Music, Sound, and Technology in America: A Documentary History of Early Phonograph, Cinema, and Radio
This unique anthology assembles primary documents chronicling the development of the phonograph, film sound, and the radio. These three sound technologies shaped Americans' relation to music from the late nineteenth century until the end of the Second World War, by which time the technologies w...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2012]
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | This unique anthology assembles primary documents chronicling the development of the phonograph, film sound, and the radio. These three sound technologies shaped Americans' relation to music from the late nineteenth century until the end of the Second World War, by which time the technologies were thoroughly integrated into everyday life. There are more than 120 selections between the collection's first piece, an article on the phonograph written by Thomas Edison in 1878, and its last, a column advising listeners &";desirous of gaining more from music as presented by the radio.&"; Among the selections are articles from popular and trade publications, advertisements, fan letters, corporate records, fiction, and sheet music. Taken together, the selections capture how the new sound technologies were shaped by developments such as urbanization, the increasing value placed on leisure time, and the rise of the advertising industry. Most importantly, they depict the ways that the new sound technologies were received by real people in particular places and moments in time |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
| Beschreibung: | 1 online resource (432 pages) 20 illustrations |
| ISBN: | 9780822393917 |
| DOI: | 10.1515/9780822393917 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV047049169 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 201207s2012 |||| o||u| ||||||eng d | ||
| 020 | |a 9780822393917 |9 978-0-8223-9391-7 | ||
| 024 | 7 | |a 10.1515/9780822393917 |2 doi | |
| 035 | |a (ZDB-23-DGG)9780822393917 | ||
| 035 | |a (OCoLC)1226701078 | ||
| 035 | |a (DE-599)BVBBV047049169 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1046 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 |a DE-1043 |a DE-858 | ||
| 082 | 0 | |a 781.49 | |
| 245 | 1 | 0 | |a Music, Sound, and Technology in America |b A Documentary History of Early Phonograph, Cinema, and Radio |c Timothy D. Taylor, Tony Grajeda, Mark Katz |
| 264 | 1 | |a Durham |b Duke University Press |c [2012] | |
| 264 | 4 | |c © 2012 | |
| 300 | |a 1 online resource (432 pages) |b 20 illustrations | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) | ||
| 520 | |a This unique anthology assembles primary documents chronicling the development of the phonograph, film sound, and the radio. These three sound technologies shaped Americans' relation to music from the late nineteenth century until the end of the Second World War, by which time the technologies were thoroughly integrated into everyday life. There are more than 120 selections between the collection's first piece, an article on the phonograph written by Thomas Edison in 1878, and its last, a column advising listeners &";desirous of gaining more from music as presented by the radio.&"; Among the selections are articles from popular and trade publications, advertisements, fan letters, corporate records, fiction, and sheet music. Taken together, the selections capture how the new sound technologies were shaped by developments such as urbanization, the increasing value placed on leisure time, and the rise of the advertising industry. Most importantly, they depict the ways that the new sound technologies were received by real people in particular places and moments in time | ||
| 546 | |a In English | ||
| 650 | 7 | |a MUSIC / History & Criticism |2 bisacsh | |
| 650 | 4 | |a Mass media |x Technological innovations |z United States |x History |y 20th century | |
| 650 | 4 | |a Motion picture music |z United States |x History |y 20th century | |
| 650 | 4 | |a Phonograph |z United States |x History |y 20th century | |
| 650 | 4 | |a Popular culture |z United States |x History |y 20th century | |
| 650 | 4 | |a Popular music |x Social aspects |z United States |y 20th century | |
| 650 | 4 | |a Radio broadcasting |z United States |x History |y 20th century | |
| 700 | 1 | |a Grajeda, Tony |4 edt | |
| 700 | 1 | |a Katz, Mark |4 edt | |
| 700 | 1 | |a Taylor, Timothy D. |4 edt | |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9780822393917 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032456565 | ||
| 966 | e | |u https://doi.org/10.1515/9780822393917 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780822393917 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780822393917 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780822393917 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780822393917 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780822393917 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780822393917 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780822393917 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804182035690946560 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Grajeda, Tony Katz, Mark Taylor, Timothy D. |
| author2_role | edt edt edt |
| author2_variant | t g tg m k mk t d t td tdt |
| author_facet | Grajeda, Tony Katz, Mark Taylor, Timothy D. |
| building | Verbundindex |
| bvnumber | BV047049169 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9780822393917 (OCoLC)1226701078 (DE-599)BVBBV047049169 |
| dewey-full | 781.49 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.49 |
| dewey-search | 781.49 |
| dewey-sort | 3781.49 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| doi_str_mv | 10.1515/9780822393917 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03811nmm a2200565zc 4500</leader><controlfield tag="001">BV047049169</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">201207s2012 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780822393917</subfield><subfield code="9">978-0-8223-9391-7</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780822393917</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780822393917</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1226701078</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047049169</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-858</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.49</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Music, Sound, and Technology in America</subfield><subfield code="b">A Documentary History of Early Phonograph, Cinema, and Radio</subfield><subfield code="c">Timothy D. Taylor, Tony Grajeda, Mark Katz</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Durham</subfield><subfield code="b">Duke University Press</subfield><subfield code="c">[2012]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2012</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (432 pages)</subfield><subfield code="b">20 illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This unique anthology assembles primary documents chronicling the development of the phonograph, film sound, and the radio. These three sound technologies shaped Americans' relation to music from the late nineteenth century until the end of the Second World War, by which time the technologies were thoroughly integrated into everyday life. There are more than 120 selections between the collection's first piece, an article on the phonograph written by Thomas Edison in 1878, and its last, a column advising listeners &";desirous of gaining more from music as presented by the radio.