Worldmaking: race, performance, and the work of creativity
In this bold, innovative work, Dorinne Kondo theorizes the racialized structures of inequality that pervade theater and the arts. Grounded in twenty years of fieldwork as dramaturg and playwright, Kondo mobilizes critical race studies, affect theory, psychoanalysis, and dramatic writing to trenchant...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Durham
Duke University Press
[2018]
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Schlagworte: | |
Online-Zugang: | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-91 DE-473 DE-703 DE-739 URL des Erstveröffentlichers |
Zusammenfassung: | In this bold, innovative work, Dorinne Kondo theorizes the racialized structures of inequality that pervade theater and the arts. Grounded in twenty years of fieldwork as dramaturg and playwright, Kondo mobilizes critical race studies, affect theory, psychoanalysis, and dramatic writing to trenchantly analyze theater's work of creativity as theory: acting, writing, dramaturgy. Race-making occurs backstage in the creative process and through economic forces, institutional hierarchies, hiring practices, ideologies of artistic transcendence, and aesthetic form. For audiences, the arts produce racial affect--structurally over-determined ways affect can enhance or diminish life. Upending genre through scholarly interpretation, vivid vignettes, and Kondo's original play, Worldmaking journeys from an initial romance with theater that is shattered by encounters with racism, toward what Kondo calls reparative creativity in the work of minoritarian artists Anna Deavere Smith, David Henry Hwang, and the author herself. Worldmaking performs the potential for the arts to remake worlds, from theater worlds to psychic worlds to worldmaking visions for social transformation |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) |
Beschreibung: | 1 online resource (376 pages) 8 color illustrations |
ISBN: | 9781478002420 |
DOI: | 10.1515/9781478002420 |
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Datensatz im Suchindex
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adam_text | |
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author | Kondo, Dorinne K. 1953- |
author_GND | (DE-588)1182741452 |
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author_role | aut |
author_sort | Kondo, Dorinne K. 1953- |
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building | Verbundindex |
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dewey-ones | 792 - Stage presentations |
dewey-raw | 792.089/950973 |
dewey-search | 792.089/950973 |
dewey-sort | 3792.089 6950973 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines Soziologie |
discipline_str_mv | Allgemeines Soziologie |
doi_str_mv | 10.1515/9781478002420 |
format | Electronic eBook |
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id | DE-604.BV047049426 |
illustrated | Illustrated |
index_date | 2024-07-03T16:07:31Z |
indexdate | 2025-01-31T19:03:08Z |
institution | BVB |
isbn | 9781478002420 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032456822 |
oclc_num | 1226707088 |
open_access_boolean | |
owner | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-703 DE-858 DE-91 DE-BY-TUM |
owner_facet | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-703 DE-858 DE-91 DE-BY-TUM |
physical | 1 online resource (376 pages) 8 color illustrations |
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publishDate | 2018 |
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publisher | Duke University Press |
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spelling | Kondo, Dorinne K. 1953- Verfasser (DE-588)1182741452 aut Worldmaking race, performance, and the work of creativity Dorinne Kondo Durham Duke University Press [2018] © 2018 1 online resource (376 pages) 8 color illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) In this bold, innovative work, Dorinne Kondo theorizes the racialized structures of inequality that pervade theater and the arts. Grounded in twenty years of fieldwork as dramaturg and playwright, Kondo mobilizes critical race studies, affect theory, psychoanalysis, and dramatic writing to trenchantly analyze theater's work of creativity as theory: acting, writing, dramaturgy. Race-making occurs backstage in the creative process and through economic forces, institutional hierarchies, hiring practices, ideologies of artistic transcendence, and aesthetic form. For audiences, the arts produce racial affect--structurally over-determined ways affect can enhance or diminish life. Upending genre through scholarly interpretation, vivid vignettes, and Kondo's original play, Worldmaking journeys from an initial romance with theater that is shattered by encounters with racism, toward what Kondo calls reparative creativity in the work of minoritarian artists Anna Deavere Smith, David Henry Hwang, and the author herself. Worldmaking performs the potential for the arts to remake worlds, from theater worlds to psychic worlds to worldmaking visions for social transformation In English SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh American drama Asian American authors History and criticism Asian American theater Social aspects Creation (Literary, artistic, etc.) Social aspects United States Racism and the arts United States Theater and society United States https://doi.org/10.1515/9781478002420 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Kondo, Dorinne K. 1953- Worldmaking race, performance, and the work of creativity SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh American drama Asian American authors History and criticism Asian American theater Social aspects Creation (Literary, artistic, etc.) Social aspects United States Racism and the arts United States Theater and society United States |
title | Worldmaking race, performance, and the work of creativity |
title_auth | Worldmaking race, performance, and the work of creativity |
title_exact_search | Worldmaking race, performance, and the work of creativity |
title_exact_search_txtP | Worldmaking race, performance, and the work of creativity |
title_full | Worldmaking race, performance, and the work of creativity Dorinne Kondo |
title_fullStr | Worldmaking race, performance, and the work of creativity Dorinne Kondo |
title_full_unstemmed | Worldmaking race, performance, and the work of creativity Dorinne Kondo |
title_short | Worldmaking |
title_sort | worldmaking race performance and the work of creativity |
title_sub | race, performance, and the work of creativity |
topic | SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh American drama Asian American authors History and criticism Asian American theater Social aspects Creation (Literary, artistic, etc.) Social aspects United States Racism and the arts United States Theater and society United States |
topic_facet | SOCIAL SCIENCE / Anthropology / Cultural & Social American drama Asian American authors History and criticism Asian American theater Social aspects Creation (Literary, artistic, etc.) Social aspects United States Racism and the arts United States Theater and society United States |
url | https://doi.org/10.1515/9781478002420 |
work_keys_str_mv | AT kondodorinnek worldmakingraceperformanceandtheworkofcreativity |