Fidel between the Lines: Paranoia and Ambivalence in Late Socialist Cuban Cinema
In Fidel between the Lines Laura-Zoë Humphreys traces the changing dynamics of criticism and censorship in late socialist Cuba through a focus on cinema. Following the collapse of the Soviet Union, the Cuban state strategically relaxed censorship, attempting to contain dissent by giving it an outlet...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2019]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UBT01 UPA01 FCO01 Volltext |
| Zusammenfassung: | In Fidel between the Lines Laura-Zoë Humphreys traces the changing dynamics of criticism and censorship in late socialist Cuba through a focus on cinema. Following the collapse of the Soviet Union, the Cuban state strategically relaxed censorship, attempting to contain dissent by giving it an outlet in the arts. Along with this shift, foreign funding and digital technologies gave filmmakers more freedom to criticize the state than ever before, yet these openings also exacerbated the political paranoia that has long shaped the Cuban public sphere. Drawing on ethnographic fieldwork, textual analysis, and archival research, Humphreys shows how Cuban filmmakers have historically turned to allegory to communicate an ambivalent relationship to the Revolution, and how such efforts came up against new forms of suspicion in the 1990s and the twenty-first century. Offering insights that extend beyond Cuba, Humphreys reveals what happens to public debate when freedom of expression can no longer be distinguished from complicity while demonstrating the ways in which combining anthropology with film studies can shed light on cinema's broader social and political import |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) |
| Beschreibung: | 1 online resource (304 pages) 22 illustrations |
| ISBN: | 9781478007142 |
| DOI: | 10.1515/9781478007142 |
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| spelling | Humphreys, Laura-Zoë Verfasser aut Fidel between the Lines Paranoia and Ambivalence in Late Socialist Cuban Cinema Laura-Zoë Humphreys Durham Duke University Press [2019] © 2019 1 online resource (304 pages) 22 illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) In Fidel between the Lines Laura-Zoë Humphreys traces the changing dynamics of criticism and censorship in late socialist Cuba through a focus on cinema. Following the collapse of the Soviet Union, the Cuban state strategically relaxed censorship, attempting to contain dissent by giving it an outlet in the arts. Along with this shift, foreign funding and digital technologies gave filmmakers more freedom to criticize the state than ever before, yet these openings also exacerbated the political paranoia that has long shaped the Cuban public sphere. Drawing on ethnographic fieldwork, textual analysis, and archival research, Humphreys shows how Cuban filmmakers have historically turned to allegory to communicate an ambivalent relationship to the Revolution, and how such efforts came up against new forms of suspicion in the 1990s and the twenty-first century. Offering insights that extend beyond Cuba, Humphreys reveals what happens to public debate when freedom of expression can no longer be distinguished from complicity while demonstrating the ways in which combining anthropology with film studies can shed light on cinema's broader social and political import In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Political aspects Cuba Motion pictures Cuba History and criticism Motion pictures Cuba History 20th century Motion pictures Cuba History 21st century https://doi.org/10.1515/9781478007142 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Humphreys, Laura-Zoë Fidel between the Lines Paranoia and Ambivalence in Late Socialist Cuban Cinema PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Political aspects Cuba Motion pictures Cuba History and criticism Motion pictures Cuba History 20th century Motion pictures Cuba History 21st century |
| title | Fidel between the Lines Paranoia and Ambivalence in Late Socialist Cuban Cinema |
| title_auth | Fidel between the Lines Paranoia and Ambivalence in Late Socialist Cuban Cinema |
| title_exact_search | Fidel between the Lines Paranoia and Ambivalence in Late Socialist Cuban Cinema |
| title_exact_search_txtP | Fidel between the Lines Paranoia and Ambivalence in Late Socialist Cuban Cinema |
| title_full | Fidel between the Lines Paranoia and Ambivalence in Late Socialist Cuban Cinema Laura-Zoë Humphreys |
| title_fullStr | Fidel between the Lines Paranoia and Ambivalence in Late Socialist Cuban Cinema Laura-Zoë Humphreys |
| title_full_unstemmed | Fidel between the Lines Paranoia and Ambivalence in Late Socialist Cuban Cinema Laura-Zoë Humphreys |
| title_short | Fidel between the Lines |
| title_sort | fidel between the lines paranoia and ambivalence in late socialist cuban cinema |
| title_sub | Paranoia and Ambivalence in Late Socialist Cuban Cinema |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Political aspects Cuba Motion pictures Cuba History and criticism Motion pictures Cuba History 20th century Motion pictures Cuba History 21st century |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Motion pictures Political aspects Cuba Motion pictures Cuba History and criticism Motion pictures Cuba History 20th century Motion pictures Cuba History 21st century |
| url | https://doi.org/10.1515/9781478007142 |
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