&"; Among the selections are articles from popular and trade publications, advertisements, fan letters, corporate records, fiction, and sheet music. Taken together, the selections capture how the new sound technologies were shaped by developments such as urbanization, the increasing value placed on leisure time, and the rise of the advertising industry. Most importantly, they depict the ways that the new sound technologies were received by real people in particular places and moments in time</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC / History & Criticism</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Mass media</subfield><subfield code="x">Technological innovations</subfield><subfield code="z">United States</subfield><subfield code="x">History</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion picture music</subfield><subfield code="z">United States</subfield><subfield code="x">History</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Phonograph</subfield><subfield code="z">United States</subfield><subfield code="x">History</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Popular culture</subfield><subfield code="z">United States</subfield><subfield code="x">History</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Popular music</subfield><subfield code="x">Social aspects</subfield><subfield code="z">United States</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Radio broadcasting</subfield><subfield code="z">United States</subfield><subfield code="x">History</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Grajeda, Tony</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Katz, Mark</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Taylor, Timothy D.</subfield><subfield code="4">edt</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780822393917</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032456565</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822393917</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822393917</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822393917</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822393917</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822393917</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822393917</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822393917</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822393917</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV047049169 |
| illustrated | Illustrated |
| index_date | 2024-07-03T16:07:31Z |
| indexdate | 2024-07-10T09:01:09Z |
| institution | BVB |
| isbn | 9780822393917 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032456565 |
| oclc_num | 1226701078 |
| open_access_boolean | |
| owner | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 |
| owner_facet | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 |
| physical | 1 online resource (432 pages) 20 illustrations |
| psigel | ZDB-23-DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG FCO_PDA_DGG |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Duke University Press |
| record_format | marc |
| spelling | Music, Sound, and Technology in America A Documentary History of Early Phonograph, Cinema, and Radio Timothy D. Taylor, Tony Grajeda, Mark Katz Durham Duke University Press [2012] © 2012 1 online resource (432 pages) 20 illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) This unique anthology assembles primary documents chronicling the development of the phonograph, film sound, and the radio. These three sound technologies shaped Americans' relation to music from the late nineteenth century until the end of the Second World War, by which time the technologies were thoroughly integrated into everyday life. There are more than 120 selections between the collection's first piece, an article on the phonograph written by Thomas Edison in 1878, and its last, a column advising listeners &";desirous of gaining more from music as presented by the radio.&"; Among the selections are articles from popular and trade publications, advertisements, fan letters, corporate records, fiction, and sheet music. Taken together, the selections capture how the new sound technologies were shaped by developments such as urbanization, the increasing value placed on leisure time, and the rise of the advertising industry. Most importantly, they depict the ways that the new sound technologies were received by real people in particular places and moments in time In English MUSIC / History & Criticism bisacsh Mass media Technological innovations United States History 20th century Motion picture music United States History 20th century Phonograph United States History 20th century Popular culture United States History 20th century Popular music Social aspects United States 20th century Radio broadcasting United States History 20th century Grajeda, Tony edt Katz, Mark edt Taylor, Timothy D. edt https://doi.org/10.1515/9780822393917 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Music, Sound, and Technology in America A Documentary History of Early Phonograph, Cinema, and Radio MUSIC / History & Criticism bisacsh Mass media Technological innovations United States History 20th century Motion picture music United States History 20th century Phonograph United States History 20th century Popular culture United States History 20th century Popular music Social aspects United States 20th century Radio broadcasting United States History 20th century |
| title | Music, Sound, and Technology in America A Documentary History of Early Phonograph, Cinema, and Radio |
| title_auth | Music, Sound, and Technology in America A Documentary History of Early Phonograph, Cinema, and Radio |
| title_exact_search | Music, Sound, and Technology in America A Documentary History of Early Phonograph, Cinema, and Radio |
| title_exact_search_txtP | Music, Sound, and Technology in America A Documentary History of Early Phonograph, Cinema, and Radio |
| title_full | Music, Sound, and Technology in America A Documentary History of Early Phonograph, Cinema, and Radio Timothy D. Taylor, Tony Grajeda, Mark Katz |
| title_fullStr | Music, Sound, and Technology in America A Documentary History of Early Phonograph, Cinema, and Radio Timothy D. Taylor, Tony Grajeda, Mark Katz |
| title_full_unstemmed | Music, Sound, and Technology in America A Documentary History of Early Phonograph, Cinema, and Radio Timothy D. Taylor, Tony Grajeda, Mark Katz |
| title_short | Music, Sound, and Technology in America |
| title_sort | music sound and technology in america a documentary history of early phonograph cinema and radio |
| title_sub | A Documentary History of Early Phonograph, Cinema, and Radio |
| topic | MUSIC / History & Criticism bisacsh Mass media Technological innovations United States History 20th century Motion picture music United States History 20th century Phonograph United States History 20th century Popular culture United States History 20th century Popular music Social aspects United States 20th century Radio broadcasting United States History 20th century |
| topic_facet | MUSIC / History & Criticism Mass media Technological innovations United States History 20th century Motion picture music United States History 20th century Phonograph United States History 20th century Popular culture United States History 20th century Popular music Social aspects United States 20th century Radio broadcasting United States History 20th century |
| url | https://doi.org/10.1515/9780822393917 |
| work_keys_str_mv | AT grajedatony musicsoundandtechnologyinamericaadocumentaryhistoryofearlyphonographcinemaandradio AT katzmark musicsoundandtechnologyinamericaadocumentaryhistoryofearlyphonographcinemaandradio AT taylortimothyd musicsoundandtechnologyinamericaadocumentaryhistoryofearlyphonographcinemaandradio |