Figures of Time: Affect and the Television of Preemption
Many contemporary television series from Modern Family to How to Get Away with Murder open an episode or season with a conflict and then go back in time to show how that conflict came to be. In Figures of Time Toni Pape examines these narratives, showing how these leaps in time create aesthetic expe...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Durham
Duke University Press
[2019]
|
Schriftenreihe: | Thought in the Act
|
Schlagworte: | |
Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
Zusammenfassung: | Many contemporary television series from Modern Family to How to Get Away with Murder open an episode or season with a conflict and then go back in time to show how that conflict came to be. In Figures of Time Toni Pape examines these narratives, showing how these leaps in time create aesthetic experiences of time that attune their audiences to the political doctrine of preemption-a logic that justifies preemptive action to nullify a perceived future threat. Examining questions of temporality in Life on Mars, the political ramifications of living under the auspices of a catastrophic future in FlashForward, and how Damages disrupts the logic of preemption, Pape shows how television helps shift political culture away from a model of rational deliberation and representation toward a politics of preemption and conformity. Exposing the mechanisms through which television supports a fear-based politics, Pape contends, will allow for the rechanneling of television's affective force into building a more productive and positive politics |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) |
Beschreibung: | 1 online resource (224 pages) 52 illustrations |
ISBN: | 9781478004653 |
DOI: | 10.1515/9781478004653 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV047049501 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 201207s2019 |||| o||u| ||||||eng d | ||
020 | |a 9781478004653 |9 978-1-4780-0465-3 | ||
024 | 7 | |a 10.1515/9781478004653 |2 doi | |
035 | |a (ZDB-23-DGG)9781478004653 | ||
035 | |a (OCoLC)1226706073 | ||
035 | |a (DE-599)BVBBV047049501 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-1046 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 |a DE-1043 |a DE-858 | ||
082 | 0 | |a 791.45/6581 |2 23 | |
100 | 1 | |a Pape, Toni |e Verfasser |4 aut | |
245 | 1 | 0 | |a Figures of Time |b Affect and the Television of Preemption |c Toni Pape |
264 | 1 | |a Durham |b Duke University Press |c [2019] | |
264 | 4 | |c © 2019 | |
300 | |a 1 online resource (224 pages) |b 52 illustrations | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Thought in the Act | |
500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) | ||
520 | |a Many contemporary television series from Modern Family to How to Get Away with Murder open an episode or season with a conflict and then go back in time to show how that conflict came to be. In Figures of Time Toni Pape examines these narratives, showing how these leaps in time create aesthetic experiences of time that attune their audiences to the political doctrine of preemption-a logic that justifies preemptive action to nullify a perceived future threat. Examining questions of temporality in Life on Mars, the political ramifications of living under the auspices of a catastrophic future in FlashForward, and how Damages disrupts the logic of preemption, Pape shows how television helps shift political culture away from a model of rational deliberation and representation toward a politics of preemption and conformity. Exposing the mechanisms through which television supports a fear-based politics, Pape contends, will allow for the rechanneling of television's affective force into building a more productive and positive politics | ||
546 | |a In English | ||
650 | 7 | |a PERFORMING ARTS / Television / History & Criticism |2 bisacsh | |
650 | 4 | |a Future, The, in popular culture | |
650 | 4 | |a Political culture |z United States | |
650 | 4 | |a Television broadcasting |z United States |x Influence | |
650 | 4 | |a Television programs |x Plots, themes, etc | |
650 | 4 | |a Television programs |x Political aspects |z United States | |
650 | 4 | |a Television programs |x Social aspects |z United States | |
650 | 4 | |a Time on television | |
856 | 4 | 0 | |u https://doi.org/10.1515/9781478004653 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-23-DGG | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-032456897 | ||
966 | e | |u https://doi.org/10.1515/9781478004653 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781478004653 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781478004653 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781478004653 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781478004653 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781478004653 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781478004653 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9781478004653 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804182036362035200 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Pape, Toni |
author_facet | Pape, Toni |
author_role | aut |
author_sort | Pape, Toni |
author_variant | t p tp |
building | Verbundindex |
bvnumber | BV047049501 |
collection | ZDB-23-DGG |
ctrlnum | (ZDB-23-DGG)9781478004653 (OCoLC)1226706073 (DE-599)BVBBV047049501 |
dewey-full | 791.45/6581 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.45/6581 |
dewey-search | 791.45/6581 |
dewey-sort | 3791.45 46581 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
discipline_str_mv | Allgemeines |
doi_str_mv | 10.1515/9781478004653 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03640nmm a2200565zc 4500</leader><controlfield tag="001">BV047049501</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">201207s2019 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781478004653</subfield><subfield code="9">978-1-4780-0465-3</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781478004653</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9781478004653</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1226706073</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047049501</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-858</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.45/6581</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Pape, Toni</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Figures of Time</subfield><subfield code="b">Affect and the Television of Preemption</subfield><subfield code="c">Toni Pape</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Durham</subfield><subfield code="b">Duke University Press</subfield><subfield code="c">[2019]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (224 pages)</subfield><subfield code="b">52 illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Thought in the Act</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Many contemporary television series from Modern Family to How to Get