GmbH & Co. KG (DE-588)10095502-2 pbl Erscheint auch als Online-Ausgabe 9783110716566 (DE-604)BV046993100 X:MVB https://www.degruyter.com/books/9783110716481 DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032461035&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p vlb 20201007 DE-101 https://d-nb.info/provenance/plan#vlb
spellingShingle	CrossSections processing artistic and curatorial research CrossSections Veranstaltung 2017-2019 Wien; Helsinki; Stockholm (DE-588)1229021957 gnd
subject_GND	(DE-588)1229021957
title	CrossSections processing artistic and curatorial research
title_auth	CrossSections processing artistic and curatorial research
title_exact_search	CrossSections processing artistic and curatorial research
title_exact_search_txtP	CrossSections processing artistic and curatorial research
title_full	CrossSections processing artistic and curatorial research
title_fullStr	CrossSections processing artistic and curatorial research
title_full_unstemmed	CrossSections processing artistic and curatorial research
title_short	CrossSections
title_sort	crosssections processing artistic and curatorial research
title_sub	processing artistic and curatorial research
topic	CrossSections Veranstaltung 2017-2019 Wien; Helsinki; Stockholm (DE-588)1229021957 gnd
topic_facet	CrossSections Veranstaltung 2017-2019 Wien; Helsinki; Stockholm
url	https://www.degruyter.com/books/9783110716481 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032461035&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT senovabasak crosssectionsprocessingartisticandcuratorialresearch AT walterdegruytergmbhcokg crosssectionsprocessingartisticandcuratorialresearch

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