So Much Wasted: Hunger, Performance, and the Morbidity of Resistance
In So Much Wasted, Patrick Anderson analyzes self-starvation as a significant mode of staging political arguments across the institutional domains of the clinic, the gallery, and the prison. Homing in on those who starve themselves for various reasons and the cultural and political contexts in which...
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| Weitere Verfasser: | , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2010]
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| Schriftenreihe: | Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | In So Much Wasted, Patrick Anderson analyzes self-starvation as a significant mode of staging political arguments across the institutional domains of the clinic, the gallery, and the prison. Homing in on those who starve themselves for various reasons and the cultural and political contexts in which they do so, he examines the diagnostic history of anorexia nervosa, fasts staged by artists including Ana Mendieta and Marina Abramović, and a hunger strike initiated by Turkish prisoners. Anderson explores what it means for the clinic, the gallery, and the prison when one performs a refusal to consume as a strategy of negation or resistance, and the ways that self-starvation, as a project of refusal aimed, however unconsciously, toward death, produces violence, suffering, disappearance, and loss differently from other practices. Drawing on the work of Martin Heidegger, Sigmund Freud, Giorgio Agamben, Peggy Phelan, and others, he considers how the subject of self-starvation is refigured in relation to larger institutional and ideological drives, including those of the state. The ontological significance of performance as disappearance constitutes what Anderson calls the "politics of morbidity," the embodied, interventional embrace of mortality and disappearance not as destructive, but rather as radically productive stagings of subject formations in which subjectivity and objecthood, presence and absence, and life and death are intertwined |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
| Beschreibung: | 1 online resource (204 pages) |
| ISBN: | 9780822393290 |
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| 520 | |a In So Much Wasted, Patrick Anderson analyzes self-starvation as a significant mode of staging political arguments across the institutional domains of the clinic, the gallery, and the prison. Homing in on those who starve themselves for various reasons and the cultural and political contexts in which they do so, he examines the diagnostic history of anorexia nervosa, fasts staged by artists including Ana Mendieta and Marina Abramović, and a hunger strike initiated by Turkish prisoners. Anderson explores what it means for the clinic, the gallery, and the prison when one performs a refusal to consume as a strategy of negation or resistance, and the ways that self-starvation, as a project of refusal aimed, however unconsciously, toward death, produces violence, suffering, disappearance, and loss differently from other practices. Drawing on the work of Martin Heidegger, Sigmund Freud, Giorgio Agamben, Peggy Phelan, and others, he considers how the subject of self-starvation is refigured in relation to larger institutional and ideological drives, including those of the state. The ontological significance of performance as disappearance constitutes what Anderson calls the "politics of morbidity," the embodied, interventional embrace of mortality and disappearance not as destructive, but rather as radically productive stagings of subject formations in which subjectivity and objecthood, presence and absence, and life and death are intertwined | ||
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Datensatz im Suchindex
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| author | Anderson, Patrick |
| author2 | Halberstam, Judith Lowe, Lisa |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:07:30Z |
| indexdate | 2024-07-10T09:01:09Z |
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| isbn | 9780822393290 |
| language | English |
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| series2 | Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe |
| spelling | Anderson, Patrick Verfasser aut So Much Wasted Hunger, Performance, and the Morbidity of Resistance Patrick Anderson; Lisa Lowe, Judith Halberstam Durham Duke University Press [2010] © 2010 1 online resource (204 pages) txt rdacontent c rdamedia cr rdacarrier Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) In So Much Wasted, Patrick Anderson analyzes self-starvation as a significant mode of staging political arguments across the institutional domains of the clinic, the gallery, and the prison. Homing in on those who starve themselves for various reasons and the cultural and political contexts in which they do so, he examines the diagnostic history of anorexia nervosa, fasts staged by artists including Ana Mendieta and Marina Abramović, and a hunger strike initiated by Turkish prisoners. Anderson explores what it means for the clinic, the gallery, and the prison when one performs a refusal to consume as a strategy of negation or resistance, and the ways that self-starvation, as a project of refusal aimed, however unconsciously, toward death, produces violence, suffering, disappearance, and loss differently from other practices. Drawing on the work of Martin Heidegger, Sigmund Freud, Giorgio Agamben, Peggy Phelan, and others, he considers how the subject of self-starvation is refigured in relation to larger institutional and ideological drives, including those of the state. The ontological significance of performance as disappearance constitutes what Anderson calls the "politics of morbidity," the embodied, interventional embrace of mortality and disappearance not as destructive, but rather as radically productive stagings of subject formations in which subjectivity and objecthood, presence and absence, and life and death are intertwined In English PERFORMING ARTS / Theater / History & Criticism bisacsh Fasting Political aspects Passive resistance Performance art Starvation Political aspects Halberstam, Judith edt Lowe, Lisa edt https://www.degruyter.com/isbn/9780822393290 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Anderson, Patrick So Much Wasted Hunger, Performance, and the Morbidity of Resistance PERFORMING ARTS / Theater / History & Criticism bisacsh Fasting Political aspects Passive resistance Performance art Starvation Political aspects |
| title | So Much Wasted Hunger, Performance, and the Morbidity of Resistance |
| title_auth | So Much Wasted Hunger, Performance, and the Morbidity of Resistance |
| title_exact_search | So Much Wasted Hunger, Performance, and the Morbidity of Resistance |
| title_exact_search_txtP | So Much Wasted Hunger, Performance, and the Morbidity of Resistance |
| title_full | So Much Wasted Hunger, Performance, and the Morbidity of Resistance Patrick Anderson; Lisa Lowe, Judith Halberstam |
| title_fullStr | So Much Wasted Hunger, Performance, and the Morbidity of Resistance Patrick Anderson; Lisa Lowe, Judith Halberstam |
| title_full_unstemmed | So Much Wasted Hunger, Performance, and the Morbidity of Resistance Patrick Anderson; Lisa Lowe, Judith Halberstam |
| title_short | So Much Wasted |
| title_sort | so much wasted hunger performance and the morbidity of resistance |
| title_sub | Hunger, Performance, and the Morbidity of Resistance |
| topic | PERFORMING ARTS / Theater / History & Criticism bisacsh Fasting Political aspects Passive resistance Performance art Starvation Political aspects |
| topic_facet | PERFORMING ARTS / Theater / History & Criticism Fasting Political aspects Passive resistance Performance art Starvation Political aspects |
| url | https://www.degruyter.com/isbn/9780822393290 |
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