Reattachment theory: queer cinema of remarriage
In Reattachment Theory Lee Wallace argues that homosexuality-far from being the threat to "traditional" marriage that same-sex marriage opponents have asserted-is so integral to its reimagining that all marriage is gay marriage. Drawing on the history of marriage, Stanley Cavell's ana...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2020]
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| Schriftenreihe: | A Camera Obscura Book
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| Schlagworte: | |
| Online-Zugang: | DE-12 DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-739 URL des Erstveröffentlichers |
| Zusammenfassung: | In Reattachment Theory Lee Wallace argues that homosexuality-far from being the threat to "traditional" marriage that same-sex marriage opponents have asserted-is so integral to its reimagining that all marriage is gay marriage. Drawing on the history of marriage, Stanley Cavell's analysis of Hollywood comedies of remarriage, and readings of recent gay and lesbian films, Wallace shows that queer experiments in domesticity have reshaped the affective and erotic horizons of heterosexual marriage and its defining principles: fidelity, exclusivity, and endurance. Wallace analyzes a series of films-Dorothy Arzner's Craig's Wife (1936); Tom Ford's A Single Man (2009); Lisa Cholodenko's High Art (1998), Laurel Canyon (2002), and The Kids Are All Right (2010); and Andrew Haigh's Weekend (2011) and 45 Years (2015)-that, she contends, do not simply reflect social and legal changes; they fundamentally alter our sense of what sexual attachment involves as both a social and a romantic form |
| Beschreibung: | 1 Online-Ressource (xiii, 247 Seiten) Illustrationen |
| ISBN: | 9781478009139 |
| DOI: | 10.1515/9781478009139 |
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| spelling | Wallace, Lee 1962- Verfasser (DE-588)1130181413 aut Reattachment theory queer cinema of remarriage Lee Wallace Durham Duke University Press [2020] © 2020 1 Online-Ressource (xiii, 247 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier A Camera Obscura Book In Reattachment Theory Lee Wallace argues that homosexuality-far from being the threat to "traditional" marriage that same-sex marriage opponents have asserted-is so integral to its reimagining that all marriage is gay marriage. Drawing on the history of marriage, Stanley Cavell's analysis of Hollywood comedies of remarriage, and readings of recent gay and lesbian films, Wallace shows that queer experiments in domesticity have reshaped the affective and erotic horizons of heterosexual marriage and its defining principles: fidelity, exclusivity, and endurance. Wallace analyzes a series of films-Dorothy Arzner's Craig's Wife (1936); Tom Ford's A Single Man (2009); Lisa Cholodenko's High Art (1998), Laurel Canyon (2002), and The Kids Are All Right (2010); and Andrew Haigh's Weekend (2011) and 45 Years (2015)-that, she contends, do not simply reflect social and legal changes; they fundamentally alter our sense of what sexual attachment involves as both a social and a romantic form Geschichte gnd rswk-swf Hollywood marriage plot changing narrative of intimacy valorization of intimacy PERFORMING ARTS / Film & Video / History & Criticism bisacsh Homosexuality in motion pictures Lesbianism in motion pictures Marriage Same-sex marriage Homosexualität Motiv (DE-588)4122204-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Ehe Motiv (DE-588)4123104-1 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Homosexualität Motiv (DE-588)4122204-0 s Ehe Motiv (DE-588)4123104-1 s Geschichte z DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-4780-0681-7 Erscheint auch als Druck-Ausgabe, Paperback 978-1-4780-0810-1 https://doi.org/10.1515/9781478009139 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Wallace, Lee 1962- Reattachment theory queer cinema of remarriage Hollywood marriage plot changing narrative of intimacy valorization of intimacy PERFORMING ARTS / Film & Video / History & Criticism bisacsh Homosexuality in motion pictures Lesbianism in motion pictures Marriage Same-sex marriage Homosexualität Motiv (DE-588)4122204-0 gnd Film (DE-588)4017102-4 gnd Ehe Motiv (DE-588)4123104-1 gnd |
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| title | Reattachment theory queer cinema of remarriage |
| title_auth | Reattachment theory queer cinema of remarriage |
| title_exact_search | Reattachment theory queer cinema of remarriage |
| title_exact_search_txtP | Reattachment theory queer cinema of remarriage |
| title_full | Reattachment theory queer cinema of remarriage Lee Wallace |
| title_fullStr | Reattachment theory queer cinema of remarriage Lee Wallace |
| title_full_unstemmed | Reattachment theory queer cinema of remarriage Lee Wallace |
| title_short | Reattachment theory |
| title_sort | reattachment theory queer cinema of remarriage |
| title_sub | queer cinema of remarriage |
| topic | Hollywood marriage plot changing narrative of intimacy valorization of intimacy PERFORMING ARTS / Film & Video / History & Criticism bisacsh Homosexuality in motion pictures Lesbianism in motion pictures Marriage Same-sex marriage Homosexualität Motiv (DE-588)4122204-0 gnd Film (DE-588)4017102-4 gnd Ehe Motiv (DE-588)4123104-1 gnd |
| topic_facet | Hollywood marriage plot changing narrative of intimacy valorization of intimacy PERFORMING ARTS / Film & Video / History & Criticism Homosexuality in motion pictures Lesbianism in motion pictures Marriage Same-sex marriage Homosexualität Motiv Film Ehe Motiv USA |
| url | https://doi.org/10.1515/9781478009139 |
| work_keys_str_mv | AT wallacelee reattachmenttheoryqueercinemaofremarriage |