Unfree Masters: Popular Music and the Politics of Work
The widespread perception of singers and musicians as free individuals doing enjoyable and fulfilling work obscures the realities of their occupation. In Unfree Masters Matt Stahl examines recording artists' labor in the music industry as a form of creative work. He begins by considering the te...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2012]
|
| Schriftenreihe: | Refiguring American Music
|
| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-859 DE-860 DE-473 DE-739 DE-858 Volltext |
| Zusammenfassung: | The widespread perception of singers and musicians as free individuals doing enjoyable and fulfilling work obscures the realities of their occupation. In Unfree Masters Matt Stahl examines recording artists' labor in the music industry as a form of creative work. He begins by considering the television show American Idol and the 2004 rockumentary Dig!, tracing the ways that popular music making is narrativized in contemporary America and showing how such narratives highlight musicians' negotiations of the limits of freedom and autonomy in creative cultural-industrial work. Turning to struggles between recording artists and record companies over laws that govern their working and contractual relationships, he reveals further tensions and contradictions in this form of work. Stahl argues that media narratives of music making, as well as contract and copyright disputes between musicians and music industry executives, contribute to American socioeconomic discourse and expose a foundational tension between democratic principles of individual autonomy and responsibility and the power of employers to control labor and appropriate its products. Stahl asserts that the labor issues that he discloses in music can stimulate insights about the political-economic and imaginative challenges currently facing working people of all kinds |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
| Beschreibung: | 1 online resource (312 pages) |
| ISBN: | 9780822395775 |
| DOI: | 10.1515/9780822395775 |
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| indexdate | 2025-02-19T17:29:41Z |
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| isbn | 9780822395775 |
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| series2 | Refiguring American Music |
| spelling | Stahl, Matt Verfasser aut Unfree Masters Popular Music and the Politics of Work Matt Stahl Durham Duke University Press [2012] © 2012 1 online resource (312 pages) txt rdacontent c rdamedia cr rdacarrier Refiguring American Music Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) The widespread perception of singers and musicians as free individuals doing enjoyable and fulfilling work obscures the realities of their occupation. In Unfree Masters Matt Stahl examines recording artists' labor in the music industry as a form of creative work. He begins by considering the television show American Idol and the 2004 rockumentary Dig!, tracing the ways that popular music making is narrativized in contemporary America and showing how such narratives highlight musicians' negotiations of the limits of freedom and autonomy in creative cultural-industrial work. Turning to struggles between recording artists and record companies over laws that govern their working and contractual relationships, he reveals further tensions and contradictions in this form of work. Stahl argues that media narratives of music making, as well as contract and copyright disputes between musicians and music industry executives, contribute to American socioeconomic discourse and expose a foundational tension between democratic principles of individual autonomy and responsibility and the power of employers to control labor and appropriate its products. Stahl asserts that the labor issues that he discloses in music can stimulate insights about the political-economic and imaginative challenges currently facing working people of all kinds In English MUSIC / Business Aspects bisacsh Intellectual property United States Popular music Economic aspects United States Popular music Writing and publishing United States Sound recording industry United States https://doi.org/10.1515/9780822395775 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Stahl, Matt Unfree Masters Popular Music and the Politics of Work MUSIC / Business Aspects bisacsh Intellectual property United States Popular music Economic aspects United States Popular music Writing and publishing United States Sound recording industry United States |
| title | Unfree Masters Popular Music and the Politics of Work |
| title_auth | Unfree Masters Popular Music and the Politics of Work |
| title_exact_search | Unfree Masters Popular Music and the Politics of Work |
| title_exact_search_txtP | Unfree Masters Popular Music and the Politics of Work |
| title_full | Unfree Masters Popular Music and the Politics of Work Matt Stahl |
| title_fullStr | Unfree Masters Popular Music and the Politics of Work Matt Stahl |
| title_full_unstemmed | Unfree Masters Popular Music and the Politics of Work Matt Stahl |
| title_short | Unfree Masters |
| title_sort | unfree masters popular music and the politics of work |
| title_sub | Popular Music and the Politics of Work |
| topic | MUSIC / Business Aspects bisacsh Intellectual property United States Popular music Economic aspects United States Popular music Writing and publishing United States Sound recording industry United States |
| topic_facet | MUSIC / Business Aspects Intellectual property United States Popular music Economic aspects United States Popular music Writing and publishing United States Sound recording industry United States |
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