People Get Ready: The Future of Jazz Is Now!
In People Get Ready, musicians, scholars, and journalists write about jazz since 1965, the year that Curtis Mayfield composed the famous civil rights anthem that gives this collection its title. The contributors emphasize how the political consciousness that infused jazz in the 1960s and early 1970s...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2013]
|
| Schriftenreihe: | Improvisation, community, and social practice
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UBT01 UPA01 FCO01 Volltext |
| Zusammenfassung: | In People Get Ready, musicians, scholars, and journalists write about jazz since 1965, the year that Curtis Mayfield composed the famous civil rights anthem that gives this collection its title. The contributors emphasize how the political consciousness that infused jazz in the 1960s and early 1970s has informed jazz in the years since then. They bring nuance to historical accounts of the avant-garde, the New Thing, Free Jazz, "non-idiomatic" improvisation, fusion, and other forms of jazz that have flourished since the 1960s, and they reveal the contemporary relevance of those musical practices. Many of the participants in the jazz scenes discussed are still active performers. A photographic essay captures some of them in candid moments before performances. Other pieces revise standard accounts of well-known jazz figures, such as Duke Ellington, and lesser-known musicians, including Jeanne Lee; delve into how money, class, space, and economics affect the performance of experimental music; and take up the question of how digital technology influences improvisation. People Get Ready offers a vision for the future of jazz based on an appreciation of the complexity of its past and the abundance of innovation in the present.Contributors. Tamar Barzel, John Brackett, Douglas Ewart, Ajay Heble, Vijay Iyer, Thomas King, Tracy McMullen, Paul D. Miller/DJ Spooky, Nicole Mitchell, Roscoe Mitchell, Famoudou Don Moye, Aldon Lynn Nielsen, Eric Porter, Marc Ribot, Matana Roberts, Jaribu Shahid, Julie Dawn Smith, Wadada Leo Smith, Alan Stanbridge, John Szwed, Greg Tate, Scott Thomson, Rob Wallace, Ellen Waterman, Corey Wilkes |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
| Beschreibung: | 1 online resource (328 pages) 16 photographs, 1 figure |
| ISBN: | 9780822399728 |
| DOI: | 10.1515/9780822399728 |
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| 520 | |a In People Get Ready, musicians, scholars, and journalists write about jazz since 1965, the year that Curtis Mayfield composed the famous civil rights anthem that gives this collection its title. The contributors emphasize how the political consciousness that infused jazz in the 1960s and early 1970s has informed jazz in the years since then. They bring nuance to historical accounts of the avant-garde, the New Thing, Free Jazz, "non-idiomatic" improvisation, fusion, and other forms of jazz that have flourished since the 1960s, and they reveal the contemporary relevance of those musical practices. Many of the participants in the jazz scenes discussed are still active performers. A photographic essay captures some of them in candid moments before performances. Other pieces revise standard accounts of well-known jazz figures, such as Duke Ellington, and lesser-known musicians, including Jeanne Lee; delve into how money, class, space, and economics affect the performance of experimental music; and take up the question of how digital technology influences improvisation. People Get Ready offers a vision for the future of jazz based on an appreciation of the complexity of its past and the abundance of innovation in the present.Contributors. Tamar Barzel, John Brackett, Douglas Ewart, Ajay Heble, Vijay Iyer, Thomas King, Tracy McMullen, Paul D. Miller/DJ Spooky, Nicole Mitchell, Roscoe Mitchell, Famoudou Don Moye, Aldon Lynn Nielsen, Eric Porter, Marc Ribot, Matana Roberts, Jaribu Shahid, Julie Dawn Smith, Wadada Leo Smith, Alan Stanbridge, John Szwed, Greg Tate, Scott Thomson, Rob Wallace, Ellen Waterman, Corey Wilkes | ||
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Datensatz im Suchindex
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| dewey-ones | 781 - General principles and musical forms |
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| id | DE-604.BV047049387 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:07:31Z |
| indexdate | 2024-07-10T09:01:09Z |
| institution | BVB |
| isbn | 9780822399728 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032456783 |
| oclc_num | 1226706064 |
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| owner_facet | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-703 DE-858 |
| physical | 1 online resource (328 pages) 16 photographs, 1 figure |
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| series2 | Improvisation, community, and social practice |
| spelling | People Get Ready The Future of Jazz Is Now! Ajay Heble, Rob Wallace, Rob Wallace Durham Duke University Press [2013] © 2013 1 online resource (328 pages) 16 photographs, 1 figure txt rdacontent c rdamedia cr rdacarrier Improvisation, community, and social practice Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) In People Get Ready, musicians, scholars, and journalists write about jazz since 1965, the year that Curtis Mayfield composed the famous civil rights anthem that gives this collection its title. The contributors emphasize how the political consciousness that infused jazz in the 1960s and early 1970s has informed jazz in the years since then. They bring nuance to historical accounts of the avant-garde, the New Thing, Free Jazz, "non-idiomatic" improvisation, fusion, and other forms of jazz that have flourished since the 1960s, and they reveal the contemporary relevance of those musical practices. Many of the participants in the jazz scenes discussed are still active performers. A photographic essay captures some of them in candid moments before performances. Other pieces revise standard accounts of well-known jazz figures, such as Duke Ellington, and lesser-known musicians, including Jeanne Lee; delve into how money, class, space, and economics affect the performance of experimental music; and take up the question of how digital technology influences improvisation. People Get Ready offers a vision for the future of jazz based on an appreciation of the complexity of its past and the abundance of innovation in the present.Contributors. Tamar Barzel, John Brackett, Douglas Ewart, Ajay Heble, Vijay Iyer, Thomas King, Tracy McMullen, Paul D. Miller/DJ Spooky, Nicole Mitchell, Roscoe Mitchell, Famoudou Don Moye, Aldon Lynn Nielsen, Eric Porter, Marc Ribot, Matana Roberts, Jaribu Shahid, Julie Dawn Smith, Wadada Leo Smith, Alan Stanbridge, John Szwed, Greg Tate, Scott Thomson, Rob Wallace, Ellen Waterman, Corey Wilkes In English MUSIC / Genres & Styles / Jazz bisacsh Improvisation (Music) Jazz History and criticism Heble, Ajay edt Wallace, Rob edt https://doi.org/10.1515/9780822399728 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | People Get Ready The Future of Jazz Is Now! MUSIC / Genres & Styles / Jazz bisacsh Improvisation (Music) Jazz History and criticism |
| title | People Get Ready The Future of Jazz Is Now! |
| title_auth | People Get Ready The Future of Jazz Is Now! |
| title_exact_search | People Get Ready The Future of Jazz Is Now! |
| title_exact_search_txtP | People Get Ready The Future of Jazz Is Now! |
| title_full | People Get Ready The Future of Jazz Is Now! Ajay Heble, Rob Wallace, Rob Wallace |
| title_fullStr | People Get Ready The Future of Jazz Is Now! Ajay Heble, Rob Wallace, Rob Wallace |
| title_full_unstemmed | People Get Ready The Future of Jazz Is Now! Ajay Heble, Rob Wallace, Rob Wallace |
| title_short | People Get Ready |
| title_sort | people get ready the future of jazz is now |
| title_sub | The Future of Jazz Is Now! |
| topic | MUSIC / Genres & Styles / Jazz bisacsh Improvisation (Music) Jazz History and criticism |
| topic_facet | MUSIC / Genres & Styles / Jazz Improvisation (Music) Jazz History and criticism |
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