Autonomy: The Social Ontology of Art under Capitalism
In Autonomy Nicholas Brown theorizes the historical and theoretical argument for art's autonomy from its acknowledged character as a commodity. Refusing the position that the distinction between art and the commodity has collapsed, Brown demonstrates how art can, in confronting its material det...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Durham
Duke University Press
[2019]
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Schlagworte: | |
Online-Zugang: | DE-1043 DE-1046 DE-859 DE-860 DE-473 DE-739 DE-858 Volltext |
Zusammenfassung: | In Autonomy Nicholas Brown theorizes the historical and theoretical argument for art's autonomy from its acknowledged character as a commodity. Refusing the position that the distinction between art and the commodity has collapsed, Brown demonstrates how art can, in confronting its material determinations, suspend the logic of capital by demanding interpretive attention. He applies his readings of Marx, Hegel, Adorno, and Jameson to a range of literature, photography, music, television, and sculpture, from Cindy Sherman's photography and the novels of Ben Lerner and Jennifer Egan to The Wire and the music of the White Stripes. He demonstrates that through their attention and commitment to form, such artists turn aside the determination posed by the demand of the market, thereby defeating the foreclosure of meaning entailed in commodification. In so doing, he offers a new theory of art that prompts a rethinking of the relationship between art, critical theory, and capitalism |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) |
Beschreibung: | 1 online resource (232 pages) 30 illustrations, incl. 21 in color |
ISBN: | 9781478002673 |
DOI: | 10.1515/9781478002673 |
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Datensatz im Suchindex
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author | Brown, Nicholas |
author_facet | Brown, Nicholas |
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author_sort | Brown, Nicholas |
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dewey-full | 709.05 |
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dewey-ones | 709 - History, geographic treatment, biography |
dewey-raw | 709.05 |
dewey-search | 709.05 |
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dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
doi_str_mv | 10.1515/9781478002673 |
format | Electronic eBook |
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isbn | 9781478002673 |
language | English |
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spelling | Brown, Nicholas Verfasser aut Autonomy The Social Ontology of Art under Capitalism Nicholas Brown Durham Duke University Press [2019] © 2019 1 online resource (232 pages) 30 illustrations, incl. 21 in color txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) In Autonomy Nicholas Brown theorizes the historical and theoretical argument for art's autonomy from its acknowledged character as a commodity. Refusing the position that the distinction between art and the commodity has collapsed, Brown demonstrates how art can, in confronting its material determinations, suspend the logic of capital by demanding interpretive attention. He applies his readings of Marx, Hegel, Adorno, and Jameson to a range of literature, photography, music, television, and sculpture, from Cindy Sherman's photography and the novels of Ben Lerner and Jennifer Egan to The Wire and the music of the White Stripes. He demonstrates that through their attention and commitment to form, such artists turn aside the determination posed by the demand of the market, thereby defeating the foreclosure of meaning entailed in commodification. In so doing, he offers a new theory of art that prompts a rethinking of the relationship between art, critical theory, and capitalism In English LITERARY CRITICISM / Semiotics & Theory bisacsh Art and business History 21st century Art and society History 21st century Art, Modern 21st century Economic aspects Arts Political aspects https://doi.org/10.1515/9781478002673 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Brown, Nicholas Autonomy The Social Ontology of Art under Capitalism LITERARY CRITICISM / Semiotics & Theory bisacsh Art and business History 21st century Art and society History 21st century Art, Modern 21st century Economic aspects Arts Political aspects |
title | Autonomy The Social Ontology of Art under Capitalism |
title_auth | Autonomy The Social Ontology of Art under Capitalism |
title_exact_search | Autonomy The Social Ontology of Art under Capitalism |
title_exact_search_txtP | Autonomy The Social Ontology of Art under Capitalism |
title_full | Autonomy The Social Ontology of Art under Capitalism Nicholas Brown |
title_fullStr | Autonomy The Social Ontology of Art under Capitalism Nicholas Brown |
title_full_unstemmed | Autonomy The Social Ontology of Art under Capitalism Nicholas Brown |
title_short | Autonomy |
title_sort | autonomy the social ontology of art under capitalism |
title_sub | The Social Ontology of Art under Capitalism |
topic | LITERARY CRITICISM / Semiotics & Theory bisacsh Art and business History 21st century Art and society History 21st century Art, Modern 21st century Economic aspects Arts Political aspects |
topic_facet | LITERARY CRITICISM / Semiotics & Theory Art and business History 21st century Art and society History 21st century Art, Modern 21st century Economic aspects Arts Political aspects |
url | https://doi.org/10.1515/9781478002673 |
work_keys_str_mv | AT brownnicholas autonomythesocialontologyofartundercapitalism |