One Night on TV Is Worth Weeks at the Paramount: Popular Music on Early Television
Elvis Presley's television debut in January 1956 is often cited as the moment when popular music and television came together. Murray Forman challenges that contention, revealing popular music as crucial to television years before Presley's sensational small-screen performances. Drawing on...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2012]
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| Schriftenreihe: | Console-ing passions: television and cultural power
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | Elvis Presley's television debut in January 1956 is often cited as the moment when popular music and television came together. Murray Forman challenges that contention, revealing popular music as crucial to television years before Presley's sensational small-screen performances. Drawing on trade and popular journalism, internal television and music industry documents, and records of audience feedback, Forman provides a detailed history of the incorporation of musical performances into TV programming during the medium's formative years, from 1948 to 1955. He examines how executives in the music and television industries understood and responded to the convergence of the two media; how celebrity musicians such as Vaughn Monroe, Frank Sinatra, and Fred Waring struggled to adjust to television; and how relative unknowns with an intuitive feel for the medium were sometimes catapulted to stardom. Forman argues that early television production influenced the aesthetics of musical performance in the 1940s and 1950s, particularly those of emerging musical styles such as rock and roll. At the same time, popular music helped to shape the nascent medium of television-its technologies, program formats, and industry structures. Popular music performances were essential to the allure and success of TV in its early years |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
| Beschreibung: | 1 online resource (424 pages) 29 illustrations |
| ISBN: | 9780822394181 |
| DOI: | 10.1515/9780822394181 |
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| series2 | Console-ing passions: television and cultural power |
| spelling | Forman, Murray Verfasser aut One Night on TV Is Worth Weeks at the Paramount Popular Music on Early Television Murray Forman Durham Duke University Press [2012] © 2012 1 online resource (424 pages) 29 illustrations txt rdacontent c rdamedia cr rdacarrier Console-ing passions: television and cultural power Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) Elvis Presley's television debut in January 1956 is often cited as the moment when popular music and television came together. Murray Forman challenges that contention, revealing popular music as crucial to television years before Presley's sensational small-screen performances. Drawing on trade and popular journalism, internal television and music industry documents, and records of audience feedback, Forman provides a detailed history of the incorporation of musical performances into TV programming during the medium's formative years, from 1948 to 1955. He examines how executives in the music and television industries understood and responded to the convergence of the two media; how celebrity musicians such as Vaughn Monroe, Frank Sinatra, and Fred Waring struggled to adjust to television; and how relative unknowns with an intuitive feel for the medium were sometimes catapulted to stardom. Forman argues that early television production influenced the aesthetics of musical performance in the 1940s and 1950s, particularly those of emerging musical styles such as rock and roll. At the same time, popular music helped to shape the nascent medium of television-its technologies, program formats, and industry structures. Popular music performances were essential to the allure and success of TV in its early years In English PERFORMING ARTS / Television / History & Criticism bisacsh Popular music United States History 20th century Television and music United States History 20th century Television broadcasting of music United States History 20th century https://doi.org/10.1515/9780822394181 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Forman, Murray One Night on TV Is Worth Weeks at the Paramount Popular Music on Early Television PERFORMING ARTS / Television / History & Criticism bisacsh Popular music United States History 20th century Television and music United States History 20th century Television broadcasting of music United States History 20th century |
| title | One Night on TV Is Worth Weeks at the Paramount Popular Music on Early Television |
| title_auth | One Night on TV Is Worth Weeks at the Paramount Popular Music on Early Television |
| title_exact_search | One Night on TV Is Worth Weeks at the Paramount Popular Music on Early Television |
| title_exact_search_txtP | One Night on TV Is Worth Weeks at the Paramount Popular Music on Early Television |
| title_full | One Night on TV Is Worth Weeks at the Paramount Popular Music on Early Television Murray Forman |
| title_fullStr | One Night on TV Is Worth Weeks at the Paramount Popular Music on Early Television Murray Forman |
| title_full_unstemmed | One Night on TV Is Worth Weeks at the Paramount Popular Music on Early Television Murray Forman |
| title_short | One Night on TV Is Worth Weeks at the Paramount |
| title_sort | one night on tv is worth weeks at the paramount popular music on early television |
| title_sub | Popular Music on Early Television |
| topic | PERFORMING ARTS / Television / History & Criticism bisacsh Popular music United States History 20th century Television and music United States History 20th century Television broadcasting of music United States History 20th century |
| topic_facet | PERFORMING ARTS / Television / History & Criticism Popular music United States History 20th century Television and music United States History 20th century Television broadcasting of music United States History 20th century |
| url | https://doi.org/10.1515/9780822394181 |
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