Photographic returns: racial justice and the time of photography
In Photographic Returns Shawn Michelle Smith traces how historical moments of racial crisis come to be known photographically and how the past continues to inhabit, punctuate, and transform the present through the photographic medium in contemporary art. Smith engages photographs by Rashid Johnson,...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham ; London
Duke University Press
[2020]
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| Schlagworte: | |
| Online-Zugang: | DE-12 DE-1043 DE-1046 DE-858 DE-Aug4 DE-898 DE-859 DE-860 DE-473 DE-703 DE-739 Volltext |
| Zusammenfassung: | In Photographic Returns Shawn Michelle Smith traces how historical moments of racial crisis come to be known photographically and how the past continues to inhabit, punctuate, and transform the present through the photographic medium in contemporary art. Smith engages photographs by Rashid Johnson, Sally Mann, Deborah Luster, Lorna Simpson, Jason Lazarus, Carrie Mae Weems, Taryn Simon, and Dawoud Bey, among others. Each of these artists turns to the past-whether by using nineteenth-century techniques to produce images or by re-creating iconic historic photographs-as a way to use history to negotiate the present and to call attention to the unfinished political project of racial justice in the United States. By interrogating their use of photography to recall, revise, and amplify the relationship between racial politics of the past and present, Smith locates a temporal recursivity that is intrinsic to photography, in which images return to haunt the viewer and prompt reflection on the present and an imagination of a more just future |
| Beschreibung: | 1 Online-Ressource (ix, 236 Seiten, 19 gezählte Seiten Bildtafeln) Illustrationen |
| ISBN: | 9781478005537 |
| DOI: | 10.1515/9781478005537 |
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| 520 | |a In Photographic Returns Shawn Michelle Smith traces how historical moments of racial crisis come to be known photographically and how the past continues to inhabit, punctuate, and transform the present through the photographic medium in contemporary art. Smith engages photographs by Rashid Johnson, Sally Mann, Deborah Luster, Lorna Simpson, Jason Lazarus, Carrie Mae Weems, Taryn Simon, and Dawoud Bey, among others. Each of these artists turns to the past-whether by using nineteenth-century techniques to produce images or by re-creating iconic historic photographs-as a way to use history to negotiate the present and to call attention to the unfinished political project of racial justice in the United States. By interrogating their use of photography to recall, revise, and amplify the relationship between racial politics of the past and present, Smith locates a temporal recursivity that is intrinsic to photography, in which images return to haunt the viewer and prompt reflection on the present and an imagination of a more just future | ||
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Datensatz im Suchindex
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| author | Smith, Shawn Michelle 1965- |
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| discipline | Kunstgeschichte Allgemeines Soziologie Anglistik / Amerikanistik |
| discipline_str_mv | Kunstgeschichte Allgemeines Soziologie Anglistik / Amerikanistik |
| doi_str_mv | 10.1515/9781478005537 |
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| indexdate | 2024-08-21T00:46:15Z |
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| publisher | Duke University Press |
| record_format | marc |
| spelling | Smith, Shawn Michelle 1965- Verfasser (DE-588)135931843 aut Photographic returns racial justice and the time of photography Shawn Michelle Smith Durham ; London Duke University Press [2020] © 2020 1 Online-Ressource (ix, 236 Seiten, 19 gezählte Seiten Bildtafeln) Illustrationen txt rdacontent c rdamedia cr rdacarrier In Photographic Returns Shawn Michelle Smith traces how historical moments of racial crisis come to be known photographically and how the past continues to inhabit, punctuate, and transform the present through the photographic medium in contemporary art. Smith engages photographs by Rashid Johnson, Sally Mann, Deborah Luster, Lorna Simpson, Jason Lazarus, Carrie Mae Weems, Taryn Simon, and Dawoud Bey, among others. Each of these artists turns to the past-whether by using nineteenth-century techniques to produce images or by re-creating iconic historic photographs-as a way to use history to negotiate the present and to call attention to the unfinished political project of racial justice in the United States. By interrogating their use of photography to recall, revise, and amplify the relationship between racial politics of the past and present, Smith locates a temporal recursivity that is intrinsic to photography, in which images return to haunt the viewer and prompt reflection on the present and an imagination of a more just future Photography / Criticism bisacsh Art and history United States Art and photography United States Documentary photography United States History Photography in ethnology United States History Photography in historiography Photography Social aspects United States History Fotografie (DE-588)4045895-7 gnd rswk-swf Rassenfrage (DE-588)4176975-2 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Rassenfrage (DE-588)4176975-2 s Fotografie (DE-588)4045895-7 s DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-4780-0407-3 Erscheint auch als Druck-Ausgabe, Paperback 978-1-4780-0468-4 (DE-604)BV046401783 https://doi.org/10.1515/9781478005537 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Smith, Shawn Michelle 1965- Photographic returns racial justice and the time of photography Photography / Criticism bisacsh Art and history United States Art and photography United States Documentary photography United States History Photography in ethnology United States History Photography in historiography Photography Social aspects United States History Fotografie (DE-588)4045895-7 gnd Rassenfrage (DE-588)4176975-2 gnd |
| subject_GND | (DE-588)4045895-7 (DE-588)4176975-2 (DE-588)4078704-7 |
| title | Photographic returns racial justice and the time of photography |
| title_auth | Photographic returns racial justice and the time of photography |
| title_exact_search | Photographic returns racial justice and the time of photography |
| title_exact_search_txtP | Photographic returns racial justice and the time of photography |
| title_full | Photographic returns racial justice and the time of photography Shawn Michelle Smith |
| title_fullStr | Photographic returns racial justice and the time of photography Shawn Michelle Smith |
| title_full_unstemmed | Photographic returns racial justice and the time of photography Shawn Michelle Smith |
| title_short | Photographic returns |
| title_sort | photographic returns racial justice and the time of photography |
| title_sub | racial justice and the time of photography |
| topic | Photography / Criticism bisacsh Art and history United States Art and photography United States Documentary photography United States History Photography in ethnology United States History Photography in historiography Photography Social aspects United States History Fotografie (DE-588)4045895-7 gnd Rassenfrage (DE-588)4176975-2 gnd |
| topic_facet | Photography / Criticism Art and history United States Art and photography United States Documentary photography United States History Photography in ethnology United States History Photography in historiography Photography Social aspects United States History Fotografie Rassenfrage USA |
| url | https://doi.org/10.1515/9781478005537 |
| work_keys_str_mv | AT smithshawnmichelle photographicreturnsracialjusticeandthetimeofphotography |