Bloodflowers: Rotimi Fani-Kayode, Photography, and the 1980s
In Bloodflowers W. Ian Bourland examines the photography of Rotimi Fani-Kayode (1955-1989), whose art is a touchstone for cultural debates surrounding questions of gender and queerness, race and diaspora, aesthetics and politics, and the enduring legacy of slavery and colonialism. Born in Nigeria, F...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2019]
|
| Schriftenreihe: | The Visual Arts of Africa and its Diasporas
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UBT01 UPA01 FCO01 Volltext |
| Zusammenfassung: | In Bloodflowers W. Ian Bourland examines the photography of Rotimi Fani-Kayode (1955-1989), whose art is a touchstone for cultural debates surrounding questions of gender and queerness, race and diaspora, aesthetics and politics, and the enduring legacy of slavery and colonialism. Born in Nigeria, Fani-Kayode moved between artistic and cultural worlds in Washington, DC, New York, and London, where he produced the bulk of his provocative and often surrealist and homoerotic photographs of black men. Bourland situates Fani-Kayode's work in a time of global transition and traces how it exemplified and responded to profound social, cultural, and political change. In addition to his formal analyses of Fani-Kayode's portraiture, Bourland outlines the important influence that surrealism, neo-Romanticism, Yoruban religion, the AIDS crisis, experimental film, loft culture, and house and punk music had on Fani-Kayode's work. In so doing, Bourland offers new perspectives on a pivotal artist whose brief career continues to resonate with deep aesthetic and social meaning |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) |
| Beschreibung: | 1 online resource (336 pages) 92 illustrations |
| ISBN: | 9781478002369 |
| DOI: | 10.1515/9781478002369 |
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Datensatz im Suchindex
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| author | Bourland, W. Ian |
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| dewey-ones | 779 - Photographic images |
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| dewey-search | 779.21 |
| dewey-sort | 3779.21 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| doi_str_mv | 10.1515/9781478002369 |
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| index_date | 2024-07-03T16:07:31Z |
| indexdate | 2024-07-10T09:01:09Z |
| institution | BVB |
| isbn | 9781478002369 |
| language | English |
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| series2 | The Visual Arts of Africa and its Diasporas |
| spelling | Bourland, W. Ian Verfasser aut Bloodflowers Rotimi Fani-Kayode, Photography, and the 1980s W. Ian Bourland Durham Duke University Press [2019] © 2019 1 online resource (336 pages) 92 illustrations txt rdacontent c rdamedia cr rdacarrier The Visual Arts of Africa and its Diasporas Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) In Bloodflowers W. Ian Bourland examines the photography of Rotimi Fani-Kayode (1955-1989), whose art is a touchstone for cultural debates surrounding questions of gender and queerness, race and diaspora, aesthetics and politics, and the enduring legacy of slavery and colonialism. Born in Nigeria, Fani-Kayode moved between artistic and cultural worlds in Washington, DC, New York, and London, where he produced the bulk of his provocative and often surrealist and homoerotic photographs of black men. Bourland situates Fani-Kayode's work in a time of global transition and traces how it exemplified and responded to profound social, cultural, and political change. In addition to his formal analyses of Fani-Kayode's portraiture, Bourland outlines the important influence that surrealism, neo-Romanticism, Yoruban religion, the AIDS crisis, experimental film, loft culture, and house and punk music had on Fani-Kayode's work. In so doing, Bourland offers new perspectives on a pivotal artist whose brief career continues to resonate with deep aesthetic and social meaning In English Photography / Individual Photographers / Monographs bisacsh Gay erotic photography Homosexuality in art Photographers Nigeria Photography of men Photography of the nude Photography Social aspects https://doi.org/10.1515/9781478002369 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Bourland, W. Ian Bloodflowers Rotimi Fani-Kayode, Photography, and the 1980s Photography / Individual Photographers / Monographs bisacsh Gay erotic photography Homosexuality in art Photographers Nigeria Photography of men Photography of the nude Photography Social aspects |
| title | Bloodflowers Rotimi Fani-Kayode, Photography, and the 1980s |
| title_auth | Bloodflowers Rotimi Fani-Kayode, Photography, and the 1980s |
| title_exact_search | Bloodflowers Rotimi Fani-Kayode, Photography, and the 1980s |
| title_exact_search_txtP | Bloodflowers Rotimi Fani-Kayode, Photography, and the 1980s |
| title_full | Bloodflowers Rotimi Fani-Kayode, Photography, and the 1980s W. Ian Bourland |
| title_fullStr | Bloodflowers Rotimi Fani-Kayode, Photography, and the 1980s W. Ian Bourland |
| title_full_unstemmed | Bloodflowers Rotimi Fani-Kayode, Photography, and the 1980s W. Ian Bourland |
| title_short | Bloodflowers |
| title_sort | bloodflowers rotimi fani kayode photography and the 1980s |
| title_sub | Rotimi Fani-Kayode, Photography, and the 1980s |
| topic | Photography / Individual Photographers / Monographs bisacsh Gay erotic photography Homosexuality in art Photographers Nigeria Photography of men Photography of the nude Photography Social aspects |
| topic_facet | Photography / Individual Photographers / Monographs Gay erotic photography Homosexuality in art Photographers Nigeria Photography of men Photography of the nude Photography Social aspects |
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