Networked Reenactments: Stories Transdisciplinary Knowledges Tell
Since the 1990s, the knowledge, culture, and entertainment industries have found themselves experimenting, not altogether voluntarily, with communicating complex information across multiple media platforms. Against a backdrop of competing national priorities, changing technologies, globalization, an...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Durham
Duke University Press
[2012]
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Schlagworte: | |
Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
Zusammenfassung: | Since the 1990s, the knowledge, culture, and entertainment industries have found themselves experimenting, not altogether voluntarily, with communicating complex information across multiple media platforms. Against a backdrop of competing national priorities, changing technologies, globalization, and academic capitalism, these industries have sought to reach increasingly differentiated local audiences, even as distributed production practices have made the lack of authorial control increasingly obvious. As Katie King describes in Networked Reenactments, science-styled television-such as the Secrets of Lost Empires series shown on the PBS program Nova-demonstrates how new technical and collaborative skills are honed by television producers, curators, hobbyists, fans, and even scholars. Examining how transmedia storytelling is produced across platforms such as television and the web, she analyzes what this all means for the humanities. What sort of knowledge projects take up these skills, attending to grain of detail, evoking affective intensities, and zooming in and out, representing multiple scales, as well as many different perspectives? And what might this mean for feminist transdisciplinary work, or something sometimes called the posthumanities? |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
Beschreibung: | 1 online resource (387 pages) 19 illustrations |
ISBN: | 9780822394464 |
DOI: | 10.1515/9780822394464 |
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Datensatz im Suchindex
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adam_txt | |
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author | King, Katie |
author_facet | King, Katie |
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building | Verbundindex |
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discipline | Soziologie |
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doi_str_mv | 10.1515/9780822394464 |
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id | DE-604.BV047049220 |
illustrated | Illustrated |
index_date | 2024-07-03T16:07:31Z |
indexdate | 2024-07-10T09:01:09Z |
institution | BVB |
isbn | 9780822394464 |
language | English |
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oclc_num | 1226703753 |
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physical | 1 online resource (387 pages) 19 illustrations |
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publishDate | 2012 |
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publisher | Duke University Press |
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spelling | King, Katie Verfasser aut Networked Reenactments Stories Transdisciplinary Knowledges Tell Katie King Durham Duke University Press [2012] © 2012 1 online resource (387 pages) 19 illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) Since the 1990s, the knowledge, culture, and entertainment industries have found themselves experimenting, not altogether voluntarily, with communicating complex information across multiple media platforms. Against a backdrop of competing national priorities, changing technologies, globalization, and academic capitalism, these industries have sought to reach increasingly differentiated local audiences, even as distributed production practices have made the lack of authorial control increasingly obvious. As Katie King describes in Networked Reenactments, science-styled television-such as the Secrets of Lost Empires series shown on the PBS program Nova-demonstrates how new technical and collaborative skills are honed by television producers, curators, hobbyists, fans, and even scholars. Examining how transmedia storytelling is produced across platforms such as television and the web, she analyzes what this all means for the humanities. What sort of knowledge projects take up these skills, attending to grain of detail, evoking affective intensities, and zooming in and out, representing multiple scales, as well as many different perspectives? And what might this mean for feminist transdisciplinary work, or something sometimes called the posthumanities? In English SOCIAL SCIENCE / Media Studies bisacsh Globalization Social aspects Mass media and culture Mass media and globalization Mass media Social aspects Popular culture and globalization Haraway, Donna J. Sonstige oth https://doi.org/10.1515/9780822394464 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | King, Katie Networked Reenactments Stories Transdisciplinary Knowledges Tell SOCIAL SCIENCE / Media Studies bisacsh Globalization Social aspects Mass media and culture Mass media and globalization Mass media Social aspects Popular culture and globalization |
title | Networked Reenactments Stories Transdisciplinary Knowledges Tell |
title_auth | Networked Reenactments Stories Transdisciplinary Knowledges Tell |
title_exact_search | Networked Reenactments Stories Transdisciplinary Knowledges Tell |
title_exact_search_txtP | Networked Reenactments Stories Transdisciplinary Knowledges Tell |
title_full | Networked Reenactments Stories Transdisciplinary Knowledges Tell Katie King |
title_fullStr | Networked Reenactments Stories Transdisciplinary Knowledges Tell Katie King |
title_full_unstemmed | Networked Reenactments Stories Transdisciplinary Knowledges Tell Katie King |
title_short | Networked Reenactments |
title_sort | networked reenactments stories transdisciplinary knowledges tell |
title_sub | Stories Transdisciplinary Knowledges Tell |
topic | SOCIAL SCIENCE / Media Studies bisacsh Globalization Social aspects Mass media and culture Mass media and globalization Mass media Social aspects Popular culture and globalization |
topic_facet | SOCIAL SCIENCE / Media Studies Globalization Social aspects Mass media and culture Mass media and globalization Mass media Social aspects Popular culture and globalization |
url | https://doi.org/10.1515/9780822394464 |
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