How a Revolutionary Art Became Official Culture: Murals, Museums, and the Mexican State
A public art movement initiated by the postrevolutionary state, Mexican muralism has long been admired for its depictions of popular struggle and social justice. Mary K. Coffey revises traditional accounts of Mexican muralism by describing how a radical art movement was transformed into official cul...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2012]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 KUBA3 UBG01 UPA01 Volltext |
| Zusammenfassung: | A public art movement initiated by the postrevolutionary state, Mexican muralism has long been admired for its depictions of popular struggle and social justice. Mary K. Coffey revises traditional accounts of Mexican muralism by describing how a radical art movement was transformed into official culture, ultimately becoming a tool of state propaganda. Analyzing the incorporation of mural art into Mexico's most important public museums-the Palace of Fine Arts, the National History Museum, and the National Anthropology Museum-Coffey illuminates the institutionalization of muralism and the political and aesthetic issues it raised. She focuses on the period between 1934, when José Clemente Orozco and Diego Rivera were commissioned to create murals in the Palace of Fine Arts, through the crisis of state authority in the 1960s. Coffey highlights a reciprocal relationship between Mexico's mural art and its museums. Muralism shaped exhibition practices, which affected the politics, aesthetics, and reception of mural art. Interpreting the iconography of Mexico's murals, she focuses on representations of mestizo identity, the preeminent symbol of postrevolutionary Mexico. Coffey argues that those gendered representations reveal a national culture project more invested in race and gender inequality than in race and class equality |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
| Beschreibung: | 1 online resource (248 pages) 51 illustrations, 3 maps |
| ISBN: | 9780822394273 |
| DOI: | 10.1515/9780822394273 |
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| isbn | 9780822394273 |
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| spelling | Coffey, Mary K. Verfasser aut How a Revolutionary Art Became Official Culture Murals, Museums, and the Mexican State Mary K. Coffey Durham Duke University Press [2012] © 2012 1 online resource (248 pages) 51 illustrations, 3 maps txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) A public art movement initiated by the postrevolutionary state, Mexican muralism has long been admired for its depictions of popular struggle and social justice. Mary K. Coffey revises traditional accounts of Mexican muralism by describing how a radical art movement was transformed into official culture, ultimately becoming a tool of state propaganda. Analyzing the incorporation of mural art into Mexico's most important public museums-the Palace of Fine Arts, the National History Museum, and the National Anthropology Museum-Coffey illuminates the institutionalization of muralism and the political and aesthetic issues it raised. She focuses on the period between 1934, when José Clemente Orozco and Diego Rivera were commissioned to create murals in the Palace of Fine Arts, through the crisis of state authority in the 1960s. Coffey highlights a reciprocal relationship between Mexico's mural art and its museums. Muralism shaped exhibition practices, which affected the politics, aesthetics, and reception of mural art. Interpreting the iconography of Mexico's murals, she focuses on representations of mestizo identity, the preeminent symbol of postrevolutionary Mexico. Coffey argues that those gendered representations reveal a national culture project more invested in race and gender inequality than in race and class equality In English ART / History / Modern (late 19th Century to 1945) bisacsh Art and revolutions Mexico Mural painting and decoration Political aspects Mexico Mural painting and decoration, Mexican 20th century Erscheint auch als Druck-Ausgabe 978-0-8223-5020-0 978-0-8223-5037-8 (DE-604)BV039980558 https://doi.org/10.1515/9780822394273 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Coffey, Mary K. How a Revolutionary Art Became Official Culture Murals, Museums, and the Mexican State ART / History / Modern (late 19th Century to 1945) bisacsh Art and revolutions Mexico Mural painting and decoration Political aspects Mexico Mural painting and decoration, Mexican 20th century |
| title | How a Revolutionary Art Became Official Culture Murals, Museums, and the Mexican State |
| title_auth | How a Revolutionary Art Became Official Culture Murals, Museums, and the Mexican State |
| title_exact_search | How a Revolutionary Art Became Official Culture Murals, Museums, and the Mexican State |
| title_exact_search_txtP | How a Revolutionary Art Became Official Culture Murals, Museums, and the Mexican State |
| title_full | How a Revolutionary Art Became Official Culture Murals, Museums, and the Mexican State Mary K. Coffey |
| title_fullStr | How a Revolutionary Art Became Official Culture Murals, Museums, and the Mexican State Mary K. Coffey |
| title_full_unstemmed | How a Revolutionary Art Became Official Culture Murals, Museums, and the Mexican State Mary K. Coffey |
| title_short | How a Revolutionary Art Became Official Culture |
| title_sort | how a revolutionary art became official culture murals museums and the mexican state |
| title_sub | Murals, Museums, and the Mexican State |
| topic | ART / History / Modern (late 19th Century to 1945) bisacsh Art and revolutions Mexico Mural painting and decoration Political aspects Mexico Mural painting and decoration, Mexican 20th century |
| topic_facet | ART / History / Modern (late 19th Century to 1945) Art and revolutions Mexico Mural painting and decoration Political aspects Mexico Mural painting and decoration, Mexican 20th century |
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