The process genre: cinema and the aesthetic of labor
From IKEA assembly guides and "hands and pans" cooking videos on social media to Mister Rogers's classic factory tours, representations of the step-by-step fabrication of objects and food are ubiquitous in popular media. In The Process Genre Salomé Aguilera Skvirsky introduces and the...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2020]
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| Schlagworte: | |
| Online-Zugang: | BSB01 FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Zusammenfassung: | From IKEA assembly guides and "hands and pans" cooking videos on social media to Mister Rogers's classic factory tours, representations of the step-by-step fabrication of objects and food are ubiquitous in popular media. In The Process Genre Salomé Aguilera Skvirsky introduces and theorizes the process genre-a heretofore unacknowledged and untheorized transmedial genre characterized by its representation of chronologically ordered steps in which some form of labor results in a finished product. Originating in the fifteenth century with machine drawings, and now including everything from cookbooks to instructional videos and art cinema, the process genre achieves its most powerful affective and ideological results in film. By visualizing technique and absorbing viewers into the actions of social actors and machines, industrial, educational, ethnographic, and other process films stake out diverse ideological positions on the meaning of labor and on a society's level of technological development. In systematically theorizing a genre familiar to anyone with access to a screen, Skvirsky opens up new possibilities for film theory |
| Beschreibung: | 1 Online-Ressource (xvii, 316 Seiten) Illustrationen |
| ISBN: | 9781478007074 |
| DOI: | 10.1515/9781478007074 |
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| spelling | Skvirsky, Salomé Aguilera Verfasser (DE-588)1221639145 aut The process genre cinema and the aesthetic of labor Salomé Aguilera Skvirsky Durham Duke University Press [2020] © 2020 1 Online-Ressource (xvii, 316 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier From IKEA assembly guides and "hands and pans" cooking videos on social media to Mister Rogers's classic factory tours, representations of the step-by-step fabrication of objects and food are ubiquitous in popular media. In The Process Genre Salomé Aguilera Skvirsky introduces and theorizes the process genre-a heretofore unacknowledged and untheorized transmedial genre characterized by its representation of chronologically ordered steps in which some form of labor results in a finished product. Originating in the fifteenth century with machine drawings, and now including everything from cookbooks to instructional videos and art cinema, the process genre achieves its most powerful affective and ideological results in film. By visualizing technique and absorbing viewers into the actions of social actors and machines, industrial, educational, ethnographic, and other process films stake out diverse ideological positions on the meaning of labor and on a society's level of technological development. In systematically theorizing a genre familiar to anyone with access to a screen, Skvirsky opens up new possibilities for film theory Geschichte gnd rswk-swf PERFORMING ARTS / Film & Video / History & Criticism bisacsh Process films History and criticism Work in motion pictures Produktionsprozess Motiv (DE-588)1216728992 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Industriefilm (DE-588)4248464-9 gnd rswk-swf Film (DE-588)4017102-4 s Produktionsprozess Motiv (DE-588)1216728992 s Industriefilm (DE-588)4248464-9 s Geschichte z DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-4780-0540-7 Erscheint auch als Druck-Ausgabe, Paperback 978-1-4780-0644-2 https://doi.org/10.1515/9781478007074 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Skvirsky, Salomé Aguilera The process genre cinema and the aesthetic of labor PERFORMING ARTS / Film & Video / History & Criticism bisacsh Process films History and criticism Work in motion pictures Produktionsprozess Motiv (DE-588)1216728992 gnd Film (DE-588)4017102-4 gnd Industriefilm (DE-588)4248464-9 gnd |
| subject_GND | (DE-588)1216728992 (DE-588)4017102-4 (DE-588)4248464-9 |
| title | The process genre cinema and the aesthetic of labor |
| title_auth | The process genre cinema and the aesthetic of labor |
| title_exact_search | The process genre cinema and the aesthetic of labor |
| title_exact_search_txtP | The process genre cinema and the aesthetic of labor |
| title_full | The process genre cinema and the aesthetic of labor Salomé Aguilera Skvirsky |
| title_fullStr | The process genre cinema and the aesthetic of labor Salomé Aguilera Skvirsky |
| title_full_unstemmed | The process genre cinema and the aesthetic of labor Salomé Aguilera Skvirsky |
| title_short | The process genre |
| title_sort | the process genre cinema and the aesthetic of labor |
| title_sub | cinema and the aesthetic of labor |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Process films History and criticism Work in motion pictures Produktionsprozess Motiv (DE-588)1216728992 gnd Film (DE-588)4017102-4 gnd Industriefilm (DE-588)4248464-9 gnd |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Process films History and criticism Work in motion pictures Produktionsprozess Motiv Film Industriefilm |
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