Go-Go Live: The Musical Life and Death of a Chocolate City
Go-go is the conga drum-inflected black popular music that emerged in Washington, D.C., during the 1970s. The guitarist Chuck Brown, the "Godfather of Go-Go," created the music by mixing sounds borrowed from church and the blues with the funk and flavor that he picked up playing for a loca...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Durham
Duke University Press
[2012]
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| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UBT01 UPA01 FCO01 URL des Erstveröffentlichers |
| Zusammenfassung: | Go-go is the conga drum-inflected black popular music that emerged in Washington, D.C., during the 1970s. The guitarist Chuck Brown, the "Godfather of Go-Go," created the music by mixing sounds borrowed from church and the blues with the funk and flavor that he picked up playing for a local Latino band. Born in the inner city, amid the charred ruins of the 1968 race riots, go-go generated a distinct culture and an economy of independent, almost exclusively black-owned businesses that sold tickets to shows and recordings of live go-gos. At the peak of its popularity, in the 1980s, go-go could be heard around the capital every night of the week, on college campuses and in crumbling historic theaters, hole-in-the-wall nightclubs, backyards, and city parks.Go-Go Live is a social history of black Washington told through its go-go music and culture. Encompassing dance moves, nightclubs, and fashion, as well as the voices of artists, fans, business owners, and politicians, Natalie Hopkinson's Washington-based narrative reflects the broader history of race in urban America in the second half of the twentieth century and the early twenty-first. In the 1990s, the middle class that had left the city for the suburbs in the postwar years began to return. Gentrification drove up property values and pushed go-go into D.C.'s suburbs. The Chocolate City is in decline, but its heart, D.C.'s distinctive go-go musical culture, continues to beat. On any given night, there's live go-go in the D.C. metro area |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
| Beschreibung: | 1 online resource (232 pages) 34 illustrations |
| ISBN: | 9780822395201 |
| DOI: | 10.1515/9780822395201 |
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| indexdate | 2024-07-10T09:01:09Z |
| institution | BVB |
| isbn | 9780822395201 |
| language | English |
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| spelling | Hopkinson, Natalie Verfasser aut Go-Go Live The Musical Life and Death of a Chocolate City Natalie Hopkinson Durham Duke University Press [2012] © 2012 1 online resource (232 pages) 34 illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) Go-go is the conga drum-inflected black popular music that emerged in Washington, D.C., during the 1970s. The guitarist Chuck Brown, the "Godfather of Go-Go," created the music by mixing sounds borrowed from church and the blues with the funk and flavor that he picked up playing for a local Latino band. Born in the inner city, amid the charred ruins of the 1968 race riots, go-go generated a distinct culture and an economy of independent, almost exclusively black-owned businesses that sold tickets to shows and recordings of live go-gos. At the peak of its popularity, in the 1980s, go-go could be heard around the capital every night of the week, on college campuses and in crumbling historic theaters, hole-in-the-wall nightclubs, backyards, and city parks.Go-Go Live is a social history of black Washington told through its go-go music and culture. Encompassing dance moves, nightclubs, and fashion, as well as the voices of artists, fans, business owners, and politicians, Natalie Hopkinson's Washington-based narrative reflects the broader history of race in urban America in the second half of the twentieth century and the early twenty-first. In the 1990s, the middle class that had left the city for the suburbs in the postwar years began to return. Gentrification drove up property values and pushed go-go into D.C.'s suburbs. The Chocolate City is in decline, but its heart, D.C.'s distinctive go-go musical culture, continues to beat. On any given night, there's live go-go in the D.C. metro area In English SOCIAL SCIENCE / Sociology / Urban bisacsh African Americans Washington (D.C.) Music 20th century African Americans Washington (D.C.) Social life and customs 20th century Go-go (Music) Social aspects Washington (D.C.) Go-go (Music) Washington (D.C.) History and criticism https://doi.org/10.1515/9780822395201 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Hopkinson, Natalie Go-Go Live The Musical Life and Death of a Chocolate City SOCIAL SCIENCE / Sociology / Urban bisacsh African Americans Washington (D.C.) Music 20th century African Americans Washington (D.C.) Social life and customs 20th century Go-go (Music) Social aspects Washington (D.C.) Go-go (Music) Washington (D.C.) History and criticism |
| title | Go-Go Live The Musical Life and Death of a Chocolate City |
| title_auth | Go-Go Live The Musical Life and Death of a Chocolate City |
| title_exact_search | Go-Go Live The Musical Life and Death of a Chocolate City |
| title_exact_search_txtP | Go-Go Live The Musical Life and Death of a Chocolate City |
| title_full | Go-Go Live The Musical Life and Death of a Chocolate City Natalie Hopkinson |
| title_fullStr | Go-Go Live The Musical Life and Death of a Chocolate City Natalie Hopkinson |
| title_full_unstemmed | Go-Go Live The Musical Life and Death of a Chocolate City Natalie Hopkinson |
| title_short | Go-Go Live |
| title_sort | go go live the musical life and death of a chocolate city |
| title_sub | The Musical Life and Death of a Chocolate City |
| topic | SOCIAL SCIENCE / Sociology / Urban bisacsh African Americans Washington (D.C.) Music 20th century African Americans Washington (D.C.) Social life and customs 20th century Go-go (Music) Social aspects Washington (D.C.) Go-go (Music) Washington (D.C.) History and criticism |
| topic_facet | SOCIAL SCIENCE / Sociology / Urban African Americans Washington (D.C.) Music 20th century African Americans Washington (D.C.) Social life and customs 20th century Go-go (Music) Social aspects Washington (D.C.) Go-go (Music) Washington (D.C.) History and criticism |
| url | https://doi.org/10.1515/9780822395201 |
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