Away with Murder open an episode or season with a conflict and then go back in time to show how that conflict came to be. In Figures of Time Toni Pape examines these narratives, showing how these leaps in time create aesthetic experiences of time that attune their audiences to the political doctrine of preemption-a logic that justifies preemptive action to nullify a perceived future threat. Examining questions of temporality in Life on Mars, the political ramifications of living under the auspices of a catastrophic future in FlashForward, and how Damages disrupts the logic of preemption, Pape shows how television helps shift political culture away from a model of rational deliberation and representation toward a politics of preemption and conformity. Exposing the mechanisms through which television supports a fear-based politics, Pape contends, will allow for the rechanneling of television's affective force into building a more productive and positive politics</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Television / History & Criticism</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Future, The, in popular culture</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Political culture</subfield><subfield code="z">United States</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Television broadcasting</subfield><subfield code="z">United States</subfield><subfield code="x">Influence</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Television programs</subfield><subfield code="x">Plots, themes, etc</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Television programs</subfield><subfield code="x">Political aspects</subfield><subfield code="z">United States</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Television programs</subfield><subfield code="x">Social aspects</subfield><subfield code="z">United States</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Time on television</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781478004653</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032456897</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781478004653</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781478004653</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781478004653</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781478004653</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781478004653</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781478004653</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781478004653</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781478004653</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV047049501 |
illustrated | Illustrated |
index_date | 2024-07-03T16:07:31Z |
indexdate | 2024-07-10T09:01:10Z |
institution | BVB |
isbn | 9781478004653 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032456897 |
oclc_num | 1226706073 |
open_access_boolean | |
owner | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 |
owner_facet | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 |
physical | 1 online resource (224 pages) 52 illustrations |
psigel | ZDB-23-DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG FCO_PDA_DGG |
publishDate | 2019 |
publishDateSearch | 2019 |
publishDateSort | 2019 |
publisher | Duke University Press |
record_format | marc |
series2 | Thought in the Act |
spelling | Pape, Toni Verfasser aut Figures of Time Affect and the Television of Preemption Toni Pape Durham Duke University Press [2019] © 2019 1 online resource (224 pages) 52 illustrations txt rdacontent c rdamedia cr rdacarrier Thought in the Act Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) Many contemporary television series from Modern Family to How to Get Away with Murder open an episode or season with a conflict and then go back in time to show how that conflict came to be. In Figures of Time Toni Pape examines these narratives, showing how these leaps in time create aesthetic experiences of time that attune their audiences to the political doctrine of preemption-a logic that justifies preemptive action to nullify a perceived future threat. Examining questions of temporality in Life on Mars, the political ramifications of living under the auspices of a catastrophic future in FlashForward, and how Damages disrupts the logic of preemption, Pape shows how television helps shift political culture away from a model of rational deliberation and representation toward a politics of preemption and conformity. Exposing the mechanisms through which television supports a fear-based politics, Pape contends, will allow for the rechanneling of television's affective force into building a more productive and positive politics In English PERFORMING ARTS / Television / History & Criticism bisacsh Future, The, in popular culture Political culture United States Television broadcasting United States Influence Television programs Plots, themes, etc Television programs Political aspects United States Television programs Social aspects United States Time on television https://doi.org/10.1515/9781478004653 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Pape, Toni Figures of Time Affect and the Television of Preemption PERFORMING ARTS / Television / History & Criticism bisacsh Future, The, in popular culture Political culture United States Television broadcasting United States Influence Television programs Plots, themes, etc Television programs Political aspects United States Television programs Social aspects United States Time on television |
title | Figures of Time Affect and the Television of Preemption |
title_auth | Figures of Time Affect and the Television of Preemption |
title_exact_search | Figures of Time Affect and the Television of Preemption |
title_exact_search_txtP | Figures of Time Affect and the Television of Preemption |
title_full | Figures of Time Affect and the Television of Preemption Toni Pape |
title_fullStr | Figures of Time Affect and the Television of Preemption Toni Pape |
title_full_unstemmed | Figures of Time Affect and the Television of Preemption Toni Pape |
title_short | Figures of Time |
title_sort | figures of time affect and the television of preemption |
title_sub | Affect and the Television of Preemption |
topic | PERFORMING ARTS / Television / History & Criticism bisacsh Future, The, in popular culture Political culture United States Television broadcasting United States Influence Television programs Plots, themes, etc Television programs Political aspects United States Television programs Social aspects United States Time on television |
topic_facet | PERFORMING ARTS / Television / History & Criticism Future, The, in popular culture Political culture United States Television broadcasting United States Influence Television programs Plots, themes, etc Television programs Political aspects United States Television programs Social aspects United States Time on television |
url | https://doi.org/10.1515/9781478004653 |
work_keys_str_mv | AT papetoni figuresoftimeaffectandthetelevisionofpreemption |