A Social History of Iranian Cinema, Volume 3: The Islamicate Period, 1978-1984
Hamid Naficy is one of the world's leading authorities on Iranian film, and A Social History of Iranian Cinema is his magnum opus. Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, it explains Iran's peculiar cinemat...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2012]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | Hamid Naficy is one of the world's leading authorities on Iranian film, and A Social History of Iranian Cinema is his magnum opus. Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, it explains Iran's peculiar cinematic production modes, as well as the role of cinema and media in shaping modernity and a modern national identity in Iran. This comprehensive social history unfolds across four volumes, each of which can be appreciated on its own.In Volume 3, Naficy assesses the profound effects of the Islamic Revolution on Iran's cinema and film industry. Throughout the book, he uses the term Islamicate, rather than Islamic, to indicate that the values of the postrevolutionary state, culture, and cinema were informed not only by Islam but also by Persian traditions. Naficy examines documentary films made to record events prior to, during, and in the immediate aftermath of the revolution. He describes how certain institutions and individuals, including prerevolutionary cinema and filmmakers, were associated with the Pahlavi regime, the West, and modernity and therefore perceived as corrupt and immoral. Many of the nation's moviehouses were burned down. Prerevolutionary films were subject to strict review and often banned, to be replaced with films commensurate with Islamicate values. Filmmakers and entertainers were thrown out of the industry, exiled, imprisoned, and even executed. Yet, out of this revolutionary turmoil, an extraordinary Islamicate cinema and film culture emerged. Naficy traces its development and explains how Iran's long war with Iraq, the gendered segregation of space, and the imposition of the veil on women encouraged certain ideological and aesthetic trends in film and related media. Finally, he discusses the structural, administrative, and regulatory measures that helped to institutionalize the new evolving cinema.A Social History of Iranian CinemaVolume 1: The Artisanal Era, 1897-1941Volume 2: The Industrializing Years, 1941-1978Volume 3: The Islamicate Period, 1978-1984Volume 4: The Globalizing Era, 1984-2010 |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
| Beschreibung: | 1 online resource (288 pages) 42 illustrations, 8 tables |
| ISBN: | 9780822393535 |
| DOI: | 10.1515/9780822393535 |
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| 520 | |a Hamid Naficy is one of the world's leading authorities on Iranian film, and A Social History of Iranian Cinema is his magnum opus. Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, it explains Iran's peculiar cinematic production modes, as well as the role of cinema and media in shaping modernity and a modern national identity in Iran. This comprehensive social history unfolds across four volumes, each of which can be appreciated on its own.In Volume 3, Naficy assesses the profound effects of the Islamic Revolution on Iran's cinema and film industry. Throughout the book, he uses the term Islamicate, rather than Islamic, to indicate that the values of the postrevolutionary state, culture, and cinema were informed not only by Islam but also by Persian traditions. Naficy examines documentary films made to record events prior to, during, and in the immediate aftermath of the revolution. | ||
| 520 | |a He describes how certain institutions and individuals, including prerevolutionary cinema and filmmakers, were associated with the Pahlavi regime, the West, and modernity and therefore perceived as corrupt and immoral. Many of the nation's moviehouses were burned down. Prerevolutionary films were subject to strict review and often banned, to be replaced with films commensurate with Islamicate values. Filmmakers and entertainers were thrown out of the industry, exiled, imprisoned, and even executed. Yet, out of this revolutionary turmoil, an extraordinary Islamicate cinema and film culture emerged. Naficy traces its development and explains how Iran's long war with Iraq, the gendered segregation of space, and the imposition of the veil on women encouraged certain ideological and aesthetic trends in film and related media. | ||
| 520 | |a Finally, he discusses the structural, administrative, and regulatory measures that helped to institutionalize the new evolving cinema.A Social History of Iranian CinemaVolume 1: The Artisanal Era, 1897-1941Volume 2: The Industrializing Years, 1941-1978Volume 3: The Islamicate Period, 1978-1984Volume 4: The Globalizing Era, 1984-2010 | ||
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| illustrated | Illustrated |
| index_date | 2024-07-03T16:07:30Z |
| indexdate | 2024-07-10T09:01:09Z |
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| isbn | 9780822393535 |
| language | English |
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| spelling | Naficy, Hamid Verfasser aut A Social History of Iranian Cinema, Volume 3 The Islamicate Period, 1978-1984 Hamid Naficy Durham Duke University Press [2012] © 2012 1 online resource (288 pages) 42 illustrations, 8 tables txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) Hamid Naficy is one of the world's leading authorities on Iranian film, and A Social History of Iranian Cinema is his magnum opus. Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, it explains Iran's peculiar cinematic production modes, as well as the role of cinema and media in shaping modernity and a modern national identity in Iran. This comprehensive social history unfolds across four volumes, each of which can be appreciated on its own.In Volume 3, Naficy assesses the profound effects of the Islamic Revolution on Iran's cinema and film industry. Throughout the book, he uses the term Islamicate, rather than Islamic, to indicate that the values of the postrevolutionary state, culture, and cinema were informed not only by Islam but also by Persian traditions. Naficy examines documentary films made to record events prior to, during, and in the immediate aftermath of the revolution. He describes how certain institutions and individuals, including prerevolutionary cinema and filmmakers, were associated with the Pahlavi regime, the West, and modernity and therefore perceived as corrupt and immoral. Many of the nation's moviehouses were burned down. Prerevolutionary films were subject to strict review and often banned, to be replaced with films commensurate with Islamicate values. Filmmakers and entertainers were thrown out of the industry, exiled, imprisoned, and even executed. Yet, out of this revolutionary turmoil, an extraordinary Islamicate cinema and film culture emerged. Naficy traces its development and explains how Iran's long war with Iraq, the gendered segregation of space, and the imposition of the veil on women encouraged certain ideological and aesthetic trends in film and related media. Finally, he discusses the structural, administrative, and regulatory measures that helped to institutionalize the new evolving cinema.A Social History of Iranian CinemaVolume 1: The Artisanal Era, 1897-1941Volume 2: The Industrializing Years, 1941-1978Volume 3: The Islamicate Period, 1978-1984Volume 4: The Globalizing Era, 1984-2010 In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Social aspects Iran Motion pictures Iran History https://doi.org/10.1515/9780822393535 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Naficy, Hamid A Social History of Iranian Cinema, Volume 3 The Islamicate Period, 1978-1984 PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Social aspects Iran Motion pictures Iran History |
| title | A Social History of Iranian Cinema, Volume 3 The Islamicate Period, 1978-1984 |
| title_auth | A Social History of Iranian Cinema, Volume 3 The Islamicate Period, 1978-1984 |
| title_exact_search | A Social History of Iranian Cinema, Volume 3 The Islamicate Period, 1978-1984 |
| title_exact_search_txtP | A Social History of Iranian Cinema, Volume 3 The Islamicate Period, 1978-1984 |
| title_full | A Social History of Iranian Cinema, Volume 3 The Islamicate Period, 1978-1984 Hamid Naficy |
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| title_full_unstemmed | A Social History of Iranian Cinema, Volume 3 The Islamicate Period, 1978-1984 Hamid Naficy |
| title_short | A Social History of Iranian Cinema, Volume 3 |
| title_sort | a social history of iranian cinema volume 3 the islamicate period 1978 1984 |
| title_sub | The Islamicate Period, 1978-1984 |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Social aspects Iran Motion pictures Iran History |
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