The Right to Look: A Counterhistory of Visuality
In The Right to Look, Nicholas Mirzoeff develops a comparative decolonial framework for visual culture studies, the field that he helped to create and shape. Casting modernity as an ongoing contest between visuality and countervisuality, or "the right to look," he explains how visuality su...
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| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2011]
|
| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-859 DE-860 DE-473 DE-739 DE-858 Volltext |
| Zusammenfassung: | In The Right to Look, Nicholas Mirzoeff develops a comparative decolonial framework for visual culture studies, the field that he helped to create and shape. Casting modernity as an ongoing contest between visuality and countervisuality, or "the right to look," he explains how visuality sutures authority to power and renders the association natural. An early-nineteenth-century concept, meaning the visualization of history, visuality has been central to the legitimization of Western hegemony. Mirzoeff identifies three "complexes of visuality"-plantation slavery, imperialism, and the present-day military-industrial complex-and explains how, within each, power is made to seem self-evident through techniques of classification, separation, and aestheticization. At the same time, he shows how each complex of visuality has been countered-by the enslaved, the colonized, and opponents of war, all of whom assert autonomy from authority by claiming the right to look. Encompassing the Caribbean plantation and the Haitian revolution, anticolonialism in the South Pacific, antifascism in Italy and Algeria, and the contemporary global counterinsurgency, The Right to Look is a work of astonishing geographic, temporal, and conceptual reach |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
| Beschreibung: | 1 online resource (408 pages) 75 illustrations (incl. 11 in color), 2 tables |
| ISBN: | 9780822393726 |
| DOI: | 10.1515/9780822393726 |
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| 520 | |a In The Right to Look, Nicholas Mirzoeff develops a comparative decolonial framework for visual culture studies, the field that he helped to create and shape. Casting modernity as an ongoing contest between visuality and countervisuality, or "the right to look," he explains how visuality sutures authority to power and renders the association natural. An early-nineteenth-century concept, meaning the visualization of history, visuality has been central to the legitimization of Western hegemony. Mirzoeff identifies three "complexes of visuality"-plantation slavery, imperialism, and the present-day military-industrial complex-and explains how, within each, power is made to seem self-evident through techniques of classification, separation, and aestheticization. At the same time, he shows how each complex of visuality has been countered-by the enslaved, the colonized, and opponents of war, all of whom assert autonomy from authority by claiming the right to look. Encompassing the Caribbean plantation and the Haitian revolution, anticolonialism in the South Pacific, antifascism in Italy and Algeria, and the contemporary global counterinsurgency, The Right to Look is a work of astonishing geographic, temporal, and conceptual reach | ||
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| spelling | Mirzoeff, Nicholas Verfasser aut The Right to Look A Counterhistory of Visuality Nicholas Mirzoeff Durham Duke University Press [2011] © 2011 1 online resource (408 pages) 75 illustrations (incl. 11 in color), 2 tables txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) In The Right to Look, Nicholas Mirzoeff develops a comparative decolonial framework for visual culture studies, the field that he helped to create and shape. Casting modernity as an ongoing contest between visuality and countervisuality, or "the right to look," he explains how visuality sutures authority to power and renders the association natural. An early-nineteenth-century concept, meaning the visualization of history, visuality has been central to the legitimization of Western hegemony. Mirzoeff identifies three "complexes of visuality"-plantation slavery, imperialism, and the present-day military-industrial complex-and explains how, within each, power is made to seem self-evident through techniques of classification, separation, and aestheticization. At the same time, he shows how each complex of visuality has been countered-by the enslaved, the colonized, and opponents of war, all of whom assert autonomy from authority by claiming the right to look. Encompassing the Caribbean plantation and the Haitian revolution, anticolonialism in the South Pacific, antifascism in Italy and Algeria, and the contemporary global counterinsurgency, The Right to Look is a work of astonishing geographic, temporal, and conceptual reach In English ART / Criticism bisacsh Communication and culture Political aspects Mass media and world politics Mass media Political aspects Visual communication Political aspects https://doi.org/10.1515/9780822393726 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Mirzoeff, Nicholas The Right to Look A Counterhistory of Visuality ART / Criticism bisacsh Communication and culture Political aspects Mass media and world politics Mass media Political aspects Visual communication Political aspects |
| title | The Right to Look A Counterhistory of Visuality |
| title_auth | The Right to Look A Counterhistory of Visuality |
| title_exact_search | The Right to Look A Counterhistory of Visuality |
| title_exact_search_txtP | The Right to Look A Counterhistory of Visuality |
| title_full | The Right to Look A Counterhistory of Visuality Nicholas Mirzoeff |
| title_fullStr | The Right to Look A Counterhistory of Visuality Nicholas Mirzoeff |
| title_full_unstemmed | The Right to Look A Counterhistory of Visuality Nicholas Mirzoeff |
| title_short | The Right to Look |
| title_sort | the right to look a counterhistory of visuality |
| title_sub | A Counterhistory of Visuality |
| topic | ART / Criticism bisacsh Communication and culture Political aspects Mass media and world politics Mass media Political aspects Visual communication Political aspects |
| topic_facet | ART / Criticism Communication and culture Political aspects Mass media and world politics Mass media Political aspects Visual communication Political aspects |
| url | https://doi.org/10.1515/9780822393726 |
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