Birds of Fire: Jazz, Rock, Funk, and the Creation of Fusion
Birds of Fire brings overdue critical attention to fusion, a musical idiom that emerged as young musicians blended elements of jazz, rock, and funk in the late 1960s and 1970s. At the time, fusion was disparaged by jazz writers and ignored by rock critics. In the years since, it has come to be seen...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Durham
Duke University Press
[2011]
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Schriftenreihe: | Refiguring American Music
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Schlagworte: | |
Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
Zusammenfassung: | Birds of Fire brings overdue critical attention to fusion, a musical idiom that emerged as young musicians blended elements of jazz, rock, and funk in the late 1960s and 1970s. At the time, fusion was disparaged by jazz writers and ignored by rock critics. In the years since, it has come to be seen as a commercially driven jazz substyle. Fusion never did coalesce into a genre. In Birds of Fire, Kevin Fellezs contends that hybridity was its reason for being. By mixing different musical and cultural traditions, fusion artists sought to disrupt generic boundaries, cultural hierarchies, and critical assumptions. Interpreting the work of four distinctive fusion artists-Tony Williams, John McLaughlin, Joni Mitchell, and Herbie Hancock-Fellezs highlights the ways that they challenged convention in the 1960s and 1970s. He also considers the extent to which a musician can be taken seriously as an artist across divergent musical traditions. Birds of Fire concludes with a look at the current activities of McLaughlin, Mitchell, and Hancock; Williams's final recordings; and the legacy of the fusion music made by these four pioneering artists |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
Beschreibung: | 1 online resource (312 pages) 9 illustrations |
ISBN: | 9780822394389 |
DOI: | 10.1515/9780822394389 |
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illustrated | Illustrated |
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isbn | 9780822394389 |
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publishDate | 2011 |
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publisher | Duke University Press |
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series2 | Refiguring American Music |
spelling | Fellezs, Kevin Verfasser aut Birds of Fire Jazz, Rock, Funk, and the Creation of Fusion Kevin Fellezs Durham Duke University Press [2011] © 2011 1 online resource (312 pages) 9 illustrations txt rdacontent c rdamedia cr rdacarrier Refiguring American Music Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) Birds of Fire brings overdue critical attention to fusion, a musical idiom that emerged as young musicians blended elements of jazz, rock, and funk in the late 1960s and 1970s. At the time, fusion was disparaged by jazz writers and ignored by rock critics. In the years since, it has come to be seen as a commercially driven jazz substyle. Fusion never did coalesce into a genre. In Birds of Fire, Kevin Fellezs contends that hybridity was its reason for being. By mixing different musical and cultural traditions, fusion artists sought to disrupt generic boundaries, cultural hierarchies, and critical assumptions. Interpreting the work of four distinctive fusion artists-Tony Williams, John McLaughlin, Joni Mitchell, and Herbie Hancock-Fellezs highlights the ways that they challenged convention in the 1960s and 1970s. He also considers the extent to which a musician can be taken seriously as an artist across divergent musical traditions. Birds of Fire concludes with a look at the current activities of McLaughlin, Mitchell, and Hancock; Williams's final recordings; and the legacy of the fusion music made by these four pioneering artists In English MUSIC / Genres & Styles / Jazz bisacsh Jazz-rock (Music) United States History and criticism https://doi.org/10.1515/9780822394389 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Fellezs, Kevin Birds of Fire Jazz, Rock, Funk, and the Creation of Fusion MUSIC / Genres & Styles / Jazz bisacsh Jazz-rock (Music) United States History and criticism |
title | Birds of Fire Jazz, Rock, Funk, and the Creation of Fusion |
title_auth | Birds of Fire Jazz, Rock, Funk, and the Creation of Fusion |
title_exact_search | Birds of Fire Jazz, Rock, Funk, and the Creation of Fusion |
title_exact_search_txtP | Birds of Fire Jazz, Rock, Funk, and the Creation of Fusion |
title_full | Birds of Fire Jazz, Rock, Funk, and the Creation of Fusion Kevin Fellezs |
title_fullStr | Birds of Fire Jazz, Rock, Funk, and the Creation of Fusion Kevin Fellezs |
title_full_unstemmed | Birds of Fire Jazz, Rock, Funk, and the Creation of Fusion Kevin Fellezs |
title_short | Birds of Fire |
title_sort | birds of fire jazz rock funk and the creation of fusion |
title_sub | Jazz, Rock, Funk, and the Creation of Fusion |
topic | MUSIC / Genres & Styles / Jazz bisacsh Jazz-rock (Music) United States History and criticism |
topic_facet | MUSIC / Genres & Styles / Jazz Jazz-rock (Music) United States History and criticism |
url | https://doi.org/10.1515/9780822394389 |
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