Kwaito bodies: remastering space and subjectivity in post-apartheid South Africa
In Kwaito Bodies Xavier Livermon examines the cultural politics of the youthful black body in South Africa through the performance, representation, and consumption of kwaito, a style of electronic dance music that emerged following the end of apartheid. Drawing on fieldwork in Johannesburg's ni...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham ; London
Duke University Press
[2020]
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| Online-Zugang: | BSB01 FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UBT01 UPA01 URL des Erstveröffentlichers |
| Zusammenfassung: | In Kwaito Bodies Xavier Livermon examines the cultural politics of the youthful black body in South Africa through the performance, representation, and consumption of kwaito, a style of electronic dance music that emerged following the end of apartheid. Drawing on fieldwork in Johannesburg's nightclubs and analyses of musical performances and recordings, Livermon applies a black queer and black feminist studies framework to kwaito. He shows how kwaito culture operates as an alternative politics that challenges the dominant constructions of gender and sexuality. Artists such as Lebo Mathosa and Mandoza rescripted notions of acceptable femininity and masculinity, while groups like Boom Shaka enunciated an Afrodiasporic politics. In these ways, kwaito culture recontextualizes practices and notions of freedom within the social constraints that the legacies of colonialism, apartheid, and economic inequality place on young South Africans. At the same time, kwaito speaks to the ways in which these legacies reverberate between cosmopolitan Johannesburg and the diaspora. In foregrounding this dynamic, Livermon demonstrates that kwaito culture operates as a site for understanding the triumphs, challenges, and politics of post-apartheid South Africa |
| Beschreibung: | 1 Online-Ressource (xi, 271 Seiten) Illustrationen |
| ISBN: | 9781478007357 |
| DOI: | 10.1515/9781478007357 |
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| spelling | Livermon, Xavier Verfasser aut Kwaito bodies remastering space and subjectivity in post-apartheid South Africa Xavier Livermon Durham ; London Duke University Press [2020] © 2020 1 Online-Ressource (xi, 271 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier In Kwaito Bodies Xavier Livermon examines the cultural politics of the youthful black body in South Africa through the performance, representation, and consumption of kwaito, a style of electronic dance music that emerged following the end of apartheid. Drawing on fieldwork in Johannesburg's nightclubs and analyses of musical performances and recordings, Livermon applies a black queer and black feminist studies framework to kwaito. He shows how kwaito culture operates as an alternative politics that challenges the dominant constructions of gender and sexuality. Artists such as Lebo Mathosa and Mandoza rescripted notions of acceptable femininity and masculinity, while groups like Boom Shaka enunciated an Afrodiasporic politics. In these ways, kwaito culture recontextualizes practices and notions of freedom within the social constraints that the legacies of colonialism, apartheid, and economic inequality place on young South Africans. At the same time, kwaito speaks to the ways in which these legacies reverberate between cosmopolitan Johannesburg and the diaspora. In foregrounding this dynamic, Livermon demonstrates that kwaito culture operates as a site for understanding the triumphs, challenges, and politics of post-apartheid South Africa MUSIC / Ethnomusicology bisacsh Human body Political aspects South Africa Kwaito (Music) Social aspects South Africa Popular music Social aspects South Africa Post-apartheid era South Africa Queer theory South Africa Sex role South Africa Urban youth South Africa Erscheint auch als Druck-Ausgabe, Hardcover 978-1-4780-0579-7 Erscheint auch als Druck-Ausgabe, Paperback 978-1-4780-0663-3 https://doi.org/10.1515/9781478007357 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Livermon, Xavier Kwaito bodies remastering space and subjectivity in post-apartheid South Africa MUSIC / Ethnomusicology bisacsh Human body Political aspects South Africa Kwaito (Music) Social aspects South Africa Popular music Social aspects South Africa Post-apartheid era South Africa Queer theory South Africa Sex role South Africa Urban youth South Africa |
| title | Kwaito bodies remastering space and subjectivity in post-apartheid South Africa |
| title_auth | Kwaito bodies remastering space and subjectivity in post-apartheid South Africa |
| title_exact_search | Kwaito bodies remastering space and subjectivity in post-apartheid South Africa |
| title_exact_search_txtP | Kwaito bodies remastering space and subjectivity in post-apartheid South Africa |
| title_full | Kwaito bodies remastering space and subjectivity in post-apartheid South Africa Xavier Livermon |
| title_fullStr | Kwaito bodies remastering space and subjectivity in post-apartheid South Africa Xavier Livermon |
| title_full_unstemmed | Kwaito bodies remastering space and subjectivity in post-apartheid South Africa Xavier Livermon |
| title_short | Kwaito bodies |
| title_sort | kwaito bodies remastering space and subjectivity in post apartheid south africa |
| title_sub | remastering space and subjectivity in post-apartheid South Africa |
| topic | MUSIC / Ethnomusicology bisacsh Human body Political aspects South Africa Kwaito (Music) Social aspects South Africa Popular music Social aspects South Africa Post-apartheid era South Africa Queer theory South Africa Sex role South Africa Urban youth South Africa |
| topic_facet | MUSIC / Ethnomusicology Human body Political aspects South Africa Kwaito (Music) Social aspects South Africa Popular music Social aspects South Africa Post-apartheid era South Africa Queer theory South Africa Sex role South Africa Urban youth South Africa |
| url | https://doi.org/10.1515/9781478007357 |
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