Camp TV: Trans Gender Queer Sitcom History
Sitcoms of the 1950s and 1960s are widely considered conformist in their depictions of gender roles and sexual attitudes. In Camp TV Quinlan Miller offers a new account of the history of American television that explains what campy meant in practical sitcom terms in shows as iconic as The Dick Van D...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2019]
|
| Schriftenreihe: | Console-ing passions: television and cultural power
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 URL des Erstveröffentlichers |
| Zusammenfassung: | Sitcoms of the 1950s and 1960s are widely considered conformist in their depictions of gender roles and sexual attitudes. In Camp TV Quinlan Miller offers a new account of the history of American television that explains what campy meant in practical sitcom terms in shows as iconic as The Dick Van Dyke Show as well as in more obscure fare, such as The Ugliest Girl in Town. Situating his analysis within the era's shifts in the television industry and the coalescence of straightness and whiteness that came with the decline of vaudevillian camp, Miller shows how the sitcoms of this era overflowed with important queer representation and gender nonconformity. Whether through regular supporting performances (Ann B. Davis's Schultzy in The Bob Cummings Show), guest appearances by Paul Lynde and Charles Nelson Reilly, or scripted dialogue and situations, industry processes of casting and production routinely esteemed a camp aesthetic that renders all gender expression queer. By charting this unexpected history, Miller offers new ways of exploring how supposedly repressive popular media incubated queer, genderqueer, and transgender representations |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) |
| Beschreibung: | 1 online resource (232 pages) 28 illustrations |
| ISBN: | 9781478003397 |
| DOI: | 10.1515/9781478003397 |
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| 520 | |a Sitcoms of the 1950s and 1960s are widely considered conformist in their depictions of gender roles and sexual attitudes. In Camp TV Quinlan Miller offers a new account of the history of American television that explains what campy meant in practical sitcom terms in shows as iconic as The Dick Van Dyke Show as well as in more obscure fare, such as The Ugliest Girl in Town. Situating his analysis within the era's shifts in the television industry and the coalescence of straightness and whiteness that came with the decline of vaudevillian camp, Miller shows how the sitcoms of this era overflowed with important queer representation and gender nonconformity. Whether through regular supporting performances (Ann B. Davis's Schultzy in The Bob Cummings Show), guest appearances by Paul Lynde and Charles Nelson Reilly, or scripted dialogue and situations, industry processes of casting and production routinely esteemed a camp aesthetic that renders all gender expression queer. By charting this unexpected history, Miller offers new ways of exploring how supposedly repressive popular media incubated queer, genderqueer, and transgender representations | ||
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Datensatz im Suchindex
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| author | Miller, Quinlan |
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| discipline | Allgemeines |
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| doi_str_mv | 10.1515/9781478003397 |
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| illustrated | Illustrated |
| index_date | 2024-07-03T16:07:31Z |
| indexdate | 2024-07-10T09:01:10Z |
| institution | BVB |
| isbn | 9781478003397 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032456863 |
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| series2 | Console-ing passions: television and cultural power |
| spelling | Miller, Quinlan Verfasser aut Camp TV Trans Gender Queer Sitcom History Quinlan Miller Durham Duke University Press [2019] © 2019 1 online resource (232 pages) 28 illustrations txt rdacontent c rdamedia cr rdacarrier Console-ing passions: television and cultural power Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) Sitcoms of the 1950s and 1960s are widely considered conformist in their depictions of gender roles and sexual attitudes. In Camp TV Quinlan Miller offers a new account of the history of American television that explains what campy meant in practical sitcom terms in shows as iconic as The Dick Van Dyke Show as well as in more obscure fare, such as The Ugliest Girl in Town. Situating his analysis within the era's shifts in the television industry and the coalescence of straightness and whiteness that came with the decline of vaudevillian camp, Miller shows how the sitcoms of this era overflowed with important queer representation and gender nonconformity. Whether through regular supporting performances (Ann B. Davis's Schultzy in The Bob Cummings Show), guest appearances by Paul Lynde and Charles Nelson Reilly, or scripted dialogue and situations, industry processes of casting and production routinely esteemed a camp aesthetic that renders all gender expression queer. By charting this unexpected history, Miller offers new ways of exploring how supposedly repressive popular media incubated queer, genderqueer, and transgender representations In English PERFORMING ARTS / Television / History & Criticism bisacsh Gender identity on television Gender nonconformity on television Homosexuality and television United States History Situation comedies (Television programs) United States History and criticism Television Social aspects United States History 20th century Transgender people in popular culture United States https://doi.org/10.1515/9781478003397 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Miller, Quinlan Camp TV Trans Gender Queer Sitcom History PERFORMING ARTS / Television / History & Criticism bisacsh Gender identity on television Gender nonconformity on television Homosexuality and television United States History Situation comedies (Television programs) United States History and criticism Television Social aspects United States History 20th century Transgender people in popular culture United States |
| title | Camp TV Trans Gender Queer Sitcom History |
| title_auth | Camp TV Trans Gender Queer Sitcom History |
| title_exact_search | Camp TV Trans Gender Queer Sitcom History |
| title_exact_search_txtP | Camp TV Trans Gender Queer Sitcom History |
| title_full | Camp TV Trans Gender Queer Sitcom History Quinlan Miller |
| title_fullStr | Camp TV Trans Gender Queer Sitcom History Quinlan Miller |
| title_full_unstemmed | Camp TV Trans Gender Queer Sitcom History Quinlan Miller |
| title_short | Camp TV |
| title_sort | camp tv trans gender queer sitcom history |
| title_sub | Trans Gender Queer Sitcom History |
| topic | PERFORMING ARTS / Television / History & Criticism bisacsh Gender identity on television Gender nonconformity on television Homosexuality and television United States History Situation comedies (Television programs) United States History and criticism Television Social aspects United States History 20th century Transgender people in popular culture United States |
| topic_facet | PERFORMING ARTS / Television / History & Criticism Gender identity on television Gender nonconformity on television Homosexuality and television United States History Situation comedies (Television programs) United States History and criticism Television Social aspects United States History 20th century Transgender people in popular culture United States |
| url | https://doi.org/10.1515/9781478003397 |
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