New World Drama: The Performative Commons in the Atlantic World, 1649-1849
In New World Drama, Elizabeth Maddock Dillon turns to the riotous scene of theatre in the eighteenth-century Atlantic world to explore the creation of new publics. Moving from England to the Caribbean to the early United States, she traces the theatrical emergence of a collective body in the coloniz...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2014]
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| Schriftenreihe: | New Americanists
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | In New World Drama, Elizabeth Maddock Dillon turns to the riotous scene of theatre in the eighteenth-century Atlantic world to explore the creation of new publics. Moving from England to the Caribbean to the early United States, she traces the theatrical emergence of a collective body in the colonized New World-one that included indigenous peoples, diasporic Africans, and diasporic Europeans. In the raucous space of the theatre, the contradictions of colonialism loomed large. Foremost among these was the central paradox of modernity: the coexistence of a massive slave economy and a nascent politics of freedom. Audiences in London eagerly watched the royal slave, Oroonoko, tortured on stage, while audiences in Charleston and Kingston were forbidden from watching the same scene. Audiences in Kingston and New York City exuberantly participated in the slaying of Richard III on stage, enacting the rise of the "people," and Native American leaders were enjoined to watch actors in blackface "jump Jim Crow." Dillon argues that the theater served as a "performative commons," staging debates over representation in a political world based on popular sovereignty. Her book is a capacious account of performance, aesthetics, and modernity in the eighteenth-century Atlantic world |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Beschreibung: | 1 online resource (368 pages) 17 illustrations |
| ISBN: | 9780822395737 |
| DOI: | 10.1515/9780822395737 |
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| 520 | |a In New World Drama, Elizabeth Maddock Dillon turns to the riotous scene of theatre in the eighteenth-century Atlantic world to explore the creation of new publics. Moving from England to the Caribbean to the early United States, she traces the theatrical emergence of a collective body in the colonized New World-one that included indigenous peoples, diasporic Africans, and diasporic Europeans. In the raucous space of the theatre, the contradictions of colonialism loomed large. Foremost among these was the central paradox of modernity: the coexistence of a massive slave economy and a nascent politics of freedom. Audiences in London eagerly watched the royal slave, Oroonoko, tortured on stage, while audiences in Charleston and Kingston were forbidden from watching the same scene. Audiences in Kingston and New York City exuberantly participated in the slaying of Richard III on stage, enacting the rise of the "people," and Native American leaders were enjoined to watch actors in blackface "jump Jim Crow." Dillon argues that the theater served as a "performative commons," staging debates over representation in a political world based on popular sovereignty. Her book is a capacious account of performance, aesthetics, and modernity in the eighteenth-century Atlantic world | ||
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Datensatz im Suchindex
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| author | Dillon, Elizabeth Maddock |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
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| discipline | Allgemeines |
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| doi_str_mv | 10.1515/9780822395737 |
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| illustrated | Illustrated |
| index_date | 2024-07-03T16:07:31Z |
| indexdate | 2024-07-10T09:01:09Z |
| institution | BVB |
| isbn | 9780822395737 |
| language | English |
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| spelling | Dillon, Elizabeth Maddock Verfasser aut New World Drama The Performative Commons in the Atlantic World, 1649-1849 Elizabeth Maddock Dillon Durham Duke University Press [2014] © 2014 1 online resource (368 pages) 17 illustrations txt rdacontent c rdamedia cr rdacarrier New Americanists Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) In New World Drama, Elizabeth Maddock Dillon turns to the riotous scene of theatre in the eighteenth-century Atlantic world to explore the creation of new publics. Moving from England to the Caribbean to the early United States, she traces the theatrical emergence of a collective body in the colonized New World-one that included indigenous peoples, diasporic Africans, and diasporic Europeans. In the raucous space of the theatre, the contradictions of colonialism loomed large. Foremost among these was the central paradox of modernity: the coexistence of a massive slave economy and a nascent politics of freedom. Audiences in London eagerly watched the royal slave, Oroonoko, tortured on stage, while audiences in Charleston and Kingston were forbidden from watching the same scene. Audiences in Kingston and New York City exuberantly participated in the slaying of Richard III on stage, enacting the rise of the "people," and Native American leaders were enjoined to watch actors in blackface "jump Jim Crow." Dillon argues that the theater served as a "performative commons," staging debates over representation in a political world based on popular sovereignty. Her book is a capacious account of performance, aesthetics, and modernity in the eighteenth-century Atlantic world In English LITERARY CRITICISM / American / General bisacsh Theater Political aspects Atlantic Ocean Region History 17th century Theater Political aspects Atlantic Ocean Region History 18th century Theater Political aspects Atlantic Ocean Region History 19th century https://doi.org/10.1515/9780822395737 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Dillon, Elizabeth Maddock New World Drama The Performative Commons in the Atlantic World, 1649-1849 LITERARY CRITICISM / American / General bisacsh Theater Political aspects Atlantic Ocean Region History 17th century Theater Political aspects Atlantic Ocean Region History 18th century Theater Political aspects Atlantic Ocean Region History 19th century |
| title | New World Drama The Performative Commons in the Atlantic World, 1649-1849 |
| title_auth | New World Drama The Performative Commons in the Atlantic World, 1649-1849 |
| title_exact_search | New World Drama The Performative Commons in the Atlantic World, 1649-1849 |
| title_exact_search_txtP | New World Drama The Performative Commons in the Atlantic World, 1649-1849 |
| title_full | New World Drama The Performative Commons in the Atlantic World, 1649-1849 Elizabeth Maddock Dillon |
| title_fullStr | New World Drama The Performative Commons in the Atlantic World, 1649-1849 Elizabeth Maddock Dillon |
| title_full_unstemmed | New World Drama The Performative Commons in the Atlantic World, 1649-1849 Elizabeth Maddock Dillon |
| title_short | New World Drama |
| title_sort | new world drama the performative commons in the atlantic world 1649 1849 |
| title_sub | The Performative Commons in the Atlantic World, 1649-1849 |
| topic | LITERARY CRITICISM / American / General bisacsh Theater Political aspects Atlantic Ocean Region History 17th century Theater Political aspects Atlantic Ocean Region History 18th century Theater Political aspects Atlantic Ocean Region History 19th century |
| topic_facet | LITERARY CRITICISM / American / General Theater Political aspects Atlantic Ocean Region History 17th century Theater Political aspects Atlantic Ocean Region History 18th century Theater Political aspects Atlantic Ocean Region History 19th century |
| url | https://doi.org/10.1515/9780822395737 |
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