The Aesthetics of Shadow: Lighting and Japanese Cinema
In this revealing study, Daisuke Miyao explores "the aesthetics of shadow" in Japanese cinema in the first half of the twentieth century. This term, coined by the production designer Yoshino Nobutaka, refers to the perception that shadows add depth and mystery. Miyao analyzes how this noti...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2013]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | In this revealing study, Daisuke Miyao explores "the aesthetics of shadow" in Japanese cinema in the first half of the twentieth century. This term, coined by the production designer Yoshino Nobutaka, refers to the perception that shadows add depth and mystery. Miyao analyzes how this notion became naturalized as the representation of beauty in Japanese films, situating Japanese cinema within transnational film history. He examines the significant roles lighting played in distinguishing the styles of Japanese film from American and European film and the ways that lighting facilitated the formulation of a coherent new Japanese cultural tradition. Miyao discusses the influences of Hollywood and German cinema alongside Japanese Kabuki theater lighting traditions and the emergence of neon commercial lighting during this period. He argues that lighting technology in cinema had been structured by the conflicts of modernity in Japan, including capitalist transitions in the film industry, the articulation of Japanese cultural and national identity, and increased subjectivity for individuals. By focusing on the understudied element of film lighting and treating cinematographers and lighting designers as essential collaborators in moviemaking, Miyao offers a rereading of Japanese film history |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
| Beschreibung: | 1 online resource (400 pages) 64 illustrations |
| ISBN: | 9780822399667 |
| DOI: | 10.1515/9780822399667 |
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| spelling | Miyao, Daisuke Verfasser aut The Aesthetics of Shadow Lighting and Japanese Cinema Daisuke Miyao Durham Duke University Press [2013] © 2013 1 online resource (400 pages) 64 illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) In this revealing study, Daisuke Miyao explores "the aesthetics of shadow" in Japanese cinema in the first half of the twentieth century. This term, coined by the production designer Yoshino Nobutaka, refers to the perception that shadows add depth and mystery. Miyao analyzes how this notion became naturalized as the representation of beauty in Japanese films, situating Japanese cinema within transnational film history. He examines the significant roles lighting played in distinguishing the styles of Japanese film from American and European film and the ways that lighting facilitated the formulation of a coherent new Japanese cultural tradition. Miyao discusses the influences of Hollywood and German cinema alongside Japanese Kabuki theater lighting traditions and the emergence of neon commercial lighting during this period. He argues that lighting technology in cinema had been structured by the conflicts of modernity in Japan, including capitalist transitions in the film industry, the articulation of Japanese cultural and national identity, and increased subjectivity for individuals. By focusing on the understudied element of film lighting and treating cinematographers and lighting designers as essential collaborators in moviemaking, Miyao offers a rereading of Japanese film history In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Cinematographers Japan Cinematography Lighting Culture in motion pictures Motion picture industry Japan History https://doi.org/10.1515/9780822399667 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Miyao, Daisuke The Aesthetics of Shadow Lighting and Japanese Cinema PERFORMING ARTS / Film & Video / History & Criticism bisacsh Cinematographers Japan Cinematography Lighting Culture in motion pictures Motion picture industry Japan History |
| title | The Aesthetics of Shadow Lighting and Japanese Cinema |
| title_auth | The Aesthetics of Shadow Lighting and Japanese Cinema |
| title_exact_search | The Aesthetics of Shadow Lighting and Japanese Cinema |
| title_exact_search_txtP | The Aesthetics of Shadow Lighting and Japanese Cinema |
| title_full | The Aesthetics of Shadow Lighting and Japanese Cinema Daisuke Miyao |
| title_fullStr | The Aesthetics of Shadow Lighting and Japanese Cinema Daisuke Miyao |
| title_full_unstemmed | The Aesthetics of Shadow Lighting and Japanese Cinema Daisuke Miyao |
| title_short | The Aesthetics of Shadow |
| title_sort | the aesthetics of shadow lighting and japanese cinema |
| title_sub | Lighting and Japanese Cinema |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Cinematographers Japan Cinematography Lighting Culture in motion pictures Motion picture industry Japan History |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Cinematographers Japan Cinematography Lighting Culture in motion pictures Motion picture industry Japan History |
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