Television as Digital Media:
In Television as Digital Media, scholars from Australia, the United Kingdom, and the United States combine television studies with new media studies to analyze digital TV as part of digital culture. Taking into account technologies, industries, economies, aesthetics, and various production, user, an...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2011]
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| Schriftenreihe: | Console-ing passions: television and cultural power
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | In Television as Digital Media, scholars from Australia, the United Kingdom, and the United States combine television studies with new media studies to analyze digital TV as part of digital culture. Taking into account technologies, industries, economies, aesthetics, and various production, user, and audience practices, the contributors develop a new critical paradigm for thinking about television, and the future of television studies, in the digital era. The collection brings together established and emerging scholars, producing an intergenerational dialogue that will be useful for anyone seeking to understand the relationship between television and digital media.Introducing the collection, James Bennett explains how television as digital media is a non-site-specific, hybrid cultural and technological form that spreads across platforms such as mobile phones, games consoles, iPods, and online video services, including YouTube, Hulu and the BBC's iPlayer. Television as digital media threatens to upset assumptions about television as a mass medium that has helped define the social collective experience, the organization of everyday life, and forms of sociality. As often as we are promised the convenience of the television experience "anytime, anywhere," we are invited to participate in communities, share television moments, and watch events live. The essays in this collection demonstrate the historical, production, aesthetic, and audience changes and continuities that underpin the emerging meaning of television as digital media.Contributors. James Bennett, William Boddy, Jean Burgess, John Caldwell, Daniel Chamberlain, Max Dawson, Jason Jacobs, Karen Lury, Roberta Pearson, Jeanette Steemers, Niki Strange, Julian Thomas, Graeme Turner |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
| Beschreibung: | 1 online resource (400 pages) 38 photographs |
| ISBN: | 9780822393658 |
| DOI: | 10.1515/9780822393658 |
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| index_date | 2024-07-03T16:07:30Z |
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| isbn | 9780822393658 |
| language | English |
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| series2 | Console-ing passions: television and cultural power |
| spelling | Television as Digital Media Lynn Spigel, Niki Strange, James Bennett Durham Duke University Press [2011] © 2011 1 online resource (400 pages) 38 photographs txt rdacontent c rdamedia cr rdacarrier Console-ing passions: television and cultural power Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) In Television as Digital Media, scholars from Australia, the United Kingdom, and the United States combine television studies with new media studies to analyze digital TV as part of digital culture. Taking into account technologies, industries, economies, aesthetics, and various production, user, and audience practices, the contributors develop a new critical paradigm for thinking about television, and the future of television studies, in the digital era. The collection brings together established and emerging scholars, producing an intergenerational dialogue that will be useful for anyone seeking to understand the relationship between television and digital media.Introducing the collection, James Bennett explains how television as digital media is a non-site-specific, hybrid cultural and technological form that spreads across platforms such as mobile phones, games consoles, iPods, and online video services, including YouTube, Hulu and the BBC's iPlayer. Television as digital media threatens to upset assumptions about television as a mass medium that has helped define the social collective experience, the organization of everyday life, and forms of sociality. As often as we are promised the convenience of the television experience "anytime, anywhere," we are invited to participate in communities, share television moments, and watch events live. The essays in this collection demonstrate the historical, production, aesthetic, and audience changes and continuities that underpin the emerging meaning of television as digital media.Contributors. James Bennett, William Boddy, Jean Burgess, John Caldwell, Daniel Chamberlain, Max Dawson, Jason Jacobs, Karen Lury, Roberta Pearson, Jeanette Steemers, Niki Strange, Julian Thomas, Graeme Turner In English PERFORMING ARTS / Television / History & Criticism bisacsh Digital media Social aspects Digital television Social aspects Information society Technological innovations Social aspects Bennett, James edt Spigel, Lynn edt Strange, Niki edt Thomas, Julian Sonstige oth Turner, Graeme Sonstige oth https://doi.org/10.1515/9780822393658 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Television as Digital Media PERFORMING ARTS / Television / History & Criticism bisacsh Digital media Social aspects Digital television Social aspects Information society Technological innovations Social aspects |
| title | Television as Digital Media |
| title_auth | Television as Digital Media |
| title_exact_search | Television as Digital Media |
| title_exact_search_txtP | Television as Digital Media |
| title_full | Television as Digital Media Lynn Spigel, Niki Strange, James Bennett |
| title_fullStr | Television as Digital Media Lynn Spigel, Niki Strange, James Bennett |
| title_full_unstemmed | Television as Digital Media Lynn Spigel, Niki Strange, James Bennett |
| title_short | Television as Digital Media |
| title_sort | television as digital media |
| topic | PERFORMING ARTS / Television / History & Criticism bisacsh Digital media Social aspects Digital television Social aspects Information society Technological innovations Social aspects |
| topic_facet | PERFORMING ARTS / Television / History & Criticism Digital media Social aspects Digital television Social aspects Information society Technological innovations Social aspects |
| url | https://doi.org/10.1515/9780822393658 |
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