Pop When the World Falls Apart: Music in the Shadow of Doubt
Hearing Elvis Presley, Bob Dylan once said, was "like busting out of jail." But what happens when popular music isn't as simple as rock-and-roll rebellion? How does pop respond to such events as a decade-long war in Iraq and Hurricane Katrina? In Pop When the World Falls Apart, a dive...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2012]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | Hearing Elvis Presley, Bob Dylan once said, was "like busting out of jail." But what happens when popular music isn't as simple as rock-and-roll rebellion? How does pop respond to such events as a decade-long war in Iraq and Hurricane Katrina? In Pop When the World Falls Apart, a diverse array of music writers, scholars, and enthusiasts reflect on popular music's role-as commentary, as refuge, and as rallying cry-in times of military conflict, social upheaval, and cultural crisis.Drawn from presentations at the annual Experience Music Project Pop Conference-hailed by Robert Christgau as "the best thing that's ever happened to serious consideration of pop music"-the essays in this book include inquiries into the sonic dimension of war in Iraq; the cultural life of jazz in post-Katrina New Orleans; Isaac Hayes's reappropriation of a country song, "By the Time I Get to Phoenix," as a symbol of black nationalism; and punk rock pranks played on record execs looking for the next big thing in central Virginia. Offering a diverse range of voices, perspectives, and approaches, this volume mirrors the eclecticism of pop itself.Contributors: Larry Blumenfeld , Austin Bunn, Nate Chinen, J. Martin Daughtry, Brian Goedde, Michelle Habell-Pallán, Jonathan Lethem, Eric Lott, Kembrew McLeod, Elena Passarello, Diane Pecknold, David Ritz, Carlo Rotella, Scott Seward, Tom Smucker, Greg Tate, Karen Tongson, Alexandra T. Vazquez, Oliver Wang, Eric Weisbard, Carl Wilson |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
| Beschreibung: | 1 online resource (344 pages) 18 illustrations |
| ISBN: | 9780822394693 |
| DOI: | 10.1515/9780822394693 |
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| isbn | 9780822394693 |
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| spelling | Pop When the World Falls Apart Music in the Shadow of Doubt Eric Weisbard Durham Duke University Press [2012] © 2012 1 online resource (344 pages) 18 illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) Hearing Elvis Presley, Bob Dylan once said, was "like busting out of jail." But what happens when popular music isn't as simple as rock-and-roll rebellion? How does pop respond to such events as a decade-long war in Iraq and Hurricane Katrina? In Pop When the World Falls Apart, a diverse array of music writers, scholars, and enthusiasts reflect on popular music's role-as commentary, as refuge, and as rallying cry-in times of military conflict, social upheaval, and cultural crisis.Drawn from presentations at the annual Experience Music Project Pop Conference-hailed by Robert Christgau as "the best thing that's ever happened to serious consideration of pop music"-the essays in this book include inquiries into the sonic dimension of war in Iraq; the cultural life of jazz in post-Katrina New Orleans; Isaac Hayes's reappropriation of a country song, "By the Time I Get to Phoenix," as a symbol of black nationalism; and punk rock pranks played on record execs looking for the next big thing in central Virginia. Offering a diverse range of voices, perspectives, and approaches, this volume mirrors the eclecticism of pop itself.Contributors: Larry Blumenfeld , Austin Bunn, Nate Chinen, J. Martin Daughtry, Brian Goedde, Michelle Habell-Pallán, Jonathan Lethem, Eric Lott, Kembrew McLeod, Elena Passarello, Diane Pecknold, David Ritz, Carlo Rotella, Scott Seward, Tom Smucker, Greg Tate, Karen Tongson, Alexandra T. Vazquez, Oliver Wang, Eric Weisbard, Carl Wilson In English MUSIC / History & Criticism bisacsh Music Social aspects History 20th century Music Social aspects History 21st century Popular music History and criticism Weisbard, Eric edt https://doi.org/10.1515/9780822394693 Verlag URL des Erstveröffentlichers Volltext |
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